The Virginian, 1915


Book Description

Excerpt from The Virginian, 1915: Edited by the Senior Class of the State Normal School for Women, Farmville, Virginia About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Science of Religion in Britain, 1860-1915


Book Description

Marjorie Wheeler-Barclay argues that, although the existence and significance of the science of religion has been barely visible to modern scholars of the Victorian period, it was a subject of lively and extensive debate among nineteenth-century readers and audiences. She shows how an earlier generation of scholars in Victorian Britain attempted to arrive at a dispassionate understanding of the psychological and social meanings of religious beliefs and practices—a topic not without contemporary resonance in a time when so many people feel both empowered and threatened by religious passion—and provides the kind of history she feels has been neglected. Wheeler-Barclay examines the lives and work of six scholars: Friedrich Max Müller, Edward B. Tylor, Andrew Lang, William Robertson Smith, James G. Frazer, and Jane Ellen Harrison. She illuminates their attempts to create a scholarly, non-apologetic study of religion and religions that drew upon several different disciplines, including anthropology, sociology, the classics, and Oriental studies, and relied upon contributions from those outside as well as within the universities. This intellectual enterprise—variously known as comparative religion, the history of religions, or the science of religion—was primarily focused on non-Christian religions. Yet in Wheeler-Barclay’s study of the history of this field within the broad contexts of Victorian cultural, intellectual, social, and political history, she traces the links between the emergence of the science of religion to debates about Christianity and to the history of British imperialism, the latter of which made possible the collection of so much of the ethnographic data on which the scholars relied and which legitimized exploration and conquest. Far from promoting an anti-religious or materialistic agenda, the science of religion opened up cultural space for an exploration of religion that was not constricted by the terms of contemporary conflicts over Darwin and the Bible and that made it possible to think in new and more flexible ways about the very definition of religion.




The American Theatrical Film


Book Description

This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.




In the Shadow of The Birth of a Nation


Book Description

This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations.










Cecil B. DeMille and American Culture


Book Description

Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition.




Guide to the Silent Years of American Cinema


Book Description

The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings until the perfection of synchronized sound, and reflect upon the themes and techniques established with the silent cinema that continued into the sound era through modern times. The annotated entries, alphabetically arranged by film title or personnel, include brief bibliographies and filmographies. An appendix lists secondary but important movies and their creators. Film and popular culture scholars will appreciate the vast amount of information that has been culled from various sources and that builds upon the increased studies and research of the past ten years.




Legal Executions in Delaware, the District of Columbia, Maryland, Virginia and West Virginia


Book Description

In the century following the Civil War, Delaware, the District of Columbia, Maryland, Virginia and West Virginia legally executed hundreds of men and women convicted of capital crimes. Based on exhaustive research of court records, newspapers death certificates and even gravestones, this book provides the essential details of each case. Arranged by state, entries for each execution are listed in chronological order, giving the name, race and age of the prisoner and a description of the crime of which he or she was convicted. The motive, if known, the date and place of the execution, and relevant sources are also included. Appendices provide preliminary lists of executions in these states before 1866, including some cases dating back to the 17th century. A significant number of hitherto undiscovered executions, further reveals that America's experience with capital punishment is more extensive than previously known.