The Surface of Things


Book Description

"The first history of photography from Africa's Swahili coast, revealing the images' complicated relationships to colonialism and global influence"--










Textile Trades, Consumer Cultures, and the Material Worlds of the Indian Ocean


Book Description

This collection examines cloth as a material and consumer object from early periods to the twenty-first century, across multiple oceanic sites—from Zanzibar, Muscat and Kampala to Ajanta, Srivijaya and Osaka. It moves beyond usual focuses on a single fibre (such as cotton) or place (such as India) to provide a fresh, expansive perspective of the ocean as an “interaction-based arena,” with an internal dynamism and historical coherence forged by material exchange and human relationships. Contributors map shifting social, cultural and commercial circuits to chart the many histories of cloth across the region. They also trace these histories up to the present with discussions of contemporary trade in Dubai, Zanzibar, and Eritrea. Richly illustrated, this collection brings together new and diverse strands in the long story of textiles in the Indian Ocean, past and present.




Celebrating Research


Book Description

"ARL has published a book and Web site profiling selected rare and special collections in major research libraries of North America, Celebrating Research: Rare and Special Collections from the Membership of the Association of Research Libraries. The compendium is a sampling of the abundance and variety of collections available for use. Special collections have been broadly construed to encompass distinctive, rare and unique, emerging media, born-digital, digitized, uncommon, non-standard, primary, and heritage materials. Celebrating Research includes 118 collection profiles, each from a different ARL member library. Each profile is illustrated with color photographs and tells a story of a single collection, recounting how the resources were acquired and developed. The compilation is rich with examples of how research libraries are engaging different communities to deliver library services and encourage the use of such distinctive collections. Also included is an introductory essay by British rare book expert Nicolas Barker and an appendix that provides a broad description of each library's special collection holdings and pertinent contact information. The book contains a detailed index; the Web site provides a search engine. The volume is the result of a collaborative effort among ARL member libraries on the occasion of the Association's 75th anniversary. It was edited by Philip N. Cronenwett, Special Collections Librarian Emeritus, Dartmouth College Library; Kevin Osborn, Research & Design Ltd.; and Samuel A. Streit, Director for Special Collections, Brown University Library."--Publisher's website.




Contemporary African Art (Second) (World of Art)


Book Description

A revised edition of this seminal title, surveying the diverse, ever-evolving field of contemporary African art from the 1950s to today, illustrated in color throughout. Contemporary African art has grown out of the diverse histories and cultural heritage of the African continent and its diaspora. It is not characterized by one particular style, technique, or theme, but by a bricolage-like attitude toward art making, incorporating and building upon the structures from which older, pre- colonial and colonial genres were made. In this revised and updated edition of Contemporary African Art, Sidney Littlefield Kasfir examines the major themes, developments, and accomplishments in African art of the twentieth and twenty-first centuries. Organized thematically, the book includes new chapters on the history of African photography and the growth of the global art market, alongside significant discussions of patronage, mediation, artistic training, and national and diaspora identities. Generously illustrated throughout, including work by artists such as El Anatsui, Yinka Shonibare, William Kentridge, and Ibrahim El-Salahi, the book draws on interviews with many contemporary artists and art world professionals. Contemporary African Art is a fascinating, comprehensive survey of art from the African continent and its global diaspora.




The Last Blank Spaces


Book Description

For a British Empire that stretched across much of the globe at the start of the nineteenth century, the interiors of Africa and Australia remained intriguing mysteries. The challenge of opening these continents to imperial influence fell to a proto-professional coterie of determined explorers. They sought knowledge, adventure, and fame, but often experienced confusion, fear, and failure. The Last Blank Spaces follows the arc of these explorations, from idea to practice, from intention to outcome, from myth to reality. Those who conducted the hundreds of expeditions that probed Africa and Australia in the nineteenth century adopted a mode of scientific investigation that had been developed by previous generations of seaborne explorers. They likened the two continents to oceans, empty spaces that could be made truly knowable only by mapping, measuring, observing, and preserving. They found, however, that their survival and success depended less on this system of universal knowledge than it did on the local knowledge possessed by native peoples. While explorers sought to advance the interests of Britain and its emigrant communities, Dane Kennedy discovers a more complex outcome: expeditions that failed ignominiously, explorers whose loyalties proved ambivalent or divided, and, above all, local states and peoples who diverted expeditions to serve their own purposes. The collisions, and occasional convergences, between British and indigenous values, interests, and modes of knowing the world are brought to the fore in this fresh and engaging study.