Bibliotheca Britannica


Book Description
















The Correspondence of Henry and Sarah Fielding


Book Description

Important discoveries in private and public archives have recently brought to light many new letters by Henry Fielding (1707-54) and by his sister, the novelist and classicist Sarah Fielding (1710-68). Published here for the first time is their entire extant correspondence, edited with an Introduction and explanatory annotations - 77 letters from and to Henry Fielding written over the years 1727 to 1754, and 33 letters from and to Sarah Fielding written from 1749 to 1767. The collection illuminates Henry Fielding's activities as author, lawyer, and magistrate; and it is valuable as well for the light it throws on his character and personal relationships. Fielding scholars are already acquainted with the important letters to his cousin Lady Mary Wortley Montagu, to his rival Samuel Richardson, to his friend George Lyttelton, and to his famous half-brother John Fielding, the latter written on the sad occasion of his final voyage to Lisbon. In this volume they will also find Fielding's correspondence with his great patron, the Duke of Bedford, and his agents - letters relating to Fielding's stewardship of the New Forest and to his appointments to the magistracy. The heart of this present collection, however - Fielding's correspondence with his closest friend, James Hermes' Harris - is completely new. Never before published, the Harris letters comprise the finest extant examples of Fielding's epistolary correspondence, a kind of familiar writing he practised reluctantly, but well. The Harris papers are equally valuable for what they reveal of Sarah Fielding's literary and scholarly interests and her relationship with her brother. Other letters in the collection - several also published here for the first time - will serve to clarify her friendships with Richardson, Garrick, and Elizabeth Montagu. Included in the Appendix are a half-dozen letters from members of the family that will be of interest to biographers of Henry and Sarah.Important discoveries in private and public archives have recently brought to light many new letters by Henry Fielding (1707-54) and by his sister, the novelist and classicist Sarah Fielding (1710-68). Published here for the first time is their entire extant correspondence, edited with an Introduction and explanatory annotations--77 letters from and to Henry Fielding written over the years 1727 to 1754, and 33 letters from and to Sarah Fielding written from 1749 to 1767.




Novel Beginnings


Book Description

In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course.