Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Thomas Heywood
Publisher : Taylor & Francis
Page : 168 pages
File Size : 49,11 MB
Release : 2003
Category : Art
ISBN : 9780878301690
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Shokhan Rasool Ahmed
Publisher : Author House
Page : 129 pages
File Size : 47,81 MB
Release : 2014-10-09
Category : Drama
ISBN : 1496992806
The Staging of Witchcraft and a "Spectacle of Strangeness": Witchcraft at Court and the Globe presents a new interest in Continental texts on witchcraft coincided with technological advances in the English stage, which made a variety of dramatic effects possible in the private playhouses, such as flying witches, and the appearance of spirits and deities in Elizabethan plays. This book also evaluates how the technology of the Blackfriars playhouse facilitated the appearance of spirits, devils, witches, magicians, deities and dragons on stage. The study investigates the visual spectacle of witchcraft scenes which intersect with the genre of the plays, and it also presents to what extent changing theatrical tastes affect the way that supernatural characters are shown on stage.
Author : Sarah Lewis
Publisher : Cambridge University Press
Page : 289 pages
File Size : 46,7 MB
Release : 2020-09-24
Category : Literary Criticism
ISBN : 1108901697
This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself, negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial if we are to develop our understanding of the early modern cultural construction of both.
Author : Tabitha Stanmore
Publisher : Cambridge University Press
Page : 323 pages
File Size : 40,66 MB
Release : 2022-12-31
Category : History
ISBN : 1009286730
Magic is ubiquitous across the world and throughout history. Yet if witchcraft is acknowledged as a persistent presence in the medieval and early modern eras, practical magic by contrast – performed to a useful end for payment, and actually more common than malign spellcasting – has been overlooked. Exploring many hundred instances of daily magical usage, and setting these alongside a range of imaginative and didactic literatures, Tabitha Stanmore demonstrates the entrenched nature of 'service' magic in premodern English society. This, she shows, was a type of spellcraft for needs that nothing else could address: one well established by the time of the infamous witch trials. The book explores perceptions of magical practitioners by clients and neighbours, and the way such magic was utilised by everyone: from lowliest labourer to highest lord. Stanmore reveals that – even if technically illicit – magic was for most people an accepted, even welcome, aspect of everyday life.
Author : Sarah Neville
Publisher : Cambridge University Press
Page : 307 pages
File Size : 49,26 MB
Release : 2022-01-06
Category : Literary Criticism
ISBN : 1009033042
Between 1525 and 1640, a remarkable phenomenon occurred in the world of print: England saw the production of more than two dozen editions identified by their imprints or by contemporaries as 'herbals'. Sarah Neville explains how this genre grew from a series of tiny anonymous octavos to authoritative folio tomes with thousands of woodcuts, and how these curious works quickly became valuable commodities within a competitive print marketplace. Designed to serve readers across the social spectrum, these rich material artifacts represented both a profitable investment for publishers and an opportunity for authors to establish their credibility as botanists. Highlighting the shifting contingencies and regulations surrounding herbals and English printing during the sixteenth and early seventeenth century, the book argues that the construction of scientific authority in Renaissance England was inextricably tied up with the circumstances governing print. This title is also available as Open Access on Cambridge Core.
Author : Otelia Cromwell
Publisher :
Page : 256 pages
File Size : 25,77 MB
Release : 1928
Category : Manners and customs in literature
ISBN :
Author : Otelia Cromwell
Publisher :
Page : 258 pages
File Size : 48,60 MB
Release : 1928
Category : English language
ISBN :
Author : Michelle DiMeo
Publisher : Manchester University Press
Page : 287 pages
File Size : 22,25 MB
Release : 2018-09-30
Category : Literary Criticism
ISBN : 1526129906
This collection of essays provides an overview of new scholarship on recipe books, one of the most popular non-fiction printed texts in, and one of the most common forms of manuscript compilation to survive from, the pre-modern era (c.1550–1800). This is the first book to collect together the wide variety of scholarly approaches to pre-modern recipe books written in English, drawing on varying approaches to reveal their culinary, medical, scientific, linguistic, religious and material meanings. Ten scholars from the fields of culinary history, history of medicine and science, divinity, archaeology and material culture, and English literature and linguistics contribute to a vibrant mapping of the aspirations invested in, and uses of, recipes and recipe books. By exploring areas as various as the knowledge economies of medicine, Anglican feasting and fasting practices, the material culture of the kitchen and table, London publishing and concepts of authorship and the aesthetics of culinary styles, these eleven essays (including a critical introduction to recipe books and their historiography) position recipe texts in the wider culture of the sixteenth, seventeenth and eighteenth centuries. They illuminate their importance to both their original compilers and users, and modern scholars and graduate students alike.
Author : Hugh Craig
Publisher : Cambridge University Press
Page : 303 pages
File Size : 36,35 MB
Release : 2017-08-03
Category : Computers
ISBN : 1107191017
This book uses computational methods and statistical analysis to challenge traditional assumptions about the plays of Shakespeare and his contemporaries.
Author : Katherine Walker
Publisher : Bloomsbury Publishing
Page : 321 pages
File Size : 38,94 MB
Release : 2021-12-02
Category : Literary Criticism
ISBN : 1350044636
With the recent turn to science studies and interdisciplinary research in Shakespearean scholarship, Shakespeare and Science: A Dictionary, provides a pedagogical resource for students and scholars. In charting Shakespeare's engagement with natural philosophical discourse, this edition shapes the future of Shakespearean scholarship and pedagogy significantly, appealing to students entering the field and current scholars in interdisciplinary research on the topic alongside the non-professional reader seeking to understand Shakespeare's language and early modern scientific practices. Shakespeare's works respond to early modern culture's rapidly burgeoning interest in how new astronomical theories, understandings of motion and change, and the cataloging of objects, vegetation, and animals in the natural world could provide new knowledge. To cite a famous example, Hamlet's letter to Ophelia plays with the differences between the Ptolemaic and Copernican notions of the earth's movement: “Doubt that the sun doth move” may either be, in the Ptolemaic view, an earnest plea or, in the Copernican system, a purposeful equivocation. The Dictionary contextualizes such moments and scientific terms that Shakespeare employs, creatively and critically, throughout his poetry and drama. The focus is on Shakespeare's multiform uses of language, rendering accessible to students of Shakespeare such terms as “firmament,” “planetary influence,” and “retrograde.”