Medieval Ethnographies


Book Description

From the twelfth century, a growing sense of cultural confidence in the Latin West (at the same time that the central lands of Islam suffered from numerous waves of conquest and devastation) was accompanied by the increasing importance of the genre of empirical ethnographies. From a a global perspective what is most distinctive of Europe is the genre's long-term impact rather than its mere empirical potential, or its ethnocentrism (all of which can also be found in China and in Islamic cultures). Hence what needs emphasizing is the multiplication of original writings over time, their increased circulation, and their authoritative status as a 'scientific' discourse. The empirical bent was more characteristic of travel accounts than of theological disputations - in fact, the less elaborate the theological discourse, the stronger the ethnographic impulse (although many travel writers were clerics). This anthology of classic articles in the history of medieval ethnographies illustrates this theme with reference to the contexts and genres of travel writing, the transformation of enduring myths (ranging from oriental marvels to the virtuous ascetics of India or Prester John), the practical expression of particular encounters from the Mongols to the Atlantic, and the various attempts to explain cultural differences, either through the concept of barbarism, or through geography and climate.




The Architecture of Colen Campbell


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The English Catalogue of Books [annual]


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Vols. for 1898-1968 include a directory of publishers.










Gothic Antiquity


Book Description

Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840 provides the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction; poetry; drama) in the late eighteenth and early nineteenth centuries. Although the relationship between literature and architecture is a topic that has long preoccupied scholars of the literary Gothic, there remains, to date, no monograph-length study of the intriguing and complex interactions between these two aesthetic forms. Equally, Gothic literature has received only the most cursory of treatments in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. In addressing this gap in contemporary scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic-architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of canonical and lesser-known texts and writers. Correspondingly, it shows how these architectural debates responded to, and were to a certain extent shaped by, what we have since come to identify as the literary Gothic mode. In both its 'survivalist' and 'revivalist' forms, the architecture of the Middle Ages in the long eighteenth century was always much more than a matter of style. Incarnating, for better or for worse, the memory of a vanished 'Gothic' age in the modern, enlightened present, Gothic architecture, be it ruined or complete, prompted imaginative reconstructions of the nation's past--a notable 'visionary' turn, as the antiquary John Pinkerton put it in 1788, in which Gothic writers, architects, and antiquaries enthusiastically participated. The volume establishes a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, and argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.




The Connoisseur


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