Ideals and Applications


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A Vision Splendid


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During his forty-five years as a Latter-day Saint apostle and nineteen years as the prophet, David O. McKay gave thousands of speeches, including hundreds of temple and chapel dedications, civic addresses, funeral sermons, and General Conference and other Church-related talks. Many of these speeches contain some of the same prose and poetry, but no two speeches are the same. All of these discourses were written by McKay himself, and virtually all of them were typed, organized, and kept in large, legal-sized leather binders by Clare Middlemiss, his long-time personal secretary. His choice of prose reveals his favorite authors and literature, a glimpse into his personal library. It also conveys his ideals and his fervent belief in their truth. Never before, and not since, has The Church of Jesus Christ of Latter-day Saints had a prophet so well versed in secular as well as scriptural prose. McKay’s intellectual and spiritual worlds meshed as he recited with ease the poetry of Edgar A. Guest, John Oxenham, and Joaquin Miller, as well as the patriotic pronouncements of George Washington, Patrick Henry, and Benjamin Franklin. In one speech he seemed to have studied Scottish lore, and in another he effortlessly extolled current US statistics on crime or divorce. He was at times romantic and wistful, and at other times firm and warning. In A Vision Splendid: The Discourses of David O. McKay, Anne-Marie Wright Lampropoulos culls from the vast records of McKay's discourses that Middlemiss kept and groups certain categories of speeches together: dedications, civic addresses, Church discourses, and funeral sermons. Each chapter broadly analyzes a category and then includes samples of illustrative full speeches. This analysis and compilation illustrates how McKay looked to poignant prose for a sense of his own personal identity and inspiration, as well as the larger identity and inspiration of Church members.













Catalog of Copyright Entries


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The Athenaeum


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The Urban Pulpit


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Matthew Bowman explores the world of a neglected group of American Christians: the self-identified liberal evangelicals who began in late nineteenth-century New York to reconcile traditional evangelical spirituality with progressive views on social activism and theological questions. These evangelicals emphasized the importance of supernatural conversion experience, but also argued that scientific advances, new movements in art, and the decline in poverty created by a new industrial economy could facilitate encounters with Christ. The Urban Pulpit chronicles the struggle of liberal evangelicals against conservative Protestants who questioned their theological sincerity and against secular reformers who grew increasingly devoted to the cause of cultural pluralism and increasingly suspicious of evangelicals over the course of the twentieth century. Liberal evangelicals walked a difficult path, facing increasing polarization in twentieth-century American public life; both conservative evangelicals and secular reformers insisted that religion and science were necessarily at odds and that evangelical Christianity was incompatible with cultural diversity. Liberal evangelicals rejected these simple dichotomies, but nonetheless found it increasingly difficult to defend their middle way. Drawing on history, anthropology, and religious studies, Bowman paints a complex portrait of these understudied Christians at work, at worship, and engaged in advocacy in the public square.




The English Catalogue of Books


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Volumes for 1898-1968 include a directory of publishers.