The Willoughby Captains


Book Description

"The Willoughby Captains" by Talbot Baines Reed. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




The Willoughby captains


Book Description




The Willoughby Captains


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




The Willoughby Captains


Book Description

The Willoughby Captains is an unchanged, high-quality reprint of the original edition of 1887. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.




WILLOUGHBY CAPTAINS


Book Description




The Willoughby Captains


Book Description




‘His Captain’s hand on his shoulder smote’: The incidence and influence of cricket in schoolboy stories


Book Description

For a hundred years, from about the 1850s to the 1950s, schoolboy stories were voraciously read by the vast majority of boys and a high proportion of girls. A huge proportion of these ‘ripping yarns’ were school-based stories – and cricket was an invariable element, From Tom Brown’s Schooldays to the ‘Red Circle’ tales of the Hotspur comic, older children of all classes were inducted into a culture in which cricket was admired as the ideal sport. Inevitably, this led to generations of parents and, importantly, teachers inculcating this concept into their offspring and pupils respectively. The chief relevant authors were self-proclaimed protagonists of the faith of Muscular Christianity; there was no accident about the creed they preached in their stories, inclusive of the righteous role of cricket in pursuit of their ideals. This text describes the sheer weight and longevity of cricket in this type of literature and the background and beliefs of its major progenitors. That also analyses the cultural and social impact of this intense volume of schoolboy cricket tales. The author’s controversial conclusion is that, in brief, it was good for cricket but bad for the nation’s education system. Here is a book, then, that will appeal not only to cricket fans but to those interested in children’s literature, social history and the development of today’s schools.










From Brown to Bunter


Book Description

Originally published in 1985. This is a fascinating account of the life cycle of a minor literary genre, the boys’ school story. It discusses early nineteenth-century precursors of the school story – didactic works with such revealing titles as The Parents’ Assistant – and goes on to examine in detail the two major examples of the genre - Hughes’s Tom Brown’s School Days and Farrar’s Eric. The slow development of the genre during the 1860s and 1870s is traced, and its institutionalisation by Talbot Baines Reed in, for example, The Fifth Form at St Dominic’s, is described. Many similar works were subsequently published for adults and adolescents, and the author shows how they differ from the originals in being critical in tone and written to a formula in plot and style. This development is discussed in relation to the changing social structure of Britain up to 1945, by which time to life of the genre was almost ended.