The Whiteboy


Book Description




The Whiteboy


Book Description




Mexican WhiteBoy


Book Description

Newbery Award-winning and New York Times bestselling author Matt de la Peña's Mexican WhiteBoy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions. Danny's tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound he loses it. But at his private school, they don’t expect much else from him. Danny’ s brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico. That’s why he’s spending the summer with his dad’s family. Only, to find himself, he may just have to face the demons he refuses to see--the demons that are right in front of his face. And open up to a friendship he never saw coming. Matt de la Peña's critically acclaimed novel is an intimate and moving story that offers hope to those who least expect it. "[A] first-rate exploration of self-identity."-SLJ "Unique in its gritty realism and honest portrayal of the complexities of life for inner-city teens...De la Peña poignantly conveys the message that, despite obstacles, you must believe in yourself and shape your own future."-The Horn Book Magazine "The baseball scenes...sizzle like Danny's fastball...Danny's struggle to find his place will speak strongly to all teens, but especially to those of mixed race."-Booklist "De la Peña blends sports and street together in a satisfying search for personal identity."-Kirkus Reviews "Mexican WhiteBoy...shows that no matter what obstacles you face, you can still reach your dreams with a positive attitude. This is more than a book about a baseball player--this is a book about life."-Curtis Granderson, New York Mets outfielder An ALA-YALSA Top Ten Best Book for Young Adults A Junior Library Guild Selection




The Whiteboy; a Story of Ireland, in 1822


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Reprint of the original, first published in 1845.




Don't Bring Home a White Boy


Book Description

Folan encourages readers to look beyond common generalizations and stereotypes about race and gender in interracial relationships. In Don’t Bring Home a White Boy, writer Karyn Langhorne Folan debunks the myths and common preconceptions about interracial relationships: Is a black woman who dates white men a traitor to her race? And is America’s history of black oppression a factor? Drawing on real-life testimonials, she boldly tackles this difficult subject with warmth, humor, and understanding, as she explores stereotypes of black female sexuality and white male perspectives on black female beauty. Folan goes beyond statistics and offers firsthand insights on her own interracial relationship and attempts to tap into a woman’s desire to have all that they deserve instead of restricting themselves, simply because they want a “good black man.” Frank, authoritative, and universally relevant, her message to women is to look beyond skin color, accept themselves for who they are, and seek a man who truly loves them, regardless of race.




He Talk Like a White Boy


Book Description

As a young student, Joseph Phillips once overheard someone say of him, "He talk like a white boy!" The Denver native never thought that speaking correctly would cause others to question his authenticity as an African-American. Little did he know what lay in his future. His choices in music, politics, faith, and family have given rise to many accusations of his not being "black enough." As an actor, Joseph has encountered even more pointing fingers, this time for not being liberal enough for Hollywood. With a frank voice and a loving heart, this brilliant, conservative and outspoken African-American man presents a series of funny and thought-provoking essays that speak to the simple fact that authenticity is far more complicated that one's choice of words or music




White Boy in Skull Valley


Book Description

From the famed New Yorker illustrator comes one of the lost treasures of American comic strips.







Perfectly Good White Boy


Book Description

"You never know where we'll end up. There's so much possibility in life, you know?" Hallie said. Sean Norwhalt can read between the lines. He knows Hallie's just dumped him. He was a perfectly good summer boyfriend, but now she's off to college, and he's still got another year to go. Her pep talk about futures and "possibilities" isn't exactly comforting. Sean's pretty sure he's seen his future and its "possibilities," and they all look DISPOSABLE. Like the crappy rental his family moved into when his dad left. Like all the unwanted filthy old clothes he stuffs into the rag baler at his thrift-store job. Like everything good he's ever known. The only hopeful possibilities in Sean's life are the Marine Corps, where no one expected he'd go, and Neecie Albertson, whom he never expected to care about. Carrie Mesrobian follows her critically acclaimed debut, Sex & Violence, with another powerful and wrenching portrait of a teenage boy on the precipice of the new American future.




White Boy


Book Description

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.