The Winter Palace, Saint Petersburg


Book Description

Tsar Nicholas I commissioned 128 delightful watercolors depicting views and interiors of the private and state apartments of the Winter Palace, the main imperial residence of Saint Petersburg. These watercolors together make up one of the jewels of the collections of the Hermitage Museum. Of immense documentary value, they are also - with their crystalline clarity and their irresistible elegance - dazzling examples of the graphic art of the nineteenth century. Immortalizing as they do the splendor of the first palace of the Russian sovereigns, they are of immeasurably greater interest than other works of decorative art of this type. In a technical tour de force, these artists contrived to depict space in such a way that their paintings present a broader perspective than could normally be taken in by the naked eye.




The Winter Palace and the People


Book Description

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.




Grand and Private Rooms of the Winter Palace


Book Description

A stunning volume presenting the history of the Winter Palace. The Winter Palace is connected with the life of Russia and Saint Petersburg for more than 250 years. Externally the Palace has remained true to the original design, however its interior has been updated numerous times for the royal family members'needs, status, and artistic tastes. These changes are reflected in splendid illustrations, primarily from the State Hermitage collection. This richly illustrated book will let you both walk along the halls of bygone epochs and become acquainted with the Palace's modern life and it's magnificent art collection




Palaces in Saint Petersburg


Book Description

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 37. Chapters: Winter Palace, Pavlovsk Palace, Neva Enfilade of the Winter Palace, Beloselsky-Belozersky Palace, Stroganov Palace, Strelna, Ice palace, Saint Michael's Castle, Marble Palace, Tauride Palace, Anichkov Palace, Moika Palace, Mariinsky Palace, Vorontsov Palace, Vladimir Palace, Yelagin Palace, Summer Palace of Peter the Great, Nicholas Palace, Menshikov Palace, Kamenny Island Palace, Kikin Palace, Mikhaylovsky Palace. Excerpt: The Winter Palace (Russian: ) in Saint Petersburg, Russia, was, from 1732 to 1917, the official residence of the Russian monarchs. Situated between the Palace Embankment and the Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917 became an iconic symbol of the Russian Revolution. The palace was constructed on a monumental scale that was intended to reflect the might and power of Imperial Russia. From the palace, the Tsar ruled over 22,400,000 square kilometres (8,600,000 sq mi) (almost 1/6 of the Earth's landmass) and over 125 million subjects by the end of the 19th century. It was designed by many architects, most notably Bartolomeo Rastrelli, in what came to be known as the Elizabethan Baroque style. The green-and-white palace has the shape of an elongated rectangle, and its principal facade is 250 m long and 100 ft (30 m) high. The Winter Palace has been calculated to contain 1,786 doors, 1,945 windows, 1,500 rooms and 117 staircases. The rebuilding of 1837 left the exterior unchanged, but large parts of the interior were redesigned in a variety of tastes and styles, leading the palace to be described as a "19th-century palace inspired by a model in Rococo...




The Winter Palace and the People


Book Description

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.







Free Russia


Book Description







Palaces in Russia


Book Description

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 66. Chapters: Winter Palace, Pavlovsk, Saint Petersburg, Pavlovsk Palace, Battle of the palaces, Moscow Kremlin, Peterhof Palace, Ostankino Palace, Catherine Palace, Alexander Palace, Petergof, Kuskovo, Brattsevo, Ropsha, Tsarskoye Selo, Alferaki Palace, Kolomenskoye, Presidential Palace, Grozny, Pella Palace, Grand Kremlin Palace, Gatchina Palace, Peterhof Grand Palace, Vlakhernskoye-Kuzminki, Polibino, Lipetsk Oblast, Historic Centre of Saint Petersburg and Related Groups of Monuments, Catherinehof, State Kremlin Palace, Tsarina Golden Palace, Oranienbaum, Russia, Alexander I Palace, Terem Palace, Grebnevo, Rastorguyev-Kharitonov Palace, Palace of Facets, Amusement Palace, Priory Palace. Excerpt: The Winter Palace (Russian: ) in Saint Petersburg, Russia, was, from 1732 to 1917, the official residence of the Russian monarchs. Situated between the Palace Embankment and the Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917 became an iconic symbol of the Russian Revolution. The palace was constructed on a monumental scale that was intended to reflect the might and power of Imperial Russia. From the palace, the Tsar ruled over 22,400,000 square kilometres (8,600,000 sq mi) (almost 1/6 of the Earth's landmass) and over 125 million subjects by the end of the 19th century. It was designed by many architects, most notably Bartolomeo Rastrelli, in what came to be known as the Elizabethan Baroque style. The green-and-white palace has the shape of an elongated rectangle, and its principal facade is 250 m long and 100 ft (30 m) high. The Winter Palace has been calculated to contain 1,786 doors, 1,945...




The Winter Palace


Book Description

When Vavara, a young Polish orphan, arrives at the glittering, dangerous court of the Empress Elizabeth in St Petersburg, she is schooled in skills ranging from lock-picking to love-making, learning above all else to stay silent - and listen. Then Sophie, a vulnerable young princess, arrives from Prussia as a prospective bride for the Empress's heir. Set to spy on her, Vavara soon becomes her friend and confidante, and helps her navigate the illicit liaisons and the treacherous shifting allegiances of the court. But Sophie's destiny is to become the notorious Catherine the Great. Are her ambitions more lofty and far-reaching than anyone suspected, and will she stop at nothing to achieve absolute power?