Lucian and the Latins


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Explores Lucian's influence on Renaissance writers




The Book Monthly


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The Book Monthly


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Ancient Transportation Technology


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Did you know . . . • People first used skis more than 8,000 years ago? • The first wheels were used in pottery—not for transportation? • Traffic jams often clogged the streets of ancient Rome? Transportation technology is as old as human society itself. The first humans on Earth used simple transportation tools. They bundled logs together to make rafts. They used long poles and flat boards to carry heavy loads. Over the centuries, ancient peoples learned more about transportation. The ancient Indians trained elephants and horses for travel. The ancient Chinese developed the first compasses. The ancient Greeks built massive battleships. So what kinds of tools and techniques did ancient people use? How did maps of the world improve over time? And how did ancient transportation set the stage for our own modern transportation technology? Learn more in Ancient Transportation Technology.




The Emblematics of the Self


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The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance. Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.




General Catalogue


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The Hermeneutics of the Subject


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The Hermeneutics of the Subject is the third volume in the collection of Michel Foucault's lectures at the Collège de France, one of the world's most prestigious institutions. Faculty at the Collège give public lectures, in which they present works-in-progress on any subject of their choosing. Foucault's wide-ranging lectures influenced his groundbreaking works like The History of Sexuality and Discipline and Punish. In the lectures comprising this volume, Foucault focuses on how the "self" and the "care of the self" were convinced during the period of antiquity, beginning with Socrates. The problems of the ethical formation of the self, Foucault argues, form the background for our own questions about subjectivity and remain at the center of contemporary moral thought. This series of lectures throws new light on Foucault's final works and shows the full depth of his engagement with ancient thought. Lucid and provocative, The Hermeneutics of the Subject reveals Foucault at the height of his powers.




The Scientific Monthly


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Classical World Literatures


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Ever since Karl Jaspers's "axial age" paradigm, there have been a number of influential studies comparing ancient East Asian and Greco-Roman history and culture. However, to date there has been no comparative study involving multiple literary traditions in these cultural spheres. This book compares the dynamics between the younger literary cultures of Japan and Rome and the literatures of their venerable predecessors, China and Greece. How were writers of the younger cultures of Rome and Japan affected by the presence of an older "reference culture," whose sophistication they admired, even as they anxiously strove to assert their own distinctive identity? How did they tackle the challenge of adopting the reference culture's literary genres, rhetorical refinement, and conceptual vocabulary for writing texts in different languages and within distinct political and cultural contexts? Classical World Literatures captures the striking similarities between the ways early Japanese authors wrote their own literature through and against the literary precedents of China, and the ways Latin writers engaged and contested Greek precedents. But it also brings to light suggestive divergences that are rooted in geopolitical, linguistic, sociohistorical, and aesthetic differences between early Japanese and Roman literary cultures. Proposing a methodology of "deep comparison" for the cross-cultural comparison of premodern literary cultures and calling for an expansion of world literature debates into the ancient and medieval worlds, Classical World Literatures is both a theoretical intervention and an invitation to read and re-read four major literary traditions in an innovative and illuminating light.