Stuart Hall's Voice


Book Description

Stuart Hall’s Voice explores the ethos of style that characterized Stuart Hall’s intellectual vocation. David Scott frames the book—which he wrote as a series of letters to Hall in the wake of his death—as an evocation of friendship understood as the moral and intellectual medium in which his dialogical hermeneutic relationship with Hall’s work unfolded. In this respect, the book asks: what do we owe intellectually to the work of those whom we know well, admire, and honor? Reflecting one of the lessons of Hall’s style, the book responds: what we owe should be conceived less in terms of criticism than in terms of listening. Hall’s intellectual life was animated by voice in literal and extended senses: not only was his voice distinctive in the materiality of its sound, but his thinking and writing were fundamentally shaped by a dialogical and reciprocal practice of speaking and listening. Voice, Scott suggests, is the central axis of the ethos of Hall’s style. Against the backdrop of the consideration of the voice’s aspects, Scott specifically engages Hall’s relationship to the concepts of "contingency" and "identity," concepts that were dimensions less of a method as such than of an attuned and responsive attitude to the world. This attitude, moreover, constituted an ethical orientation of Hall’s that should be thought of as a special kind of generosity, namely a "receptive generosity," a generosity oriented as much around giving as receiving, as much around listening as speaking.




No Voice from the Hall


Book Description

This volume recounts an odyssey through country houses in the years following World War II. Most had been requisitioned by the armed forces and, when de-requisitioned, were left to stand empty awaiting their owners' return. It was then that John Harris first discovered country houses.




The Voice in the Mirror


Book Description

Annie is terrified when she learns the truth about her friend, whose split personality includes an evil half that believes every girl he meets is the reincarnation of a girl he once murdered, and Annie may become his newest victim. Original.




This Bright Future


Book Description

The instant New York Times bestseller and “inspiring and vulnerable” (Trevor Noah) memoir from Bobby Hall, the multiplatinum recording artist known as Logic and the #1 bestselling author of Supermarket. This Bright Future is a raw and unfiltered journey into the life and mind of Bobby Hall, who emerged from the wreckage of a horrifically abusive childhood to become an era-defining artist of our tumultuous age. A self-described orphan with parents, Bobby Hall began life as Sir Robert Bryson Hall II, the only child of an alcoholic, mentally ill mother on welfare and an absent, crack-addicted father. After enduring seventeen years of abuse and neglect, Bobby ran away from home and—with nothing more than a discarded laptop and a ninth-grade education—he found his voice in the world of hip-hop and a new home in a place he never expected: the untamed and uncharted wilderness of the social media age. In the message boards and livestreams of this brave new world, Bobby became Logic, transforming a childhood of violence, anger, and trauma into music that spread a resilient message of peace, love, and positivity. His songs would touch the lives of millions, taking him to dizzying heights of success, where the wounds of his childhood and the perils of Internet fame would nearly be his undoing. A landmark achievement in an already remarkable career, This Bright Future “is just like the author—fearless, funny, and full of heart” (Ernest Cline, #1 New York Times bestselling author of Ready Player One) and looks back on Bobby’s extraordinary life with lacerating humor and fearless honesty. Heart-wrenching yet ultimately uplifting, this book completes the incredible true story and transformation of a human being who, against all odds, refused to be broken.




The Voice of Sheila Chandra


Book Description

Titled for the influential singer left almost voiceless by a terrible syndrome, the poems bring sweet melodies and rhythms as the voices blend and become multitudinous. There’s an honoring of not only survival, but of persistence, as this part research-based, pensive collection contemplates what it takes to move forward when the unimaginable holds you back.




Voices in the Hall


Book Description

Latoya was molested by her mother's boyfriend when she was eight years old. Chungo's uncle was shot four times in the head in a gang turf war. Ashley was dragged off school grounds in handcuffs and shackles. Sandy finds out she is pregnant, but is so ashamed, she conceals it for four months while attending school daily. Welcome to the world of today's troubled teenagers. Florida's Sun Sentinel Newspaper calls "Voices in the Hall", “a book-in-progress of surprising depth, complexity and heart.”"Voices in the Hall" is a riveting and compelling account of kids in our school system, as told to the one adult who will listen to them: their teacher. As students in an at-risk Drop-Out Prevention class in an urban school, they speak out freely through hand written journals they write in class, telling their stories to the one person they grow to trust over time, and who will do as much as she can to protect their secrets and guide them through a maze of personal, social, school, and legal issues, which at times seem more than any adolescent can bear.




THE VOICE OF THE SILENCE


Book Description

This book is merely a record of talks by Mr. Charles W. Leadbeater and myself on three famous books – books small in size but great in contents. We both hope that they will prove useful to aspirants, and even to those above that stage, since the talkers were older than the listeners, and had more experience in the life of discipleship. The talks were not given at one place only; we chatted to our friends at different times and places, chiefly at Adyar, London and Sydney. A vast quantity of notes were taken by the listeners. All that were available of these were collected and arranged. They were then condensed, and repetitions were eliminated. Unhappily there were found to be very few notes on The Voice of the Silence, Fragment I, so we have utilized notes made at a class held by our good colleague, Mr. Ernest Wood, in Sydney, and incorporated these into Bishop Leadbeater’s talks in that section. No notes of my own talks on this book were available; though I have spoken much upon it, those talks are not recoverable. None of these talks have been published before, except some of Bishop Leadbeater’s addresses to selected students on At the Feet of the Master. A book entitled Talks on At the Feet of the Master was published a few years ago, containing imperfect reports of some of these talks of his. That book will not be reprinted; the essential material in it finds its place here, carefully condensed and edited. May this book help some of our younger brothers to understand more of these priceless teachings. The more they are studied and lived, the more will be found in them. — Annie Besant




The Voice of the Silence


Book Description

THE following pages are derived from "The Book of the Golden Precepts," one of the works put into the hands of mystic students in the East. The knowledge of them is obligatory in that school, the teachings of which are accepted by many Theosophists. Therefore, as I know many of these Precepts by heart, the work of translating has been relatively an easy task for me. It is well known that, in India, the methods of psychic development differ with the Gurus (teachers or masters), not only because of their belonging to different schools of philosophy, of which there are six, but because every Guru has his own system, which he generally keeps very secret. But beyond the Himalayas the method in the Esoteric Schools does not differ, unless the Guru is simply a Lama, but little more learned than those he teaches. The work from which I here translate forms part of the same series as that from which the "Stanzas" of the Book of Dzyan were taken, on which the Secret Doctrine is based. Together with the great mystic work called Paramartha, which, the legend of Nagarjuna tells us, was delivered to the great Arhat by the Nagas or "Serpents" (in truth a name given to the ancient Initiates), the Book of the Golden Precepts claims the same origin. Yet its maxims and ideas, however noble and original, are often found under different forms in Sanskrit works, such as the Dnyaneshvari, that superb mystic treatise in which Krishna describes to Arjuna in glowing colors the condition of a fully illumined Yogi; and again in certain Upanishads. This is but natural, since most, if not all, of the greatest Arhats, the first followers of Gautama Buddha were Hindus and Aryans, not Mongolians, especially those who emigrated into Tibet. The works left by Aryasanga alone are very numerous.




The Voice of Doom


Book Description

In 1950s’ Norfolk teenage cousins Francis and Gordon Jones earn their reputation as ‘The Boy Detectives’ in the first of a series of extraordinary adventures. Adrian Wright’s delightful spoof of boys’ stories of the 1950s comes with a strong dash of retro and a sharp jab of adult perspective. With an eclectic mix of characters – Mrs Jones (Francis’ corset-making mother), the Reverend Challis (who always takes a keen interest in the boys’ progress), Lady Darting (the domineering village grandee), Bunty Rogers (the striptease artiste) – Francis and Gordon unravel six perplexing mysteries. The Voice of Doom is Francis and Gordon’s first foray into the art of mystery solving, taking on cases from the strange happenings at St Mildred’s School for the Advancement of Derserving Girls, to the affair of the Pearl of Thalia. The local constabulary might be scratching their heads, but Francis and Gordon are on the case. Inspired by the ‘Norman and Henry Bones’ stories of Anthony Wilson, The Voice of Doom combines mystery with a sharp comic edge, resulting in a rare treat for fans of comical novels.




New York Court of Appeals. Records and Briefs.


Book Description

Volume contains: 231 NY 530 (Painter v. Fletcher) 231 NY 528 (People v. O'Hagan)