Australia's War with France


Book Description

1941: Great Britain is fighting for its very existence. France has surrendered and installed Marshal Pétain, an ageing reactionary, as head of a hostile new government at Vichy. The Allied outpost in Egypt, and the Suez Canal—its strategic jewel—are threatened on both sizes. To the west, Rommel is rampaging through North Africa. To the east, the Germans are arming rebels and fostering an uprising in British Iraq. Churchill’s cabinet is reeling after disastrous campaign in Greece. There are fears of a German takeover in Vichy-controlled Syria and Lebanon, where a languishing French colonial army may fall in line with the Nazis. Churchill orders a disgruntled General Wavell to take the offensive, assuming that the French will not put up a fight against an Allied show of force. The only troops available are a division of Australians, the 7th: untested recruits, digging ditches in the Egyptian desert. This is the story of how the 7th Division came to fight against the Army of the Levant—Australia against France—in the rocky hills of Lebanon and the barren wastes of Syria. Contrary to Churchill’s expectations, the French resisted viciously. The Australians won the war, but at the price of more than 400 young men, sons of Anzacs who had fought to defend France in the trenches of the western Front. The British were embarrassed, the campaign was forgotten, and the Australians who fought were dubbed ‘the silent men.’ No contemporary Australian historian has studied the conflict. British and French accounts exist, but fail to do justice to the Australian contribution. Through interviews with the veterans, archival records, and on-the-ground research, this book seeks to understand a neglected campaign and give it a proper place in Australian history.




Selected Poems


Book Description




Witnesses To War


Book Description

Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of ‘embedding’. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.




Randolph Stow: Critical Essays


Book Description

Randolph Stow (1935–2010) was a writer who resisted critical containment. His complete oeuvre of eight novels, a children's novella, a libretto, translation work and several collections of poetry presents an accomplished and impressive literary legacy. The collection republishes a number of significant essays but also presents new readings acknowledging the remarkable skill as well as the limitations of Stow's literary imagining. All are a testimony to the resonance of Stow's writing while acknowledging the critical complexities of his work. 'Commencing this project with the simple ambition to present a critical collection responding to the full breadth of Randolph Stow's work, I extended an invitation to literary scholars and critics whose work I knew addressed his writing. The responses were encouraging and generous, confirming the wide reach of interest in Stow's life and literature. It reminded me that while not as comprehensively studied as some of his contemporaries, Stow continues to enjoy the support of broad public and academic readership.' — Kate Rendell




Somewhere in Asia


Book Description

From 1941 to 1975, as a series of military conflicts gripped Asia and the Pacific, Australian journalism was dominated by war reporting from the region. Torney-Parlicki (history, U. of Melbourne) argues that the reporting went beyond the usual discussion of military strategy and, in an important way.




Good for the Soul


Book Description

In his first days as Prime Minister, John Curtin presented himself to the press as a self-styled intellectual who loved sport and relaxing, when he could, with a book, beach walk, game of cards or fossick in the garden. He also revealed that he enjoyed poetry so much that he held to a Sunday night poetry ritual. Curtin was Australia's third wartime Prime Minister, Labor's eighth Prime Minister, and the first Prime Minister from a Western Australian electorate. 'Toby Davidson reveals a new perspective on John Curtin: the poetry of his times, and the poems he himself read. As Davidson shows, Curtin's poetry reading and his reflections upon it influenced his thoughts and language from his socialist youth to the last days of his leadership of a nation transformed by global peril. Good for the Soul: John Curtin's Life with Poetry is a unique, patiently researched and fascinating re-evaluation of Australia's revered wartime Prime Minister.' – John Edwards, author of John Curtin's War Volume I & II 'A stunningly comprehensive account which shows a side of John Curtin we have only glimpsed before. Davidson skilfully traces how poetry was Curtin's companion and ally from his humble beginnings in rural Victoria to his death in office in 1945, two months before the end of World War II.' – Professor David Black, editor of In His Own Words: John Curtin's Speeches and Writings and Friendship is a Sheltering Tree: John Curtin's Letters 1907 to 1945.




Backgazing: Reverse Time in Modernist Culture


Book Description

This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.