The Wingless Prince


Book Description

Cakrawala is the heir to the throne of Bayu, a kingdom inhabited by the forgotten winged folk. But all that changes overnight when his cousin betrays him for the crown. During a daring battle, Cakrawala falls into a river and emerges in Kampung Rawi—cold, alone, and wingless, where he meets Orked, a brave human girl living in the tiny village. Eager to help, she offers him her assistance in getting him home. But someone around him doesn’t intend to let him leave. The question is, who would be willing enough to make sure he fails to return? What would become of his kingdom? And more importantly, what is a prince of Bayu without his wings?




The Old Man and The Wingless Angel


Book Description

Katie is about to graduate high school and is a frustrated mess about her future. All she wants is to take off on an adventure and go on a road trip, but mom doesn't think its a good idea. As Katie tries to convince her mom otherwise, she comes across an artifact that raises a lot of questions about the family history and the grandmother Katie never knew. Katie resolves to see things through and find the grandmother who abandoned the family.




Reading F.T. Prince


Book Description

F. T. Prince (1912-2003) is now emerging as one of the most distinctive voices of twentieth-century Anglophone poetry. Born in South Africa, he came to England in the 1930s, where he studied alongside Stephen Spender and W. H. Auden. First published by T. S. Eliot, and celebrated in his day by poets as various as Siegfried Sassoon and John Ashbery, his poems have long intrigued readers with their formal experiments, Baroque influences, and intellectual puzzles. During his own lifetime, he found fame with the war poem 'Soldiers Bathing' (1942), and was known chiefly as a Milton scholar. However, this collection of specially commissioned essays sheds new light on his achievements and reveals his central place in the story of modern poetry. Enthralled by the canon, yet embraced by the avant-garde, he has influenced poets from Geoffrey Hill to Susan Howe, a unique conduit between the modernism and the Movement, British regionalism and American cosmopolitanism. Yet his poetry is not merely of interest for its continuing influence on wider tradition. Subtle, original, and various, F. T. Prince's poetry asks important questions about power, responsibility, and collective memory.




The Burning Stone


Book Description

Set in an alternate Europe where bloody conflicts rage, the third book of the Crown of Stars epic fantasy series continues the world-shaking conflict for the survival of humanity It is a crucial time in the war-torn kingdoms of Wendar and Varre, a moment when even one wrong decision can tilt the balance of events into total disaster. For Sanglant—King Henry’s son—and Liath—the woman he loves—the offer of both a haven from their enemies and the chance for Liath to study the ancient lore with those who claim her as their own, seems like the answer they have been seeking. But no place can truly be safe for them. Both their lives and their love will be at risk when they are forced to choose which pathway each will follow—lured by the equally strong demands of politics, forbidden knowledge, and family. Liath, born with a dangerous power beyond her control, is torn between her longing for Sanglant and the child they are about to have and the call of sorcery, which can open the way into the land of the Aoi, the Lost Ones. And even as Liath struggles with magic’s seductive spell, Sanglant’s Aoi mother returns to the mortal world, seeking the son she abandoned as a babe. As the fates of kingdoms shift with the changing fortunes of those caught up in the dangers of both civil war and continuing attacks by the nonhuman Eika and the Quman invaders, time is running out for Liath, Sanglant, King Henry, and the people of Wendar and Varre. For the time of cataclysm is fast approaching—and no one can foretell who will survive—or rule—when it is over….







The Spectator


Book Description




Fairy Tale


Book Description

When he was a child, Jerry Richard Williams’ mother spent hours reading illustrated fairy tales to him and his twin sister. While his mother didn’t believe in fairy tales, she did believe in miracles from Jesus. She also enjoyed stories about Prince Charming and falling in love. So did her little boy. In Fairy Tale, Williams shares his life story, a kind of fairy tale about a career in the theater as a set and costume designer while looking for Prince Charming. He narrates what it was like growing up gay in the heart of America’s conservative Bible belt of the 1950s. A charming, nostalgic reflection on surviving, Williams chronicles life events in his blue collar, post-war, reality. At every turn, he encounters a host of fairy godmothers and engages with legendary stars such as Merv Griffin, Myrna Loy, Esther Williams, and others. This memoir tells the magical tale of Williams’ upbringing, schooling, career, looking for love, and overcoming challenges to manage a life well lived.




The Prince of Ayodhya


Book Description







Classical Vertigo


Book Description

Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.