Indian Theatre


Book Description

Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.




Ancient Indian And Indo-Greek Theatre


Book Description

In The Year 326 B.C. A Play Agen Was Staged In The Military Camp Of Alexander The Great On The Bank Of River Jhelum In Upper Punjab. A Fragment Of A Vase, With The Painting Depicting A Scene From The Play Antigone , Was Found Near Peshawar. As Amphitheatre Which Betrays Greco-Roman Influence Was Excavated At Nagarjunakonda In Andhra Pradesh. A Papyrus Manuscript Of A Farce Written In Greek And Kannada Languages Was Found In Egypt In The Year 1899 By The Team Of Archaeologists Deployed By The Biblical Archaeological Association. Early Greek Records Speak Of Export Of Flute Girls And Singing Boys To India. A Sanskrit Farce Of Gupta Period Mentions A Yavana Ganika Karpoorturishtha Settled In Ujjayani In Central India. Striking Similarities Are Found In The Theoies Of Aristotle And Bharata About The Origin And Nature Of Dramatic Arts. In This Book M.L. Varadpande, A Distinguished Scholar And Theatre Histoian, Analyses The Data To Explore The Probable Relationship Between Theatrical Arts Of Ancient India And Greece. He Starts This Fascinating Study By Giving Historical Account Of Early Indian Theatre. He Studies Dancing Figures On The Walls Of Mesolithic Cave Shelters Of Bhimbetka, Musical Instruments And Figurines Of Dancers And Jesters Excavated At The Sites Connected With Ancient Indus Valley Civilization And Vedic Rituals, Dialogue Hymns. Here Is A Brilliant Work Which Focuses Attention On The Unexplored Areas Of Indian Theatrical Tradition And Speaks About The Contact Between Theatrical Arts Of Two Great Ancient Civilizations Of The World.




Kutiyattam


Book Description

Kutiyattam is widely acknowledged as the only living link to India's ancient theatrical tradition. This book discusses the theory and practice of the art form and introduces Kutiyattam to a larger readership. It includes the translation of the performance manual of 'Asokavanikanakam', from Saktibhadra's play 'Ascharyachudamani', as an example. Kutiyattam is widely acknowledged as the only living link to India's ancient theatrical tradition. While its origins are hazy, it is said to have an unbroken history of around two thousand years, combining







Theatre in Ancient India


Book Description




Sanskrit Play Production in Ancient India


Book Description

Sanskrit Play Production in Ancient India moves through three levels of understanding: (1) What the components of the traditional Natya Production are as described in Natyasastra and other ancient Indian dramaturgical works; how they are interrelated and how they are employed in the staging of Rasa-oriented sanskrit plays?Probing deep into the immense reaches of time to India`s archaic past the author pieces together a fascinatingly intricate design of play production down to the units and subunits of expression and executive.




The Norton Anthology of Drama


Book Description

Comprehensive and up-to-date, now with more instructor resources




History of Indian Theatre


Book Description




Religion And Theatre


Book Description

This Relationship Starts From Ancient Magico-Religious Rituals And Continues Through Ages Right Upto Present Times. In This Long History We Find Different Religions Adopting Different Attitude Towards Theatrical Arts. In Many Cases Theatre Became A Most Powerful Medium Of Propagation Of Religious Creeds. It Was Considered That The Best Way To Appeasse God Is To Offer Him Theatricals. Beautiful Maidens Were Consecrated To The Temples To Serve The Deities By Entertaining Them With Songs, Music, Dance And Drama. One Time The Magnificent Temple Of Brihadeshvara Had In Its Service Four Hundred Devadasis Skilled In Theatrical Arts. Advent Of Bhakti Movement In India Gave New Impetus To The Theatrical Arts In India. Various Theatrical Forms Purported To Depict Leelas Or Divine Acts Of Various Deities Emerged All Over The Country. Grants Were Made To Temples And Religious Establishments To Sustain Theatrical Activities. The Book Gives All Interesting Information About Various Facets Of Theatre-Religion Relationship. The Author, Known For His Erudite Scholarship, Examines Minutely Various Evidences Including Ancient Cave Paintings, Folk And Tribal Rituals, Inscriptions, Religious Scriptures And Theatrical Forms Themselves. The Book Is Must For The Serious Students Of Indology And Indian Theatre.




The Recognition of Shakœntala


Book Description

A well-known Sanskrit drama presented here in a bilingual translation.