The Voice of East Asia


Book Description

Analyses East Asian economic development strategy with reference to trade and investment policies from the 1950s to 1990 and measures for improving competitiveness in the manufacturing sector. Includes a section on the promotion of small amd medium-sized enterprises in Japan. Examines industrial restructuring in Latin America during the 1980s and presents a study of small scale enterprises in Brazil and Mexico. Examines the applicability of East Asian policies to Latin America.




Vocal Music and Contemporary Identities


Book Description

Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-century music in both East Asian and Western music. The authors approach musical meaning in specific case studies against the background of general trends of cultural globalization and the construction/deconstruction of identity produced by human (and artificial) voices. The essays proceed from different angles, notably sociocultural and historical contexts, philosophical and literary aesthetics, vocal technique, analysis of vocal microstructures, text/phonetics-music-relationships, historical vocal sources or models for contemporary art and pop music, and areas of conflict between vocalization, "ethnicity," and cultural identity. They pinpoint crucial topical features that have shaped identity-discourses in art and popular musical situations since the1950s, with a special focus on the past two decades. The volume thus offers a unique compilation of texts on the human voice in a period of heightened cultural globalization by utilizing systematic methodological research and firsthand accounts on compositional practice by current Asian and Western authors.




East Side Voices


Book Description

'A dazzling and joyous celebration' i-D 'Dazzling . . . East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes' Bidisha, Observer In this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today. Showcasing original essays and poetry from well-known celebrities, prize-winning literary stars and exciting new writers, East Side Voices takes us many places: from the frontlines of the NHS in the midst of the Covid pandemic, to the set of a Harry Potter film, from a bustling London restaurant to a spirit festival in Myanmar. In the process we navigate the legacies of family history, racial identity, assimilation and difference. Edited by Helena Lee, founder of the East Side Voices cultural salon and Acting Deputy Editor of Harper's Bazaar. Featuring writing from: Romalyn Ante, Tash Aw, June Bellebono, Gemma Chan, Mary Jean Chan, Catherine Cho, Tuyen Do, Will Harris, Rowan Hisayo Buchanan, Claire Kohda, Katie Leung, Amy Poon, Naomi Shimada, Anna Sulan Masing, Sharlene Teo, Zing Tsjeng and Andrew Wong. 'Invaluable and delightful' Esquire




Vamping the Stage


Book Description

The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.




East Asia


Book Description

Analyses modern tendencies in the development of regional economic cooperation in East Asia which is considered by regional countries as their response to growing challenges of globalization.




The Voice of Asia


Book Description




Field Guide to the Birds of East Asia


Book Description

This is the first single volume guide ever devoted to the eastern Asian avifauna. The eastern Asian region, centring especially on the major islands off the continental coast (including Japan and Taiwan) and the immediately adjacent areas of the Asian continent from Kamchatka in the north and including the Korean Peninsula are an important centre of endemism. Birds endemic to this region include representatives of many of the major families, from the world's largest eagle - Steller's Sea Eagle - to the tiny Formosan Firecrest. The east Asian continental coast and the offshore islands also form one of the world's major international bird migration routes, especially for waterfowl, shorebirds and raptors, while the east Asian continental mainland itself is home to a wide range of species little known to western ornithologists such as Scaly-sided Merganser, Oriental Stork and Mugimaki Flycatcher. The guide features the most up-to-date text available, which, in conjunction with extensive colour plates throughout, facilitates the field identification of all of the species known from the region. Colour distribution maps enhance the text by providing a visual analysis of the summer, winter and migratory ranges of all species.




The Art Song in East Asia and Australia, 1900 to 1950


Book Description

This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.




The Rise of East Asia


Book Description

There is great interest in the Pacific Century and what its implications for the future will be. The rapid economic growth of East Asia was already setting the region apart from the rest of the world by the 1970s. By the 1980s the trend was seen to have spread southward to Thailand, Malaysia and Indonesia, while China's provinces had also become integral to the regional economic boom. In this exciting new study many of the ideas and expectations associated with the Pacific Century are placed under critical scrutiny. The book includes studies of particular countries such as China, Japan, South Korea, Vietnam, Indonesia and Malaysia. There is analysis of economic and political trends in the region, the reasons behind its rise and its importance on a global scale. The rise of East Asia represents an historic turning point with immense significance world-wide. This book will be of interest to anyone concerned about the new approaches to and the debate about the rise of east Asia and the coming of the Pacific Century.




The Voice as Something More


Book Description

In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.