The Walnut Trees of Altenburg


Book Description

"One of the key texts of Malraux's work . . . [its] pages must be counted among the most haunting in all of twentieth century literature."—Victor Brombert "The description of the gas attack on the Russian front in 1915 will never be forgotten by anyone who has read it. . . . [Malraux] writes with the precision, the certitude and the authority of an obsessed person who knows that he has found the essence of what he has been looking for."—Conor Cruise O'Brien, from the Foreword Malraux's greatest novel, Man's Fate, gave a grim, lurid picture of human suffering. [The Walnut Trees of Altenburg], written by a life-long observer of violent upheaval and within the shadows of World War II, gives a calm, thoughtful vision of humanistic endeavor that can transcend the absurdity of existence. Mature readers will find this a rewarding visit to one of the most accomplished writers of our time."—Choice







The Obstructed Path


Book Description

The years of political and social despair in France-from the great depression through the Nazi occupation, Resistance, and liberation, to the Algerian War-forced French intellectuals to rethink the values of their culture. Their faltering attempts to break out of a psychological impasse are the subject of this thoughtful and compassionate book by a distinguished American historian. In this first treatment of contemporary French thought to bridge philosophy, literature, and social science and to show its relation to comparable thinking in Germany, Britain, and the United States. Hughes also assesses the work of other writers in terms of their emotional biography and role in society.Hughes found those who struggled to find meaning and purpose amid chaos to be among the most brilliant minds of their century. They included the social historians Bloch and Febvre; the Catholic philosophers Maritain and Marcel; the proponents of heroism Martin du Gard, Bernanos, Saint-Exupery, Malraux, and DeGaulle; and the phenomenologists Sartre and Merleau-Ponty. They also included the strangely assorted trio of Camus, Teilhard de Chardin, and Levi-Strauss, who showed the way to a wider cultural community. Yet in nearly every case these scholars achieved something quite different from what they set out to do. For this self-questioning generation, the interchange between history and anthropology became most compelling and of greatest interest to the world outside.The Obstructed Path blends H. Stuart Hughes' concern for the many ways in which historians define and practice their craft, his lifelong interest in literature, his fascination with the influence of Marx and Freud, and his empathy with the varieties of Christian thought. It also demonstrates his delicate grasp of singular personalities such as Bernanos, Merleau-Ponty, Jean-Paul Sartre and Levi-Strauss. His profound insight into the flaws of many elaborate philosophical constructions, and into t




Limits of the Novel


Book Description

What are the limits of the novel? What is the relationship between a work of fiction and reality? How does the writer engage the reader's commitment, and how do successive generations of readers affect the work of art? These are some of the questions that Professor Grossvogel seeks to answer in his wide-ranging new study of the novel. After a chapter on the relation between the novel and its reader, he explores in detail the significant efforts of increasingly sophisticated authors to respond to increasingly sophisticated readers from the Middle Ages to the present. Variously experimental works such as Troilus and Criseyde, Don Quixote, La Princesse de Clevès, Tristram Shandy, The Trial, Remembrance of Things Past, and Nausea give lively evidence for his thesis. There is also a comparative study of Joyce and Robbe-Grillet, as well as the concluding chapter "The Novel as Ritual," based on Robinson Crusoe and The Idiot. In developing a new methodology for analyzing fiction, Professor Grossvogel clarifies and characterizes the most recent experiments in novelistic technique, and places them in perspective by comparing them to earlier ones. His conclusions about the nature of the novel, about the continuing interaction between author and reader, and about the evolutions of the novel as a form are an original contribution to modern critical theory. One of the first works in English to make extensive use of the methods of postwar European philosophical criticism, the book will stimulate controversy and make fascinating reading for anyone concerned with the history—and future—of the novel.




Nabokov and His Fiction


Book Description

Published in 1999 to mark the centenary of Vladimir Nabokov's birth, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction. Their essays cover a broad range of topics and approaches, from close readings of major texts, including Speak, Memory and Pale Fire, to penetrating discussions of the significant relationship between Nabokov's personal beliefs and experiences and his art. Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural contexts. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita. The volume as a whole offers valuable insight into Nabokov scholarship.




Malraux


Book Description

Writer, publisher, war hero, French government minister, André Malraux was renowned as a Renaissance man of the twentieth century. Now, Olivier Todd–author of the acclaimed biography Albert Camus–gives us this life, in which fact competes dramatically with his subject’s previously little-known mythomania. We see the adventurous young Malraux move from 1920s literary Paris to colonial Cambodia, Cochin China, and Spain in its civil war. Todd charts the thrilling exploits that would inspire such novels as Man’s Fate, but, just as fascinating, he also traces Malraux’s lifelong pattern of lies: claiming friendship with Mao, he was called to tutor Nixon, despite having met the Great Helmsman only once; a minor injury becomes in recollections a near-mortal battlefield wound; stories of heroism in the French Resistance omit to mention that Malraux joined up just a few weeks before the Allied landings. With meticulous research, Todd separates myth from reality to throw light on a brilliant con man who would become a national hero, but he also lets us see Malraux’s genuine achievements as both writer and man of action. His real life and the one he embroidered come together in this superb biography to reveal how Malraux, the protean genius, became his own greatest character.




French Twentieth Bibliography


Book Description

This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.




Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1A: Books




Bloomsbury and France


Book Description

"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.




André Malraux


Book Description

André Malraux’s output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux’s work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux’s writing, and also his life. An understanding of Malraux’s determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.