Author : John Louis Anderson
Publisher : Harpercollins
Page : 219 pages
File Size : 49,94 MB
Release : 1989
Category : Social Science
ISBN : 9780060964030
The follies and foibles of things German--from a legendary passion for order to an unfathomable love for Polka music--are gathered in a humorous compendium
Author : Gregory H. Williams
Publisher : University of Chicago Press
Page : 256 pages
File Size : 33,90 MB
Release : 2012-06-12
Category : Art
ISBN : 0226898954
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.
Author : Nora Krug
Publisher : Scribner
Page : 288 pages
File Size : 43,52 MB
Release : 2019-09-17
Category : Comics & Graphic Novels
ISBN : 1476796637
* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, and Library Journal This “ingenious reckoning with the past” (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her family’s wartime history in Nazi Germany. Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it. After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier. In this extraordinary quest, “Krug erases the boundaries between comics, scrapbooking, and collage as she endeavors to make sense of 20th-century history, the Holocaust, her German heritage, and her family's place in it all” (The Boston Globe). A highly inventive, “thoughtful, engrossing” (Minneapolis Star-Tribune) graphic memoir, Belonging “packs the power of Alison Bechdel’s Fun Home and David Small’s Stitches” (NPR.org).
Author : Valerie Weinstein
Publisher : Indiana University Press
Page : 298 pages
File Size : 48,10 MB
Release : 2019-03-05
Category : Performing Arts
ISBN : 0253040736
Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
Author : Rudolph Herzog
Publisher : Melville House
Page : 213 pages
File Size : 10,29 MB
Release : 2011-04-26
Category : History
ISBN : 193555493X
In Nazi Germany, telling jokes about Hitler could get you killed Hitler and Göring are standing on top of the Berlin radio tower. Hitler says he wants to do something to put a smile on the Berliners’ faces. Göring says, “Why don’t you jump?” When a woman told this joke in Germany in 1943, she was arrested by the Nazis and sentenced to death by guillotine—it didn’t matter that her husband was a good German soldier who died in battle. In this groundbreaking work of history, Rudolph Herzog takes up such stories to show how widespread humor was during the Third Reich. It’s a fascinating and frightening history: from the suppression of the anti-Nazi cabaret scene of the 1930s, to jokes made at the expense of the Nazis during WWII, to the collections of “whispered jokes” that were published in the immediate aftermath of the war. Herzog argues that jokes provide a hitherto missing chapter of WWII history. The jokes show that not all Germans were hypnotized by Nazi propaganda, and, in taking on subjects like Nazi concentration camps, they record a public acutely aware of the horrors of the regime. Thus Dead Funny is a tale of terrible silence and cowardice, but also of occasional and inspiring bravery.
Author : James Gilchrist Lawson
Publisher :
Page : 280 pages
File Size : 21,7 MB
Release : 1923
Category : American wit and humor
ISBN :
Author : Wilhelm Hauff
Publisher : Good Press
Page : 449 pages
File Size : 44,67 MB
Release : 2023-07-10
Category : Humor
ISBN :
"The humour of Germany" by Wilhelm Hauff, Heinrich Heine, Ludwig Tieck, Edward Mörike. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author : Jill Twark
Publisher : Cambridge Scholars Publishing
Page : 380 pages
File Size : 49,62 MB
Release : 2011-01-18
Category : Humor
ISBN : 1443827819
The fourteen chapters in this anthology feature original analyses of contemporary German-language literary texts, films, political cartoons, cabaret, and other types of performance. The artworks display a wide spectrum of humor modes, such as irony, satire, the grotesque, Jewish humor, and slapstick, as responses to unification with the accompanying euphoria, but also alienation and dislocation. Kerstin Hensel’s Lärchenau, Christoph Hein’s Landnahme, and vignette collections by Jakob Hein (Antrag auf ständige Ausreise und andere Mythen der DDR) and Wladimir Kaminer (Es gab keinen Sex im Sozialismus) are interpreted as examples of the grotesque. The popular films Lola rennt, Sonnenallee, Herr Lehmann, NVA, Alles auf Zucker!, and Mein Führer—Die wirklich wahrste Wahrheit über Adolf Hitler are reexamined through the lens of traditional and more recent humor or comic book theories. The contributors focus on how each artwork enriches four prominent postwall German cultural trends: post-unification identity reconstruction, Vergangenheitsbewältigung (including Hitler humor), New German Popular Literature (Christian Kracht’s ironic subtexts), and immigrant perspectives (a “third voice” in the East-West binary reflected here pointedly in Eulenspiegel cartoons). To date, no other scholarly work provides as comprehensive an overview of the diverse strategies of humor used in the past two decades in German-speaking countries.
Author : Djamel Ouis
Publisher : Paragon Publishing
Page : 872 pages
File Size : 49,60 MB
Release : 2020-01-17
Category : Humor
ISBN : 178222582X
Humorous Wit is a new compilation of quotations in their most humoristic form. There are over 15,000 of these taken from various parts of the world, with over 1,200 of them translated into English for the first time. This book features 5,000 authors from every corner of the globe, covering a period starting before classical antiquity, when man first started to record his thoughts, to modern times, enriching the cultural heritage. This does not in any way mean that the caveman was less humorous, but the richness of the environment we live in today and the variety of subject matter contribute considerably to a refined sense of humour. Moreover, considering that chimps and other primates also possess the ability to laugh, humour may have been around longer than the human race : )
Author : Andrew Nagorski
Publisher : Simon & Schuster
Page : 400 pages
File Size : 11,9 MB
Release : 2020-08-04
Category : History
ISBN : 1501181130
Bestselling historian Andrew Nagorski “brings keen psychological insights into the world leaders involved” (Booklist) during 1941, the critical year in World War II when Hitler’s miscalculations and policy of terror propelled Churchill, FDR, and Stalin into a powerful new alliance that defeated Nazi Germany. In early 1941, Hitler’s armies ruled most of Europe. Churchill’s Britain was an isolated holdout against the Nazi tide, but German bombers were attacking its cities and German U-boats were attacking its ships. Stalin was observing the terms of the Nazi-Soviet Pact, and Roosevelt was vowing to keep the United States out of the war. Hitler was confident that his aim of total victory was within reach. But by the end of 1941, all that changed. Hitler had repeatedly gambled on escalation and lost: by invading the Soviet Union and committing a series of disastrous military blunders; by making mass murder and terror his weapons of choice, and by rushing to declare war on the United States after Japan’s attack on Pearl Harbor. Britain emerged with two powerful new allies—Russia and the United States. By then, Germany was doomed to defeat. Nagorski illuminates the actions of the major characters of this pivotal year as never before. 1941: The Year Germany Lost the War is a stunning and “entertaining” (The Wall Street Journal) examination of unbridled megalomania versus determined leadership. It also reveals how 1941 set the Holocaust in motion, and presaged the postwar division of Europe, triggering the Cold War. 1941 was “the year that shaped not only the conflict of the hour but the course of our lives—even now” (New York Times bestselling author Jon Meacham).
