The Weekend Novelist


Book Description

Who doesn't dream of writing a novel while holding on to a day job? Robert J. Ray and coauthor Bret Norris can help readers do just that, with this proven practical and accessible step-by-step guide to completing a novel in just a year's worth of weekends. The Weekend Novelist shows writers of all levels how to divide their writing time into weekend work sessions, and how to handle character, scene, and plot. This new, revised version is far more skills-based than its predecessor, and includes both classic and contemporary literature models, contains a sample "Novel in Progress," and at the end offers readers the choice to rewrite their novel, draft a memoir, or turn their rough draft into a screenplay. Readers for a decade have been instructed and inspired by The Weekend Novelist. This new edition will help many more strive to realize their writing potential. • Offers a practical, structured approach to finishing a novel • Ray has taught more than 10,000 students over 25 years and continues to teach new classes that attract new readers to his books




The Weekend Novelist Writes a Mystery


Book Description

Like Agatha Christie and Raymond Chandler, Sara Paretsky and Thomas Harris, you, too, can learn the trade secrets of quality detective fiction. It's true. Just one year from now, you can deliver a completed mystery novel to a publisher--by writing only on weekends. Authors Robert J. Ray and Jack Remick guide you through the entire mystery-writing process, from creating a killer to polishing off the final draft. Each weekend you'll focus on a specific task--learning the basics of novel-writing, the special demands of mystery-writing, and the secrets professionals use to create stories one scene at a time, building to a shivery, satisfying climax. Using Agatha Christie's The Body in the Library as a model for the classical mystery tale and Martin Cruz Smith's Gorky Park for the hard-boiled mystery, this unique step-by-step program gives you all the information you need to reach your ultimate goal: a finished book in just 52 weeks! Let two successful masters of the genre show you how... Discover: Why you must create your killer first The tricks to writing dialogue that does it all--moves your plot, involves your reader, and makes your style sizzle How to "bury" information (and corpses) for your reader to find Why you should NOT build your book around chapters Special techniques for clearing writer's block Plus: examples from Sue Grafton, Dashiell Hammett, Patricia Cornwell, Thomas Harris, Raymond Chandler, and more.




The Weekend Novelist Rewrites the Novel


Book Description

This follow-up to the bestselling The Weekend Novelist will guide writers of all levels through the next phase in crafting their novel: the rewrite. You’ve finished your first draft—congratulations! Think it’s ready for publication? Think again. The next stage is all about revising and reworking your manuscript—fine-tuning the plot, adding or improving subplots, and fleshing out characters; in short, addressing important structural issues that make or break a novel. Robert J. Ray, who helped thousands of writers get from blank page to first draft in The Weekend Novelist, now guides the same audience through a series of seventeen weekend revision exercises designed to fit into any busy lifestyle, focusing on everything from rewriting scenes to developing sound flashbacks to refining characters’ back stories. Throughout the book, Ray illustrates his lessons with examples from such great works of literature as Jane Eyre, Gorky Park, and The Great Gatsby so that writers may more easily identify how and why a certain technique or structural element helps or hinders their own work. Also included are checklists, timed exercises, plot diagrams, and charts—all aimed to get you rewriting and revising your draft with confidence. Whether you’re an amateur novelist, a seasoned writer who’s hit a mental block, or a creative writing teacher looking for proven exercises for better instruction, The Weekend Novelist Rewrites the Novel provides the tools to transform first drafts into successful novels.




The Weekend


Book Description

#1 International Bestseller Shortlisted for the 2020 Australian Prime Minister's Literary Award * Shortlisted for the Stella Prize 2020 * Longlisted for the 2020 Miles Franklin Award “The Big Chill with a dash of Big Little Lies . . . Knife-sharp and deeply alive.” —The Guardian (London) “An insightful, poignant, and fiercely honest novel about female friendship and female aging.” —Sigrid Nunez, National Book Award–winning author of The Friend “Friendship, ambition, love, sexual politics and death: it’s all here in one sharp, funny, heartbreaking, and gorgeously written package. I loved it.” —Paula Hawkins, author of The Girl on the Train Three women in their seventies reunite for one last, life-changing weekend in the beach house of their late friend. Four older women have a lifelong friendship of the best kind: loving, practical, frank, and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they’ve remained close all these years, the grieving women gather at Sylvie’s old beach house—not for festivities this time, but to clean it out before it is sold. Can they survive together without her? Without Sylvie to maintain the group’s delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests, and too much wine collide in a storm that brings long-buried hurts to the surface—and threatens to sweep away their friendship for good. The Weekend explores growing old and growing up, and what happens when we’re forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.




The Weekend


Book Description

Old friends and lovers reunite for a weekend in a secluded country home after spending decades apart. They excavate old memories and pass clandestine judgments on the wildly divergent paths they’ve taken since their youth. But this isn’t just any reunion, and their conversations about the old days aren’t your typical reminiscences: After twenty-four years, Jörg, a convicted murderer and terrorist, has been released from prison. The announcement of his pardon will send shock waves through the country, but before the announcement, his friends—some of whom were Baader-Meinhof sympathizers or those who clung to them—gather for his first weekend of freedom. They have been summoned by Jörg’s devoted sister, Christiane, whose concern for her brother’s safety is matched only by the unrelenting zeal of Marko, a young man intent on having Jörg continue to fight for the cause. Bernhard Schlink is at his finest as The Weekend unfolds. Passions are pitted against pragmatism, ideas against actions, and hopes against heartbreaking realities.




How to Fix Your Novel


Book Description

Have you started a novel, only to get part way into the manuscript and find yourself stuck? Or do you have an idea for a novel, but aren't sure where to begin? Have you completed a first draft, but feel it doesn't quite have the luster of professional writing? In this lively and fun-to-read guide, Steve Alcorn shows you the remedies you need to achieve success. Step by step, you'll breathe life into old manuscripts, create new novels that read like bestsellers, and put the spark back into your writing life. Topics include: Story Structure Character Building Viewpoint Tense Voice Setting Conflict Suspense Mystery Dialogue Writing Big Beginnings and Endings Getting Published Whether you're a first time novelist still planning your story, or an experienced author looking for ways to bring your fiction to life, How to Fix Your Novel is the ideal prescription.




Working On My Novel


Book Description

What does it feel like to try and create something new? How is it possible to find a space for the demands of writing a novel in a world of instant communication? Working on My Novel is about the act of creation and the gap between the different ways we express ourselves today. Exploring the extremes of making art, from satisfaction and even euphoria to those days or nights when nothing will come, it's the story of what it means to be a creative person, and why we keep on trying.




Only on the Weekends


Book Description

From the Stonewall Award–winning author of The Black Flamingo comes a romantic coming-of-age novel in verse about the beautiful—and sometimes painful—fallout of pursuing the love we deserve. The ideal next read for fans of Kacen Callender, Elizabeth Acevedo, and Becky Albertalli. Fifteen-year-old Mack is a hopeless romantic—likely a hazard of growing up on film sets thanks to his father’s job. Mack has had a crush on Karim for as long as he can remember and he can’t believe it when gorgeous, popular Karim seems into him too. But when Mack’s father takes on a new directing project in Scotland, Mack has to move away, and soon discovers how painful long-distance relationships can be. It’s awful to be so far away from Karim, and it’s made worse by the fact that Karim can be so hard to read. Then Mack meets actor Finlay on set, and the world turns upside down again. Fin seems fearless—and his confidence could just be infectious. Award-winning author Dean Atta crafts a beautifully nuanced and revelatory story in verse about the exquisite highs and lows of first love and self-discovery.




Want Not


Book Description

A “shrewd, funny, and sometimes devastating” novel about the things we desire and the things we throw away (Entertainment Weekly). A New York Times Notable Book A highly inventive, corrosively funny story of our times, Want Not exposes three different worlds in various states of disrepair—a young freegan couple living off the grid in New York City; a once-prominent linguist, sacked at midlife by the dissolution of his marriage and his father’s losing battle with Alzheimer’s; and a self-made debt-collecting magnate, whose brute talent for squeezing money out of unlikely places has yielded him a royal existence, trophy wife included. Want and desire propel these characters forward toward something, anything, more, until their worlds collide, briefly, randomly, yet irrevocably, in a shattering ending that will haunt readers long after the last page is turned. “Its pleasures are endless."—Joshua Ferris, author of Then We Came to the End “Terrific…The novel may begin with prickly satire, it may dig deep into America’s disposable lifestyle, but it ultimately pivots to scenes of surprising tenderness…a novel to hoard.”—The Washington Post “Leaps nimbly from topic to topic…from freeganism to conspicuous consumption; from Manhattan's Alphabet City to residential New Jersey to the backwoods of Tennessee; and from neighbors with nothing but geographical location in common to sisters who share nothing but blood….Sitting down with Want Not is like finding yourself opposite the most interesting person at a dinner party. It pulls you in immediately; makes you shake your head in wonder and delight at your new companion's wit, originality, and compelling turns of phrase; and, best of all, surprises you into laughter.”—Pittsburgh Post-Gazette “For readers who relish extravagant language, scathing wit and philosophical heft, Want Not wastes nothing.”—Kirkus Reviews (starred review)




Dirty Weekend


Book Description

First published in 1991, Dirty Weekend is the story of a young woman who overcomes her fear and transforms herself from victim to avenger. Over the course of a very dirty weekend she goes out in the night and kills seven men and one myth. The men make the mistake of attacking her. The myth is that only women bleed. 'An act of writing that is avant-garde in the literal sense. A literary turning-point' - "Naomi Wolf, New Statesman & Society" 'A dark and brilliant book' - "The Daily Telegraph" 'Glinting, rapier wit' - "Publishers Weekly" 'Taut prose, black humour and a confrontational style make this a challenging and terrifyingly funny first novel' - "Time Out" 'I can still remember the visceral shock I felt as a young single woman reading Helen Zahavi's first novel, which burst upon a rather staid early-1990s U.K. literary scene like a firework. Every woman who has ever had a fantasy about taking revenge on a man can identify with its heroine' - "Louise Doughty, Wall Street Journal"