25 T'ang Poets


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Lotus and Chrysanthemum


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A Husband for Kutani


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First published in 1938, this is a collection of four Oriental tales, including ‘Five Merchants Who Met in a Tea-House,’ and ‘Doctor Shen Fu,’ a tale of a Chinese alchemist who possesses the elixir of life. These beautiful and exotic series of Oriental fantasies, set in a China of the imagination, are brought to life by author Frank Owen’s brilliant descriptive passages that embroider his tales.




Marietta and the Creeping Nasties


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The Tumble-Down Wizard choses Marietta as the only child on Earth to save the Land of Incunabula from the terrible Creeping Nasties.




Countless Sands


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Countless Sands presents engaging analyses of the diverse relationships between Buddhism and the environment that existed in medieval Asia. Recent years have witnessed a surge in publications across the humanities that advance powerful ethical and political arguments to account for the human failure to respond effectively to global climate change. While the contributors to this volume are attuned to this challenge, rather than present explicit political arguments, they pursue a subtler effort to historicize the environment as a site and subject of Buddhist practice while providing research grounded in rigorous analysis of complex and fragmentary sources. The volume thereby mitigates against the Orientalist, East-West binaries that have long informed the invocation of Buddhism in Euro-American environmental discourses. As the chapters collectively demonstrate, there was no singular, consistently “Buddhist” understanding of the natural world, but innumerable, varied engagements preserved in discrete texts, images, and artifacts. Through specific case studies, the authors consider such questions as: How did premodern Buddhists understand what we today call “the environment”? How did they think about their earth? How, when, and where did the various processes of the earth actually impinge on the practices of historical Buddhists? What kinds of “environmental imaginations” informed specific Buddhist practices? In so doing, the authors explore the connections between the ways in which historical Buddhist communities interacted with their environments and how they understood those environments. In the broader field of Buddhist studies, Countless Sands contributes to ongoing efforts to expand the locus of inquiry from textually based investigations of Buddhist doctrine to a broader examination of the complex and varied place of Buddhism in the lives of historical communities. The book furthers this broader process by casting it in environmental terms and will engage readers looking for models of thought-provoking historical analysis on environmental themes.







White Nights


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Darkness and mystery follow four friends to the Upper Peninsula of Michigan, threatening them at every turn… Laurel and Arnie are delighted when their friends Claire and Charles join them for a visit at their summer home. Tucked away on beautiful Manistique Lake in Michigan’s Upper Peninsula, it’s the perfect place for everyone to relax and enjoy all the state has to offer. Their vacation doesn’t stay peaceful for long, however, when former cop Arnie is drawn into an ongoing investigation. Although it appears the victim, Maddy Pierce, may have committed suicide, other evidence points to the possibility of murder. Investigating Maddy’s death involves the group more than they had imagined, and soon their trip goes from good to wrong. It’s apparent they have a malicious enemy and that someone is willing to do whatever it takes to keep Maddy’s death a mystery.




Shades of Blue


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Gogol's Artistry


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When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.




Wellesley Magazine


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