The Wandering Throne of Solomon


Book Description

In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.




The Long Life of Magical Objects


Book Description

This book explores a series of powerful artifacts associated with King Solomon via legendary or extracanonical textual sources. Tracing their cultural resonance throughout history, art historian Allegra Iafrate delivers exciting insights into these objects and interrogates the ways in which magic manifests itself at a material level. Each chapter focuses on a different Solomonic object: a ring used to control demons; a mysterious set of bottles that constrain evil forces; an endless knot or seal with similar properties; the shamir, known for its supernatural ability to cut through stone; and a flying carpet that can bring the sitter anywhere he desires. Taken together, these chapters constitute a study on the reception of the figure of Solomon, but they are also cultural biographies of these magical objects and their inherent aesthetic, morphological, and technical qualities. Thought-provoking and engaging, Iafrate’s study shows how ancient magic artifacts live on in our imagination, in items such as Sauron’s ring of power, Aladdin’s lamp, and the magic carpet. It will appeal to historians of art, religion, folklore, and literature.




Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)


Book Description

(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.




King Solomon the Magus


Book Description

• Explores the schools of Solomonic magic around the world and works such as The Greater and Lesser Keys of Solomon the King and The Hygromancy of Solomon • Examines Solomon’s magical possessions, including his famous ring that gave him command over animals, weather, demons, genies, and djinns, as well as his amulets, remedies, exorcisms, and charms • Looks at the extensive presence of Solomon in folklore around the world, including in Armenia, Malaysia, Russia, Bulgaria, Morocco, India, and Egypt Looking at the Solomonic magical tradition and Solomon’s profound influence on esoteric traditions around the world, Claude Lecouteux reveals King Solomon not only as one of the great kings of prehistory but also as the ancient world’s foremost magician and magus. Examining the primary sources on Solomon, such as the Bible, the Koran, and the writings of Flavius Josephus, the author explores Solomon’s judgments, his explorations, his literary and scientific works (including an herbal), and his constructions beyond the eponymous temple, such as the copper city in Andalus built by the djinns and the baths of Sulayman. He also looks at Solomon’s magical possessions, such as his famous ring and the Philosopher’s Stone. The author examines the supernatural powers granted to Solomon by his ring, which he received from the angel Gabriel, including command over animals, weather, and demons, and explores in detail Solomon’s power over genies and djinns. Following the esoteric threads hidden within the primary sources on Solomon, Lecouteux reveals the work of Solomon the Magician, exploring his amulets, remedies, exorcisms, charms, and his influence on Arab and Western magic. Providing illustrations of sigils, talismans, and other magic symbols related to Solomon, the author examines the schools of Solomonic Folkloremagic and works such as The Greater and Lesser Keys of Solomon the King and The Hygromancy of Solomon. He then looks at the extensive presence of Solomon in folklore worldwide, including in Armenia, Israel, Malaysia, Eastern Europe, Russia, Morocco, India, Mongolia, and among the Abyssinians of Ethiopia and the Copts in Egypt. He also looks at Solomon’s role within the Bulgarian tradition from which the Cathars derived. Painting an in-depth portrait of Solomon the Magician-King, Lecouteux reveals how this legendary magus left a deep impression upon the occult, magical traditions, and philosophies of the ancient world that can still be felt to this day.




From Byzantine to Norman Italy


Book Description

This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.




Architecture of Anxiety, Body Politics and the Formation of Islamic Architecture


Book Description

Structured as five microhistories c. 632-705, this book offers a counternarrative for the formation of Islamic architecture and the Islamic state. It adopts a novel periodization informed by moments of historical violence and anxiety around caliphal identities in flux, animating histories of the minbar, throne, and maqsura as a principal nexus for navigating this anxiety. It expands outward to re-assess the mosque and palace with a focus on the Qubbat al-Khadraʾ and the Dar al-Imara in Kufa. It culminates in a reading of the Dome of the Rock in Jerusalem as a site where eschatological anxieties and political survival converge.




The Book of King Solomon


Book Description

The story of King Solomon, as told by his court historian.




Leo VI and the Transformation of Byzantine Christian Identity


Book Description

Analyses the ideological writings of a scholarly and unusual Byzantine emperor dedicated to distinctively Orthodox Christian principles.




Ambrogio Spinola between Genoa, Flanders, and Spain


Book Description

Many of the most significant studies devoted to Ambrogio Spinola have focused on one particular aspect of his life: his successful military career. This volume, through its interdisciplinary and cultural approach, breaks open this all too narrow perspective and expands our understanding of Spinola and his world. As a great military strategist and Catholic knight, entrepreneur in the international finance market, courtier, and diplomat, Spinola was certainly a Genoese, but he was also a member of the transnational Iberian elite, to which he linked his fate and that of his children. His life's journey between Italy, Flanders, and Spain, and the reinterpretations of his life by his contemporaries in art, literature, and the press, give us the opportunity to reflect on the multiple identities and the physical and mental wanderings of many Europeans of the Early Modern Age. Ambrogio Spinola offers an example of humanity that is impossible to capture in a single reading and is much more contemporary than we can imagine. Ambrogio Spinola between Genoa, Flanders, and Spain allows the reader to better understand not only his military activities, but also (and above all) the family, social and political foundations of his successful career, as well as the various forms of art and communication (literature, architecture, paintings, sculptures, engravings, newspapers, etc.), which were used to celebrate him both during his life and beyond.




Emblems and the Natural World


Book Description

Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.