The Women of Ben Jonson's Poetry


Book Description

Ben Jonson (1572-1637) is recognised as one of the major poets and dramatists of his time. It is surprising, therefore, that this should be the first study to look specifically at the role of women in his poetry. Barbara Smith challenges previously held conceptions of Jonson as a misogynist, upholding the patronage system that allowed him to work. Through detailed examination of his poetic structures, the influence of Juvenal, Martial and Horace, and Jonson's attitudes to his own female patrons, the Countess of Bedford and Lady Mary Wroth, The Women of Ben Jonson's Poetry demonstrates how seventeenth century cultural values and ideas of gender are both supported and subverted in the poems. ’If we "survey Jonson in his works and know him there", we will find the independence of spirit and originality that made him a rarity in his time and ours.'




Ben Jonson


Book Description

Interest in Ben Jonson is higher today than at any time since his death. This new collection offers detailed readings of all the major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides significant insights into the court masques and the later plays which have only recently been rediscovered as genuinely engaging stage pieces.




Imitation and Praise in the Poems of Ben Jonson


Book Description

In the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.




Epicoene


Book Description




Epicoene


Book Description

Reproduction of the original: Epicoene by Ben Jonson




Epicoene; or, The Silent Woman


Book Description

"Epicoene; or, The Silent Woman" by Ben Jonson is a classic comedy of manners that satirizes the social conventions and gender roles of early 17th-century London society. The play revolves around the character Morose, a wealthy but misanthropic old man who seeks to escape the noise and chaos of the city by marrying a silent woman. The central premise of the play revolves around Morose's desire for peace and quiet, which leads him to marry Epicoene, a young woman who pretends to be silent in order to secure her inheritance. However, as Morose soon discovers, Epicoene is anything but silent, and her antics, along with those of the other characters, lead to a series of hilarious misunderstandings and complications. Through its witty dialogue, clever wordplay, and exaggerated characters, "Epicoene" offers a biting critique of the social mores and conventions of Jonson's time. The play explores themes of marriage, deception, and the nature of gender roles, while also offering a humorous commentary on the foibles and follies of human nature.







Epicoene


Book Description

Epicoene, or The silent woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. It was originally performed by the Blackfriars Children or Children of the Queen's Revels, a group of boy players, in 1609. It was, by Jonson's admission, a failure on its first presentation; however, John Dryden and others championed it, and after the Restoration it was frequently revived-indeed, a reference by Samuel Pepys to a performance on 6 July 1660 places it among the first plays legally performed after Charles II's ascension. The play takes place in London. Morose, a wealthy old man with an obsessive hatred of noise, has made plans to disinherit his nephew Dauphine by marrying. His bride Epic ne is, he thinks, an exceptionally quiet woman; he does not know that Dauphine has arranged the whole match for purposes of his own. The couple are married despite the well-meaning interference of Dauphine's friend True-wit. Morose soon regrets his wedding day, as his house is invaded by a charivari that comprises Dauphine, True-wit, and Clerimont; a bear warden named Otter and his wife; two stupid knights, La Foole and Daw; and an assortment of "collegiates," vain and scheming women with intellectual pretensions. Worst for Morose, Epic ne quickly reveals herself as a loud, nagging mate."




The Poems of Ben Jonson


Book Description

Ben Jonson, who was with Shakespeare and Marlowe one of three principal playwrights of his age, was also one of its most original and influential poets. Known best for the country house poem ‘To Penshurst’ and his moving elegy ‘On my First Son’, his work inspired the whole generation of seventeenth-century poets who declared themselves the ‘Sons of Ben’. This edition brings his three major verse publications, Epigrams (1616), The Forest (1616), and Underwood (1641) together with his large body of uncollected poems to create the largest collection of Jonson’s verse that has been published. It thus gives readers a comprehensive view of the wide range of his achievement, from satirical epigrams through graceful lyrics to tender epitaphs. Though he is often seen as the preeminent English poet of the plain style, Jonson employed a wealth of topical and classical allusion and a compressed syntax which mean his poetry can require as much annotation for the modern reader as that of his friend John Donne. This edition not only provides comprehensive explanation and contextualization aimed at student and non-specialist readers alike, but presents the poems in a modern spelling and punctuation that brings Jonson’s poetry to life.