Author : Harry J. Shafer
Publisher : Trinity University Press
Page : 0 pages
File Size : 13,55 MB
Release : 2013
Category : Excavations (Archaeology)
ISBN : 9781595340863
The story of ancient canyon dwellers along the Lower Pecos and their culture
Author : James Burr Harrison Macrae
Publisher : Texas A&M University Press
Page : 114 pages
File Size : 40,63 MB
Release : 2018-11-05
Category : Social Science
ISBN : 1623496403
Pecos River style pictographs are one of the most complex forms of rock art worldwide. The dramatic prehistoric pictographs on the limestone overhangs of the lower Pecos and Devils Rivers in West Texas have been the subject of preservation and study since the 1930s, and dedicated research continues to this day. The medium is large-scale, polychrome pictographs in open rock shelter settings, emphasizing the animistic/shamanistic religion practiced by the local aboriginal peoples. Creating large-scale rock murals required intelligence, skill, and knowledge. These enigmatic images, some dating to 4,500 years ago and possibly earlier, depict strange, vaguely human and animal shapes and various geometric forms. While full understanding of the meaning of these images is abstruse, archaeologists and other scholars have identified what they believe to be patterns and religious themes, mixed with what could be figures and objects from everyday life in the local hunter-gatherer culture as it existed in the region centuries before the arrival of colonizing Europeans. Although interpretation of these pictographs remains controversial, in Pecos River Style Rock Art: A Prehistoric Iconography, James Burr Harrison Macrae contributes to the beginnings of a syntactic “grammar” for these images that can be applied in diverse contexts without direct reference to any particular interpretation. “The strength of structural-iconographic analysis,” Macrae writes, “is that it relies on repetitive patterns rather than idiosyncratic information, such as trying to make broad inferences from one or only a few sites.” Pecos River Style Rock Art offers the framework of an empirical methodology for understanding these ancient artworks.
Author : Forrest Kirkland
Publisher :
Page : 260 pages
File Size : 19,30 MB
Release : 1996
Category : Social Science
ISBN :
"In The Rock Art of Texas Indians, Kirkland's meticulous watercolor copies of this rich and diversified art are reproduced, 32 in full color, the rest in black and white. The informative and engaging text is contributed by W. W. Newcomb, Jr., former director of the Texas Memorial Museum and author of The Indians of Texas." "Those early Indians, at different times and places and in a variety of styles, carved and painted their art from Paint Rock in West Central Texas to the canyons of the Big Bend, from the Canadian River Valley in the Panhandle to the Hueco Tanks near El Paso. As the form for this art was varied, so too were the reasons for its execution. Much rock art was no doubt born of magical and religious beliefs, or served to illustrate myths, but some apparently commemorated actual events and some seems to have been only tallies or messages. Kirkland recorded it all with consummate skill, preserving for other generations, as he said he would, the often remarkable, always fascinating art of vanished people."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Forrest Kirkland
Publisher :
Page : 264 pages
File Size : 37,48 MB
Release : 1967
Category : Art
ISBN :
After viewing Indian rock paintings on a bluff above the Concho River near Paint Rock, Texas, in 1934, the late Dallas artist Forrest Kirkland was seized with an idea. He wrote later, "Here was a veritable gallery of primitive art at the mercy of the elements and the hands of a destructive people. In a few more years only the hundreds of deeply carved names and smears of modern paint would remain to mark the site of the paintings left by the Indians. . . . What was at first merely a suggestion in my mind soon became a solemn command. I was a trained artist able to make accurate copies of these Indian paintings. I should save them from total ruin."Kirkland devoted a good part of the rest of his life to copying pictographs and petroglyphs at some eighty far-flung sites in Texas. In The Rock Art of Texas Indians, his meticulous watercolor copies of this rich and diversified art are reproduced, 32 in full color, the rest in black and white. The informative and engaging text is contributed by W. W. Newcomb, Jr., former director of the Texas Memorial Museum and author of The Indians of Texas.The petroglyphs and pictographs reproduced here, states Professor Newcomb, "are relatively rare and absolutely irreplaceable human documents. They can often reveal much about the ways of ancient men, including aspects of life which otherwise would forever go unrecorded, for they may illustrate how a vanished, nameless people perceived themselves and their world, their relation to God and to each other, and their fantasies and fears. They are, then, a treasure to be valued and a heritage to be preserved."
Author : Carolyn E. Boyd
Publisher : University of Texas Press
Page : 220 pages
File Size : 28,45 MB
Release : 2016-11-29
Category : Social Science
ISBN : 1477311203
Winner, Society for American Archaeology Book Award, 2017 San Antonio Conservation Society Publication Award, 2019 The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time—making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.
Author : Harry W. Crosby
Publisher :
Page : 208 pages
File Size : 34,17 MB
Release : 1984
Category : History
ISBN :
Author : Edward H. Miller
Publisher : University of Chicago Press
Page : 253 pages
File Size : 24,9 MB
Release : 2015-09-22
Category : History
ISBN : 022620538X
If there was a city most likely to host the assassination of John F. Kennedy, Dallas was it. Kennedy himself recognized Dallas's special and extreme nature, saying to Jackie in Fort Worth on the morning of November 22, "We're heading into nut country today." Edward H. Miller makes the persuasive case in this lucid and insightful book that the ultraconservative faction of today's Republican Party is a product specifically of the political climate of Dallas in the 1950s and early 1960s, which was marked by apocalyptic language, conspiracy theories, and absolutist thought and rhetoric. Miller shows not only that the influential ultraconservative figures in Dallas fomented religious and racial extremism but that the arc of politics bent ever rightward, as otherwise moderate local Republicans were pressured to move away from the center. This faction promoted the creation of the national Republican Party's "Southern Strategy," which reversed the party's historical position on civil rights. This strategy, often credited to Richard Nixon and Barry Goldwater in the wake of the crises of the 1960s, has its origins instead in the racial and religious beliefs of extremists in this volatile time and place. Dallas is the root of it all.
Author : Christopher Chippindale
Publisher : Cambridge University Press
Page : 398 pages
File Size : 25,7 MB
Release : 1998
Category : Art
ISBN : 9780521576192
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Author : Ray Norris
Publisher :
Page : 30 pages
File Size : 27,99 MB
Release : 2009
Category : Science
ISBN : 9780980657005
The art and traditions of Aboriginal Australia draw on 40,000 years experience of gazing into the richness of unpolluted skies from pristine lands. They include the "emu in the sky" constellation of dark clouds, and stories about the Sun, Moon, and the Seven Sisters. Several Aboriginal groups use the rising and setting of particular stars to show when to harvest a food source. Some explain how the tides are caused by the Moon, and even explain eclipses as a conjunction of the Sun and Moon. This book explores the mystical Aboriginal astronomical stories and traditions, and the way in which they are used for practical applications such as navigation and harvesting. It describes the journey of exploration that's currently opening Western eyes to this treasury of ancient Aboriginal knowledge, and is written by two active researchers in the field: Prof. Ray Norris (an astrophysicist with CSIRO, and an Adjunct Professor at the Dept. of Indigenous Studies, Macquarie University), and his wife Cilla. In this book, Ray and Cilla bring you the results of their 6-year quest to research Aboriginal Astronomy, including: * uncovering little-known manuscripts, * visiting Aboriginal sites throughout Australia, * writing down stories from ancient communities. Few outsiders understand the depth and complexity of Aboriginal cultures. This book will give you a glimpse that will change your ideas about Aboriginal society.
Author : Denise Sullivan
Publisher : Sumach-Red Books
Page : 216 pages
File Size : 48,48 MB
Release : 2014-07-01
Category : Biography & Autobiography
ISBN : 9781937753030
Jim Morrison and the Doors wield an unquestionable influence on popular music and the mainstream, but behind the rock'n'roll myths and the monstrous creation the band called Jimbo, there were four young men in search of something mightier. Led by Jim Morrison's intellectual capacity and thirst for discovery, the band explored its dark themes from a distinctly prophetic and Western perspective: spirituality, drugs, political, environmental and social concerns all played a role - it was the '60s after all. But while Beat poetry, William Blake and Arthur Rimbaud swirled in Morrison's mind, and the band laid down tracks that followed jazz, classical and Far East patterns, they more often than not landed at the center of the blues. Lured by its nighttime rhythm, its cinematic storytelling abilities and inescapable American history, the band resisted, but Jim's connections to its rhyme schemes and emotional depths won out in the end: The blues is at once The Doors' known and secret influence - among others explored here - and Morrison was haunted by them. Chased by the stealthy demon alcohol until the end, and horrified by a past and future all too real to him, this telling of the Doors often-told story makes new connections with the subconscious tidal wave that carried Morrison from Gulf Coast Florida to California gold.
