The Write Quotes: The Emotional Writing Journey


Book Description

These inspirational and practical quotes come from 500+ podcast interviews with hard-working, award-winning, and New York Times bestselling authors in more than 33 U.S. states and five countries. In Book 7, authors share their honest reflections on The Emotional Writing Journey. These quotes are evidence that whatever emotions you experience as a writer, you are in good company. Authors quoted include David Baldacci, Steve Berry, Lisa Jewell, John Hart, Sophie Cousens, Ron Rash, C.J. Box, Craig Johnson, Wylie Cash, Kristy Harvey, Brad Taylor, Charlie Lovett, Judy Goldman, Chris Fabry, Amber Smith, Tracy Clark, John Gilstrap, Kimmery Martin, A.J. Hartley, Clyde Edgerton, Jill McCorkle, Jason Mott, Cathy Pickens, Gavin Edwards, and many more. The sections of this book are arranged in a careful order, starting with the struggles of rejection and ending on a high note with perseverance, because perseverance is really what every writer needs: that focused commitment to the work despite all the highs and lows that can go with it. As Craig Nova says, “…the bottom doesn’t last forever, and the top doesn’t last forever.” What can last forever, though, is your words. New York Times bestselling novelist Steve Berry says, “From 1990 to 2002, I wrote eight novels. Five of them went to New York publishing houses, and they were rejected a total of 85 times. It was on the 86th time that I made it, 12 years after I started. So my road to publishing was a very long process.” And Chris Fabry, an award-winning author who has published more than 80 books, says, “If you don't want to get hurt, don't write. If you don't want to have layers of your own soul exposed to people who say, didn't really connect with that, don't put the words down there. Because you will be rejected.” Writers are fortunate in that this thing they love to do can be so wonderful, and so powerful, that even when it sometimes makes them crazy—they want to do it anyway.




The Emotional Craft of Fiction


Book Description

Engage Your Readers with Emotion While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: If you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you. That's where The Emotional Craft of Fiction comes in. Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers. Topics covered include: • emotional modes of writing • beyond showing versus telling • your story's emotional world • moral stakes • connecting the inner and outer journeys • plot as emotional opportunities • invoking higher emotions, symbols, and emotional language • cascading change • story as emotional mirror • positive spirit and magnanimous writing • the hidden current that makes stories move Readers can simply read a novel...or they can experience it. The Emotional Craft of Fiction shows you how to make that happen.




Henry Miller on Writing


Book Description

Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.




Why I Write


Book Description

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times




The Story You Need to Tell


Book Description

A practical and inspiring guide to transformational personal storytelling, The Story You Need to Tell is the product of Sandra Marinella’s pioneering work with veterans and cancer patients, her years of teaching writing, and her research into its profound healing properties. Riveting true stories illustrate Marinella’s methods for understanding, telling, and editing personal stories in ways that foster resilience and renewal. She also shares her own experience of using journaling and expressive writing to navigate challenges including breast cancer and postpartum depression. Each of the techniques, prompts, and exercises she presents helps us “to unravel the knot inside and to make sense of loss.”




The Write Quotes: The Writing Life


Book Description

These inspirational and practical quotes come from 500+ podcast interviews with hard-working, award-winning, and New York Times bestselling authors in more than 33 U.S. states and five countries. In Book 1, authors share their honest reflections on The Writing Life. These quotes reveal what it really feels like to be a writer. Authors quoted include David Baldacci, Therese Anne Fowler, Steve Berry, Lisa Jewell, John Hart, Sophie Cousens, Ron Rash, C.J. Box, Craig Johnson, Wylie Cash, Kristy Harvey, Brad Taylor, Charlie Lovett, Judy Goldman, Chris Fabry, Amber Smith, Tracy Clark, John Gilstrap, Kimmery Martin, A.J. Hartley, Clyde Edgerton, Jill McCorkle, Jason Mott, Mark de Castrique, Cathy Pickens, David Joy, and many more. As the late Anthony Abbott so eloquently says in this book, “Writing is not about writing, necessarily. Writing is about living. And the more deeply and fully you live, the more you are able to write.” There is hope in this book but there is also angst and humility. Case in point is a quote by New York Timesbestselling author John Hart, who says that the writing life is so unbelievably wonderful that he feels “deep down that the universe must have plans to take that all away.” It makes him work even harder on his next book. The writers quoted in these pages grab for their pens and fire up their computers for the love of writing. They have a common urge to create, to use letters, words, and sentences to tell stories, either about themselves, or others, or about characters they create in their writing chambers. They write for therapy or to understand themselves and the world around them. They write for the sake of writing. They write for publication. They write to be remembered. They write to be heard and understood. And as more than one author says, they write because they can’t not write.




The Write Quotes: Writing Techniques & Characters


Book Description

These inspirational and practical quotes come from 500+ podcast interviews with hard-working, award-winning, and New York Times bestselling authors in more than 33 U.S. states and five countries. In Book 5, authors share their honest reflections on Writing Techniques & Characters. These quotes reveal how writers tackle the fiction techniques of the hook, emotion, theme, conflict, humor, plot, setting, and structure, and how they approach memoir, poetry, nonfiction, and short stories. They also focus on characters, point of view, and dialogue. Authors quoted include David Baldacci, Therese Anne Fowler, Steve Berry, Lisa Jewell, John Hart, Sophie Cousens, Ron Rash, C.J. Box, Craig Johnson, Wylie Cash, Kristy Harvey, Brad Taylor, Charlie Lovett, Judy Goldman, Chris Fabry, Amber Smith, Tracy Clark, John Gilstrap, Kimmery Martin, A.J. Hartley, Clyde Edgerton, Jill McCorkle, Jason Mott, Mark de Castrique, Cathy Pickens, Gavin Edwards, and many more. Because stories have to start somewhere, and so do quote books, this book starts with the section titled, “The Hook.” As author Matthew Duffus, Writing Center Director of Earlham College in Indiana, says, “We have so many options now for entertainment that we've got to be quick. We've got to hook readers and we've got to keep things moving.” Simply put, as award-winning novelist Jon Buchan quips, “We don’t write about the planes that land safely.” But there is more to a good story than the first few lines and the first chapter. That’s why this book has more sections and content than any other book in the series and why we get emotional about it. As award-winning author Randell Jones says, “A good personal story engages with real life. It has to be addressing some universal issue of the human condition, something that most readers can connect with.” Author Kathleen Burkinshaw agrees when she says, “Time can pass, technology will change, but the need for human connection through emotions, that's timeless.” Whatever form or genre you’re writing in, these quotes have something to support your journey through the world of wordcraft.




The Write Quotes: Writing Process & Tools


Book Description

These inspirational and practical quotes come from 500+ podcast interviews with hard-working, award-winning, and New York Times bestselling authors in more than 33 U.S. states and five countries. In Book 3, authors share their honest reflections on Writing Process & Tools. These quotes reveal answers to some of the most commonly asked questions of writers. Authors quoted include David Baldacci, Therese Anne Fowler, Steve Berry, Lisa Jewell, John Hart, Sophie Cousens, Craig Johnson, Wylie Cash, Kristy Harvey, Brad Taylor, Charlie Lovett, Judy Goldman, Chris Fabry, Amber Smith, Tracy Clark, John Gilstrap, Kimmery Martin, A.J. Hartley, Clyde Edgerton, Jill McCorkle, Mark de Castrique, Cathy Pickens, David Joy, Gavin Edwards, and many more. Where do you write? When do you write? Do you write every day? How many drafts do you write? Do you create an outline? Do you use an editor? Do you? Do you? Do you? Though the answers vary in these pages, there are common denominators. As author and writing instructor Maureen Ryan Griffin says, “We all start with a blank page.” And as David Baldacci puts it, “There’s no perfect place to write.” Writers make do with what they have to work with. Take author and columnist Scott Fowler, who has earned 18 national APSE writing awards. He says, “I don’t go off to the mountain to write. I just go upstairs.” Or, as professor, author, and editor Michele Berger says, “A long time ago I said to myself, I can write anytime, anywhere.” Humility seems to be helpful to getting it done. As New York Times bestselling novelist John Hart says, “If a writer becomes hubristic, or begins to take this for granted, or really just thinks he can roll out of bed and bang it out without a lot of effort, that's the first step on the road to destruction.”




The Write Quotes: Writing Community, Revision, & Editors


Book Description

These inspirational and practical quotes come from 500+ podcast interviews with hard-working, award-winning, and New York Times bestselling authors in more than 33 U.S. states and five countries. In Book 6, authors share their honest reflections on Writing Community, Revision, & Editors. These quotes reveal why writing communities are so important and how writers can get engaged, along with tips for revision and working with editors. Authors quoted include David Baldacci, Therese Anne Fowler, Steve Berry, Lisa Jewell, Ron Rash, Craig Johnson, Wylie Cash, Kristy Harvey, Brad Taylor, Charlie Lovett, Judy Goldman, Chris Fabry, Amber Smith, Tracy Clark, John Gilstrap, Kimmery Martin, A.J. Hartley, Clyde Edgerton, Jill McCorkle, Mark de Castrique, Cathy Pickens, and many more. Writing communities are where authors learn, grow, and support one another. As author Steven Grossman quips, “If I knew it was so much fun being friends with writers, I wouldn't have bothered with people that aren’t.” And as Ed Southern, author and Executive Director of the North Carolina Writers’ Network, says, “The literary community includes anyone who is involved with the written word, in one way or another,” and “You want community to be a place where people feel welcomed, and even nurtured, as opposed to a place where they feel put down or excluded.” And every author explains–in their own way–that revision is essential to the writing process. New York Times bestselling novelist David Baldacci says, “Self-editing continues to this day. Not every word that I write is going to be set in stone. Some days, I'm better than other days, and some days require more editing when I go back and look at what I've written. And sometimes I just delete it all and start again. That's just the nature of the beast.” And then there are the editors. As author Kevin Winchester tells us with a smile, “Editors, it's a love-hate relationship.” But editors are critical to the writing process, as these writers tell us. This book finishes with a section on mistakes, because they happen. But as award-winning author Cathey Pickens says, “If we're not making mistakes, and things aren't working, we just aren't trying anything new.”




The Poet X


Book Description

Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!