The Writing of God


Book Description

The Writing of God investigates the Inscriptions from the base of Mount Sina in Arabia which reveal an incredible secret of the Bible. The latest archaeological, inscriptional and astronomical research reveals the origin of the alphabet, location of the real Mount Sinai and the correct chronology of the biblical narrative of the Exodus.




Writing Against God


Book Description

Readers approaching Flannery O'Connor's work without knowledge of her Catholicism may find little evidence of it in her fiction. Yet readers who come to O'Connor's work with a prior awareness of her faith (as evidenced, for example, in her essays and correspondence) believe that her Catholicism suffuses every sentence of her fictional canon. Writing against God explores the difficulty of reconciling O'Connor's private and public insistence on the importance of Catholicism in her work with the fiction her readers encounter on the printed page. O'Connor's linguistic choices often move her fiction out of her control, producing a message in conflict with the one she stated she intended. Through a detailed examination of O'Connor's language in her two novels and in short stories that span her career, McMullen exposes a pervasive spiritual environment often in opposition to the Roman Catholic tenets O'Connor professed. Blending a reader-response approach with linguistic analysis, Writing against God offers explanations for the mysteries surrounding and the mysteries within O'Connor's fiction.




Writing to God's Glory


Book Description

This comprehensive creative writing course is designed for all ages and a wide variety of teaching styles and schedules, and can be used to teach anyone to write creatively. Jill Bond focuses first on the creative aspects of writing, then follows up with important aspects of grammar and usage. New and seasoned teachers alike will enjoy Bond's hands-on, non-writing, "warm-up" exercises as well as the gentle and encouraging approach she recommends for young writers.




God is Writing Your Story


Book Description

Jesus"€"the consummate author"€"is writing a story with your life. He loves a good plot and He rarely writes short stories. Take heart in the journey, your last chapter's not yet written. This book will inspire you by telling one of the Bible's greatest stories from a perspective rarely seen. Be encouraged"€"God is using the unique twists of your journey to craft a story with your life. When the journey grows long, we can be tempted to lose heart. This book will strengthen you to stay in the story. In the last section of the book, you will be encouraged by one of the greatest"€"and least told"€"stories in the entire Bible. We think you'll agree that this is one of Bob's most important books.




Forged


Book Description

Bart D. Ehrman, the New York Times bestselling author of Jesus, Interrupted and God’s Problem reveals which books in the Bible’s New Testament were not passed down by Jesus’s disciples, but were instead forged by other hands—and why this centuries-hidden scandal is far more significant than many scholars are willing to admit. A controversial work of historical reporting in the tradition of Elaine Pagels, Marcus Borg, and John Dominic Crossan, Ehrman’s Forged delivers a stunning explication of one of the most substantial—yet least discussed—problems confronting the world of biblical scholarship.




The Book of God


Book Description

Is the Bible one book or a collection of writings? If it is a book, does it stand as a coherent piece of literature? Building on the recently renewed interest in biblical narrative associated with Erich Auerbach, Northrop Frye, and Robert Alter, Gabriel Josipovici here sets out to answer these and other equally fascinating questions. Developing his argument through close textual analysis, Josipovici draws on his deep knowledge and appreciation of medieval and modern art and literature and on his personal understanding of the possibilities of narrative. His beautifully written book not only lifts literary-biblical criticism to a new level but also makes the Bible accessible to our secular age. "This is a book to be grateful for: thoughtful, deeply felt, and beautifully written."--David Lodge, Independent "Full of such insights, which deserve and need to be pondered by both literary critics and Biblical scholars of the traditional sort."--John Barton, London Review of Books " His book is easy, intimate and direct, partly because he has digested all his learning, partly because his dissatisfaction with his predecessors' solutions never belittles them, and partly because his own readings are those of a cultivated contemporary who, though respectful, is not awestruck. Whatever he turns to, he illuminates."--The New Yorker "His urbane style, shrewd discernment, subtle humor, and above all, his passion for words lead us to listen in fresh ways."-- Walter Brueggemann, Theology Today "As 'A Response to the Bible, ' The Book of God is fresh and energetic, scattering insights in all directions, making original and unexpected connections between the Bible and such modern authors as Proust, casting new light upon such questions as the Bible's place in Western culture, the nature of its authority, the unity and discontinuities of the text, and the need for a perspective that at once transcends and unites historical-theological and aesthetic interpretation."--Northrop Frye




Writing the Word of God


Book Description

The art of Islamic calligraphy developed from the 7th to the 14th century, beginning in western Arabia, spreading south to Yemen and north to the Near East, and continuing east and west to Iran, Egypt, North Africa, and Spain. This handsome book demonstrates the breadth and beauty of Islamic calligraphy across centuries and continents, as seen in rare early folios of the Qur'an. Noted scholar David J. Roxburgh begins by discussing the Qur'an, which Muslims believe to be the written record of a series of divinely inspired revelations to the Prophet Muhammad. He then analyzes Kufic script, the preeminent vehicle for writing early manuscripts of the Qur'an; reforms of calligraphy in the 10th century; and the great master Islamic calligraphers, in particular Yaqut al-Musta'simi. The beautiful reproductions of folios and bifolios validate Roxburgh's conclusion that "the miracle of the text of the Qur'an found its equal in the technical mastery of the calligrapher's practice, a miracle in its own right."




The Face of God


Book Description

When senior pastor Daniel Lawson steps down from his mega-church in an attempt to rediscover the fervent love of God he once had, he stumbles upon one of the mysterious stones used by the High Priest in the Old Testament and soon finds himself rushing to different parts of the Arab world in a race with a terrorist to find the other stones.When senior pastor Daniel Lawson steps down from his mega-church in an attempt to rediscover the fervent love of God he once had, he stumbles upon one of the mysterious stones used by the High Priest in the Old Testament and soon finds himself rushing to different parts of the Arab world in a race with a terrorist to find the other stones.




Speaking/Writing of God


Book Description

Speaking/Writing of God explores the manner in which religious language develops in answer to the challenges and promise of three features of the life with others: the encounter between persons, the quest by Jewish women to be accepted—including their distinctiveness/otherness as women—as full participants in Jewish communal life, and the dialogue between Jews and non-Jews. Although a major stream of modern Jewish philosophy has focused on the transcendent dimension of the relationship between persons, this book studies the contribution of feminist Judaism to modern Jewish philosophy and the impact of religious pluralism on Jewish religious life and thought.




Writing God and the Self


Book Description

Contemporary literature has, for several decades and in various guises, been dominated by questions of identity and the self. It has been forgotten that, until the Enlightenment, theological reflection emphasized the close connectedness of the self with God; knowledge of God is essential to knowledge of the self; and vice-versa, correct knowledge of the self is a necessary correlate to true knowledge of God. This has been called the double knowledge. Writing God and the Self examines two literary texts and lives as representative of two antithetical positions. The first, represented by Samuel Beckett's life and his Three Novels, is that the self is independent of God; the second, represented by C. S. Lewis and Till We Have Faces, is that God and the self are intimately connected. Beckett's radical apophaticism about God is shown to be tied to his extreme apophaticism about the self, whereas Lewis's sense of selfhood is demonstrated to be integrally connected to his sense of a personal and self-transcending God. Other voices--Augustine, Teresa of Avila, Charles Taylor, Rowan Williams, Mark McIntosh and Vladimir Lossky--join the chorus of theologians, psychologists, and other thinkers, past and present, that contribute to this exploration of what Christian theology has to say about the insistent problem of the self. Taken together, all these voices articulate a powerful vision of selfhood in relation to God that is desperately needed today.