Worship of Walker Judson


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The Worship of Walker Judson


Book Description

Young Walker Judson has a grand secret. He sees light emanating from and surrounding other folks. Soul shadows, the boy terms them. Years later, as director of The Living Light Healing Center, he meets the hunchback, Lauren Finch, and straightens her spine. She's seduced by his charisma, becomes his devout assistant, and ultimately transforms into a powerful healer in her own right. When all goes awry, even as Lauren's faith is challenged, even as others abandon Walker, she remains steadfast. But how far is she willing to go to prove her devotion, and what will it take for her to peel off the blinders and trust her own strengths? And so, is Walker Judson truly a healer-gone-bad or a saintly soul whose paranormal talents are misunderstood? Ultimately, you, the reader must decide. Today's news is rife with stories of physical and emotional abuse on the part of Catholic priests, Buddhist monks, as well as school teachers and sports coaches. Furthermore, cults such as the People's Temple, at the behest of their leader, Jim Jones, require followers to commit mass suicide. On another vein, politicians, athletes, and entertainers, Bill Clinton, Anthony Weiner, Tiger Woods, and Michael Jackson--to name a few--violate the trust of family and supporters, destroying lives in the process. So why are tales of manipulation and abuse so rampant among the powerful? Then again, why are followers so easily swayed that they cast aside common sense and discernment? The Worship of Walker Judson, an award winning novel, explores the misuse of power and the ease with which seekers relinquish it. Psychic phenomena, cultism, mystics and madmen, the retelling of the Christ story in the context of the persecuted healer, along with the role of personal choice versus karmic destiny are also examined in this novel.




My Husband's Under Here Somewhere


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Hoarders collect to excess, filling bathtubs, closets, kitchens, garages, storage sheds—floor-to-ceiling—to render their living spaces uninhabitable. They’re so consumed they lose jobs, family and friends, homes, health, and occasionally their lives. To the rest us, these people seem bizarre or mentally ill, and we view their challenges with impatience, frustration and simplistic answers. Yet a true fix isn’t so simple. My Husband’s Under Here Somewhere, however, strives to unearth them. Morbidly fascinating tales abound as the lives of hoarders who amass animals and collectors who spin out of control are examined. The science behind hoarding—including its link with Obsessive-Compulsive disorders—as well as promising forms of treatment, meet with consideration. Our materialistic culture, one that’s obsessed with with having more and more, further informs the narrative. Certain types of stockpiling stem from challenging life experiences. A fellow who’d been imprisoned in a Russian Gulag spent the remainder of his days amassing keys. Jodin, a resistance fighter during World War II, is a consummate saver of twine. For her, a possession of such insignificance once meant the difference between extinction and survival. As a boy, Norman’s father insisted the house be kept as neat as a pin. Should anything fall out of place—absolutely anything—and he got beaten. So nowadays, he thoroughly enjoys his messes and views them as a way to get even. Ordinary hoarders and extreme collectors notwithstanding, they’re also found among the rich and famous. Peter the Great kept a human zoo of freakish oddities, and also enjoyed excising his subjects’ teeth, adding them to his vast assemblage. The hapless Collyer brothers crammed their Manhattan brownstone to the brim and accidentally entombed themselves within it. Unable to part with his shorn locks and nail clippings, Howard Hughes stored them away for “safekeeping.” Then there’s China’s remarkable Emperor Qin. After he conquered all surrounding kingdoms, he constructed 270 palaces to live in. As if that weren’t enough, he built roads and dug irrigation canals alongside, standardized laws, established a system of weights and measures, created a form of currency, and then formalized the use of written characters. While not a hoarder by today's’ standards, he was, quite possibly, the first to promulgate the axiom, “He who dies with the most toys wins.” Eccentricity, wealth and death aside, each of the aforementioned had way too much stuff, which is a problem familiar to most of us. Dare to quest for answers as to why this is so, and our acquisitive culture must be examined. Harnessing humor and compassion, My Husband’s Under Here Somewhere does precisely that. As the first of its kind, this book of narrative non-fiction looks at hoarding and collecting as part of a continuum. And, while many self-help decluttering books and hoarding-related memoirs, as well as works dealing with Obsessive-Compulsive Hoarding already exist, none of them focus on the psycho-spiritual ramifications of suffocating to death beneath heaps of possessions. Hopefully, this publication will appeal to hoarders and collectors, as well as family, friends and neighbors impacted by the hoarder’s behaviors. It’s also for clinicians and public agencies in search of positive ways to respond. Lastly, it's for curious folks who seek to understand.




The Black Church Studies Reader


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The Black Church Studies Reader addresses the depth and breadth of Black theological studies, from Biblical studies and ethics to homiletics and pastoral care. The book examines salient themes of social and religious significance such as gender, sexuality, race, social class, health care, and public policy. While the volume centers around African American experiences and studies, it also attends to broader African continental and Diasporan religious contexts. The contributors reflect an interdisciplinary blend of Black Church Studies scholars and practitioners from across the country. The text seeks to address the following fundamental questions: What constitutes Black Church Studies as a discipline or field of study? What is the significance of Black Church Studies for theological education? What is the relationship between Black Church Studies and the broader academic study of Black religions? What is the relationship between Black Church Studies and local congregations (as well as other faith-based entities)? The book's search for the answers to these questions is compelling and illuminating.










"Somebody's Calling My Name"


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Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically." Walker traces the musical expressions of the black religious tradition from its roots in the "invisible church" of the slave society to its influence upon the black religious experience today. He challenges the black church to preserve this rich musical resource so that black sacred music will become one of the gifts of black people to the church universal [Publisher description]




Christian Church Music in the Black Worship Service


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Mr. John Maxie Bell, the author and guest conductor-clinician for this book/workshop/worship service, is a native Houstonian. Mr. Bell received his formal education from the Houston Public Schools. His early musical training from the late Mrs. Helen K. Woods inspired him to pursue his musical talents while receiving his formal education. The late Ms Mattie E. Thomas and Mrs Joise B. James along with Ms. Mary J. James and Rosetta Burks all who were church musicians at the Good Hope Missionary Baptist Church in Houston, Texas. Also the late Roi Leeland Hopkins who inspired him to write about church music because of his phrase”I could write a book about the church music departments in the black church. The artist holds a B.S. degree and M.Ed. (Educational Administration)degree from Texas Southern University. While attending Texas Southern University Mr. Bell studied piano with Mrs. Thelma O. Bell and studied voice with Mrs. Ruth Schmoll for three years. Mr. Bell successfully attended the Harvard Principal Academy Institute in 1993. Mr. Bell studied church music at University of Houston in the mid 1990’s. In 2011 Mr. Bell became a member of the National Society of Collegiate Scholars- Phi Theta Kappa chapter at Houston Community College while pursuing a music degree at Texas Southern University. Mr. Bell sang with the Houston Symphnoy Chorale for two seasons under the direction of Mrs. Virginia Babikian, and Dr. Charles Hauseman during the early 1990’s. Mr. Bell taught for over twenty-five and has been an elementary classroom teacher, music teacher, Chapter I Coordinator, Assistant Principal and Principal all in the Houston Independent School District. Currently is Director of Bel-Lin's Music Studio in Houston, Texas. Mr. Bell’s avocation and passion for church music has been around four decades where he has served in the Houston and neighboring communities, and frequently serves as musical consultant for local, state and regional religious and civic organizations. He also is the author of an semi-autobiography about growing up in Houston entitled Kid’s Can’t Be Kids Anymore. He has recorded two CD recordings of inspirational music. He has composed one major religious easter cantata work entitled ‘Hear The Word of The Lord' premeire ecumenical performance in 1987 at the Saint Francis Xavier Catholic Church-Houston, Texas and in 1992 at the Good Hope Missionary Baptist Church-Houston. He also is the composer of many songs sung in the black worship service. His favorite and most well-liked is The Lord Is My Shepherd. He has sung with the Houston Symphony Chorale-Chorus under the direction of the late Virgina Babikian and Dr. Charles Hauseman. He received the National Reading is Fundamental Award...Leaders in Literacy Award in 1994 in Houston, Texas. Those who know the author have often described him as being very talented, inquisitive, very ambitious, a computer whiz-enthuiast, an outgoing fellow, very diligent, and energetic. He always wears an incesasant smile, is quite humorous, and is always willing to help others whenever he can. He is very versatile. Mrs. Elnoir Walton of Houston, Texas, says of Mr. Bell, "the author presents himself as a Christian person who has the love of God in him and reflects this in his conversation and actions. He has a pleasing personality that everyone who is around him enjoys." The author is married to the former Linda Joyce Fuller of Houston, Texas, and is the father of RaKeisha Monet’(Son-Inlaw Cedric) and John (II)Jr.. They reside in Southeast Houston. Mr. Bell enjoys several hobbies for both relaxation and inspiration; they are oil painting, cooking, reading, socializing, and traveling. Some of his future aspirations are to have a showing of his oil paintings, to publish a piano course book, and to establish an urban music academy, utilizing some of the latest developments in the music wor




Preaching with Sacred Fire: An Anthology of African American Sermons, 1750 to the Present


Book Description

One hundred sermons that display the victorious, although sometimes painful, historical and spiritual pilgrimage of black people in America. A groundbreaking anthology, Preaching with Sacred Fire is a unique and powerful work. It captures the stunning diversity of the cultural and historical legacy of African American preaching more than three hundred years in the making. Each sermon, as editors Martha Simmons and Frank A. Thomas reveal, is a work of art and a lesson in unmatched rhetoric. The journey through this anthology—which includes selections from Jarena Lee, Frederick Douglass, Malcolm X, Martin Luther King Jr., Gardner C. Taylor, Vashti McKenzie, and many others—offers a rare view of the unheralded role of the African American preacher in American history. The collection provides new insights into the underpinnings of the black fight for emancipation and the rise and growth of the Civil Rights and Black Power movements. Sermons from the first decade of the twenty-first century point toward the future of African American preaching. Biographies of the preachers put their work in the cultural and homiletic context of their periods. The preachers of these sermons are men and women from a range of faiths, ancestries, and educational backgrounds. They draw on a vast and luminous landscape of poetic language, using metaphor, rhythm, and imagery to communicate with their congregations. What they all have in common is hope, resilience, and sacred fire. “Even during the most difficult and oppressive times,” Simmons and Thomas write in the preface, “the delivery, creativity, charisma, expressivity, fervor, forcefulness, passion, persuasiveness, poise, power, rhetoric, spirit, style, and vision of black preaching gave and gives hope to a community under siege.” This magnificent work beautifully renders the complexity, spiritual richness, and strength of African American life.




The Standard


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