Sex Scene


Book Description

Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world. Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams




The American Hebrew


Book Description










Current Oculomotor Research


Book Description

This volume contains the proceedings of the Ninth European Conference on Eye Movements (ECEM 9), held in Ulm, Germany, on September 23-26, 1997. ECEM 9 con tinued a series of conferences initiated by Rudolf Groner of Bern, Switzerland, in 1981 which, from its very beginning, has brought together scientists from very diverse fields with a common interest in eye movements. About 40 of the papers presented at ECEM 9 have been selected for presentation in full length while others are rendered in condensed form. There is a broad spectrum of motives why people have become involved in, and fas cinated by, eye movement research. Neuroscientists have been allured by the prospect of understanding anatomical findings, single unit recordings, and the sequels of experimental lesions in terms of the clearly defined system requirements and the well documented be havioural repertoire of the oculomotor system. Others have been attracted by the richness of this repertoire and its dependence on an intricate hierarchy of factors spanning from "simple" reflexes to visual pattern recognition and spatio-temporal prediction. Neurolo gists, neuro-ophthalmologists and neuro-otologists have long standing experience with eye movements as sensitive indicators of lesions in the brain stem, the midbrain, and the cere bellum. By studying oculomotor malfunctions they have made, and are continuing to make, important contributions to our understanding of oculomotor functions.




The Land of the Moa


Book Description

Written in the early 1890s, this play became the most widely performed New Zealand play in the country's history. It was designed around spectacular scenery and special effects, including a three-dimensional representation of the Pink Terraces and a realistic and technically demanding recreation of the Tarawera eruption.