The Theater of War


Book Description

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.




The War Plays


Book Description

Edward Bond's trilogy of plays - 'Red Black and Ignorant', 'The Tin Can People' and ' Great Peace' - portrays a brutal world struggling in the aftermath of nuclear holocaust. 'The War Plays' were first staged by the Royal Shakespeare Company in 1985: 'Red Black and Ignorant' and 'The Tin Can People' were performed in May 1985 and 'Great Peace' received its world premiere in July 1985.




Staging the War


Book Description

What happened in American drama in the years between the Depression and the conclusion of World War II? How did war make its impact on the theatre? More important, how was drama used during the war years to shape American beliefs and actions? Albert Wertheim's Staging the War brings to light the important role played by the drama during what might arguably be called the most important decade in American history. As much of the country experienced the dislocation of military service and work in war industries, the dramatic arts registered the enormous changes to the boundaries of social classes, ethnicities, and gender roles. In research ranging over more than 150 plays, Wertheim discusses some of the well-known works of the period, including The Time of Your Life, Our Town, Watch on the Rhine, and All My Sons. But he also uncovers little-known and largely unpublished plays for the stage and radio, by such future luminaries as Arthur Miller and Frank Loesser, including those written at the behest of the U.S. government or as U.S.O. musicals. The American son of refugees who escaped the Third Reich in 1937, Wertheim gives life to this vital period in American history.




War Plays by Women


Book Description

This anthology consists of ten plays from countries involved in the First World War, including plays from Germany and France never before available in translation. Representing a range of dramatic forms, from radio play to street-epic, from comic sketch to musical, this anthology includes plays from: Gertrude Stein, Muriel Box, Marion Wentworth Craig, Dorothy Hewett, Berta Lask, Marie Leneru, Wendy Lill, Alice Dunbar Nelson, and Christina Reid. Highly successful in their day, these plays demonstrate how women have attempted to use theatre to achieve social change. The collection explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.




The Theater of Operations


Book Description

How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.




The War Play Dilemma


Book Description

As violence in the media and media-linked toys increases, parents and teachers are also seeing an increase in children's war play. The authors have revised this popular text to provide more practical guidance for working with children to promote creative play, and for positively influencing the lessons about violence children are learning. Using a developmental and sociopolitical viewpoint, the authors examine five possible strategies for resolving the war play dilemma and show which best satisfy both points of view: banning war play; taking a laissez-faire approach; allowing war play with specified limits; actively facilitating war play; and limiting war play while providing alternative ways to work on the issues. New for the Second Edition are: more anecdotal material about adults'' and children's experiences with war play, including examples from both home and school settings; greater emphasis on the impact of media and commercialization on children's war play, including recent trends in media, programming, marketing, and war toys; expanded discussion about the importance of the distinction between imitative and creative war play; and summary boxes of key points directed at teachers or parents. * New information about violent video games, media cross feeding, and gender development and sex-role stereotyping.




Acts of War


Book Description

As Karen Malpede points out in her introduction to Acts of War, drama "arose as a complement to, perhaps also as an antidote to, war." Like the great ancient Greek playwrights Aeschylus, Sophocles, and Euripides, the playwrights in this volume see the theater as an art form uniquely capable of addressing the effects of warfare. --




Performance in Place of War


Book Description

'Performance in Place of War' is concerned with theatre in refugee camps, in war-affected villages, in towns under curfew, in cities under occupation. It presents theatre and performance that occurs literally at the moment bombs are falling, as well as during times of ceasefire and in the aftermaths of war.




Broadway Goes to War


Book Description

"Theater is the art by which human beings make or find human action worth watching." -- Paul Woodruff, The Necessity of Theater: The Art of Watching and Being Watched Before World War II, Hollywood dictated what films were released, debuting movies such as The Man I Married (1940), The Mortal Storm (1940), Escape (1940), and The Great Dictator (1940) that conveyed an unambiguously critical view of Nazi Germany and warned the public about the dangers of fascism and the threat of war. Meanwhile, the theater stages in New York broached and debated topics of fascism, interventionism, and the democratic state of the country with productions like Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943) , and A Bell for Adano (1944) . While the United States' government used media platforms such as posters, periodicals, and radio to convey a popular opinion on the war and Germany, theater was not as highly monitored, and writers, directors, actors, and even audiences were able to discuss and argue their viewpoints on topics that would have been considered taboo on a film set. The theater became the perfect medium to express home-front tensions and anxieties. In Broadway Goes to War: American Theater during World War II, authors Robert L. McLaughlin and Sally E. Parry explore numerous theater productions during the era of the Second World War, analyzing how the American stage grappled with significant issues ranging from neutrality and isolationism, to racism and genocide, to heroism and battle fatigue. Theater engaged in public discussion about war's impact on daily life, and McLaughlin and Parry suggest that these productions raised critical topics about the war well before other forms of popular media. Through the details of each production, the authors highlight challenges faced by ordinary people during the war alongside their attempts to overcome and create a better post-war community. American drama of the 1940s is frequently overlooked, especially in comparison with the plays of the surrounding decades. Taken together, the numerous plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. Furthermore, the theater provided an understanding of the complexities of popular culture and how it functioned alongside a world war. Filling a void in World War II scholarship, McLaughlin and Parry provide a unique perspective on theater activity during a time of division and social change. Broadway Goes to War will appeal to historians of wartime studies, film, and theater.




The New War Plays


Book Description

How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this interdisciplinary study demonstrates how these 'New Wars' bring forth new plays about war.