The World of Atget


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Atget


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This volume presents the essence of the work of the great French photographer Eugène Atget through one hundred carefully selected photographs. Atget devoted more than thirty years of his life to the task of documenting the city of Paris and the surrounding countryside, and in the process created an oeuvre that brilliantly explains the great richness, complexity, and authentic character of his native culture. John Szarkowski, an acknowledged master of the art of looking at photographs, explores the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. The eloquent introductory text and commentaries on Atget’s photographs form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures.




Berenice Abbott, Eugene Atget


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"In 1927 Berenice Abbot became the largest collector of Atget's work when she purchased his estate. For the next forty years, Abbott devoted much of her creative life to popularizing Atget's work. Our vision of Eugene Atget and Atget's Paris was literally Abbott's invention. Drawn from work in previously unpublished archives, this book details Abbott's rare prints of Atget's negatives for the first time.".




Books on Books 1


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Text by David Campany, Pierre Mac Orlan, Jeffrey Ladd.




Eugène Atget


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Photography in Print


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Essays by photographers, critics, and philosophers.




Looking at Atget


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A unique look at the work of one of the great photographers of the twentieth century, whose unequaled records of Paris inspired generations of photographers




Atget's Seven Albums


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Between 1909 and 1915 Eugène Atget produced seven albums filled with photographs of Paris at the height of its belle époque. This book presents Atget's albums in full for the first time, edited with the sequencing and repetition that the great photographer intended. In addition, Atget's pictures are analyzed in an altogether new way; as commercial picture documents produced by a photographer for the artists, archivists, antiquarians, designers, and builders who were his clients. Atget's Seven Albums is thus many books-a critical edition, a fresh view of Atget's work, a new kind of history of photography, and a social history of art and of Paris in the early twentieth century.




Atget


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Photographer Eug�ne Atget is best known as a chronicler of a romantic, if disappearing, Paris around the turn of the 20th century. This book presents a series of postcards depicting Paris's petits m�tiers, or little trades, exploring another side to Atget's oeuvre. More or less Atget's only published works during his lifetime, the postcards capture the ephemeral nature of life in the city and are part of a long tradition of depicting skilled tradespeople plying their wares. In them, Atget presents the market stands, the odd jobs, the cobbled together shops, and the informal entertainment that gave Paris its piquancy and eternally renewing liveliness.




1913: The year of French modernism


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This book takes its cue from the annus miabilis for French culture to outline French modernism and to situate it on the map of global modernism. Essays on specific works in various media present the first narrative of French modernism as a critical category and establish its position in the thriving field of modernist studies.