The Works of John Ruskin 2 Part Volume: Volume 35, Praeterita and Dilecta


Book Description

The influence of John Ruskin (1819-1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences by and about Ruskin. This thirty-fifth volume, in two parts, contains Praeterita, Ruskin's autobiography, and Dilecta, his own published selection of his letters.




The Works of John Ruskin: Praeterita. Dilecta


Book Description

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.




Pastoral Cosmopolitanism in Edith Wharton’s Fiction


Book Description

American novelist Edith Wharton (1862–1937) is best known today for her tales of the city and the experiences of patrician New Yorkers in the “Gilded Age.” This book pushes against the grain of critical orthodoxy by prioritizing other “species of spaces” in Wharton’s work. For example, how do Wharton’s narratives represent the organic profusion of external nature? Does the current scholarly fascination with the environmental humanities reveal previously unexamined or overlooked facets of Wharton’s craft? I propose that what is most striking about her narrative practice is how she utilizes, adapts, and translates pastoral tropes, conventions, and concerns to twentieth-century American actualities. It is no accident that Wharton portrays characters returning to, or exploring, various natural localities, such as private gardens, public parks, chic mountain resorts, monumental ruins, or country-estate “follies.” Such encounters and adventures prompt us to imagine new relationships with various geographies and the lifeforms that can be found there. The book addresses a knowledge gap in Wharton and the environmental humanities, especially recent debates in ecocriticism. The excavation of Wharton's words and the background of her narratives with an eye to offering an ecocritical reading of her work is what the book focuses on.




The Works of John Ruskin


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The Complete Works of John Ruskin, Vol. 25


Book Description

Excerpt from The Complete Works of John Ruskin, Vol. 25: Praeterita Poems and Letters I have written these sketches of effort and incident in former years for my friends; and for those of the public who have been pleased by my books. I have written them therefore, frankly, garrulously, and at ease; speaking of what it gives me joy to remember at any length I like - sometimes very carefully of what I think it may be useful for others to know; and passing in total silence things which I have no pleasure in reviewing, and which the reader would find no help in the account of. My described life has thus become more amusing than I expected to myself, as I summoned its long past scenes for present scrutiny - its main methods of study, and principles of work, I feel justi fied in commending to other students; and very certainly any habitual readers of my books will understand them better, for having knowledge as complete as I can give them of the personal character which, without endeavor to conceal, I yet have never taken pains to display, and even, now and then, felt some freakish pleasure in exposing to the chance of misinterpretation. I write these few prefatory words on my father's birthday, in what was once my nursery in his old house, - to which he brought my mother and me, sixty-two years since, I being then four years old. What would otherwise in the following pages have been little more than an old man's recreation in gathering visionary flowers in fields of youth, has taken, as I wrote, the nobler aspect of a dutiful offering at the grave of parents who trained my childhood to all the good it could attain, and whose memory makes declining life cheerful in the hope of being soon again with them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.