The Wearing of Costume


Book Description




The Wearing of Costume


Book Description




Survey of Historic Costume


Book Description

In the Preface of the 5th Edition of Survey of Historic Costume, Tortora and Eubank conclude with the following: "In the history of dress at the beginning of the 21st century, costume might be compared to a constantly moving river. This river divides into many narrower channels that separate, cross, come together, and separate again, and yet that river continually moves on." Building on the previous editions, the authors update their analysis of Western dress to 2008. Survey of Historic Costume has, from its beginnings, taken seriously the need to accompany the text with appropriate illustrations and the major change in the 5th Edition is the move to full color throughout the book to enrich the text and the concepts. Perfect for anyone interested in historic costume, fashion, textiles, drama, and design, this beautifully illustrated book is full of interesting facts and commentary.New to this Edition:-- Over 500 four-color photographs and illustrations-- Updated text to 2008-- Additional influences from one period or civilization to another, including influences from other cultures-- Index - updated and organized to be utilized as glossary with terms defined and page numbers printed in boldface-- Instructor's Guide provides sources for visuals, websites, teaching strategies and evaluation techniques-- PowerPoint® Presentation contains interactive visual presentation with links to Internet




A Pictorial History of Costume From Ancient Times to the Nineteenth Century


Book Description

Classic pictorial history of fashion from around the world depicts costumes over the centuries, from ancient Egyptians wearing pleated loincloths to well-dressed Parisian ladies of the late 1800s. 57 color plates. 69 black-and-white plates.




International Symposium on East Anatolia—South Caucasus Cultures


Book Description

The Southern Caucasus is a region of great historical, cultural and strategic importance, which means that it has become an indispensable research field for most of the social sciences, particularly archaeology. However, despite its rich potential, research in the areas of modern-day Georgia, Armenia, Azerbaijan, Nakhichevan, North-western Iran and North-eastern Turkey has been inadequate when compared with other important culture basins such as Mesopotamia and the Mediterranean. In October 2012, Atatürk University in Erzurum, North-eastern Anatolia, Turkey, with the patronage of the Eurasian Silk Road Universities Consortium (ESRUC), hosted a Symposium of academics from more than 120 science and education institutions around the world to discuss opinions and share information about cultures in this region from its earliest times to the Middle Ages, within the scope of Ancient History, Archaeology, Art History, and Ethno-archaeology. This two volume publication is a compilation of 75 articles, which were evaluated and selected by an Academic Committee, from contributors who presented their academic papers at the Symposium.




Theatre Practice


Book Description

This volume undertakes to consider not dramatists and plays alone but rather the arts of acting too, of theatrical design and production and such special phases and problems of these as illusion, stage movement, tempo, realistic and poetic methods, the voice, music, color and lights, and, furthermore, such artists, designers, producers, directors, and playwrights as illustrate and embody the principles considered. The very subjects undertaken, then, are not common to books on the drama and deal with points and problems that are often felt, but only vaguely shadowed, in the minds of students and lovers of the theatre and even of its creative artists. By such subjects the author at least intends to dilate the scope of the discussion and to illuminate a little further perhaps the essential nature of the art of the theatre.










Iconic Costumes


Book Description

This richly illustrated book presents a selection of the rich and varied iconographic material from the Scandinavian Late Iron Age (AD 400-1050) depicting clothed human figures, from an archaeological textile and clothing perspective. The source material consists of five object categories: gold foils, gold bracteates, helmet plaques, jewelry, and textile tapestries and comprises over 1000 different images of male and female costumes which are then systematically examined in conjunction with our present knowledge of archaeological textiles. In particular, the study explores the question of whether the selected images complement the archaeological clothing sources, through a new analytical tool which enables us to compare and contrast the object categories in regard to material, function, chronology, context and interpretation. The tool is used to record and analyze the numerous details of the iconographic costumes, and to facilitate a clear and easy description. This deliberate use of explicit costume shapes enhances our interpretation and understanding of the Late Iron Age clothing tradition. Thus, the majority of the costumes depicted are identified in the Scandinavian archaeological textile record, demonstrating that the depictions are a reliable source of research for both iconographical costume and archaeological clothing. The book contributes with new information on social, regional and chronological differences in clothing traditions from ca. AD 400 to the Viking Age.




Encyclopedia Of American Indian Costume


Book Description

A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR