Theology and Horror


Book Description

Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought - questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.




Horror and Religion


Book Description

Horror and Religion is an edited collection of essays offering structured discussions of spiritual and theological conflicts in Horror fiction from the late-sixteenth to the twenty-first century. Contributors explore the various ways that horror and religion have interacted over themes of race and sexuality; the texts under discussion chart the way in which the religious imagination has been deployed over the course of Horror fiction’s development, from a Gothic mode based in theological polemics to a more distinct genre in the twenty-first century that explores the afterlife of religion. Horror and Religion focuses on the Horror genre and its characteristics of the body, sexuality, trauma and race, and the essays explore how Horror fiction has shifted emphasis from anti-Catholicism and anti-Semitism to incorporate less understood historical and theological issues, such as the ‘Death of God’ and the spiritual destabilisation of the secular. By confronting spiritual conflicts in Horror fiction, this volume offers new perspectives on what we traditionally perceive as horrifying.




Theology and Horror


Book Description

Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.




God of All Comfort


Book Description

How does God respond to trauma in a world full of horrors? Beyond their physical and emotional toll, the horrors of this world raise difficult theological and existential questions. Where is God in the darkest moments of the human experience? Is there any hope for recovery from the trauma generated by these horrors? There are no easy answers to these questions. In God of All Comfort, Scott Harrower addresses these questions head on. Using the Gospel of Matthew as a backdrop, he argues for a Trinitarian approach to horrors, showing how God--in his triune nature--reveals himself to those who have experienced trauma. He explores the many ways God relates restoratively with humanity, showing how God's light shines through the darkness of trauma.




Theology, Horror and Fiction


Book Description

Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.




Religion of Fear


Book Description

Conservative evangelicalism has transformed American politics, disseminating a sometimes fearful message not just through conventional channels, but through subcultures and alternate modes of communication. Within this world is a "Religion of Fear," a critical impulse that dramatizes cultural and political conflicts and issues in frightening ways that serve to contrast "orthodox" behaviors and beliefs with those linked to darkness, fear, and demonology. Jason Bivins offers close examinations of several popular evangelical cultural creations including the Left Behind novels, church-sponsored Halloween "Hell Houses," sensational comic books, especially those disseminated by Jack Chick, and anti-rock and -rap rhetoric and censorship. Bivins depicts these fascinating and often troubling phenomena in vivid (sometimes lurid) detail and shows how they seek to shape evangelical cultural identity. As the "Religion of Fear" has developed since the 1960s, Bivins sees its message moving from a place of relative marginality to one of prominence. What does it say about American public life that such ideas of fearful religion and violent politics have become normalized? Addressing this question, Bivins establishes links and resonances between the cultural politics of evangelical pop, the activism of the New Christian Right, and the political exhaustion facing American democracy. Religion of Fear is a significant contribution to our understanding of the new shapes of political religion in the United States, of American evangelicalism, of the relation of religion and the media, and the link between religious pop culture and politics.




Christ and Horrors


Book Description

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Holy Horror


Book Description

What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself. Looking first at Psycho (1960) and continuing through 2017, this book analyzes the starring and supporting roles of the Good Book in horror films, monster movies and thrillers to discover why it incites such fear. In a culture with high biblical awareness and low biblical literacy, horrific portrayals can greatly influence an audience's canonical beliefs.




A Christian Response to Horror Cinema


Book Description

Christianity has had a powerful influence on every sphere of Western art, even art which on the surface might seem antithetical to the faith. This book argues that point with an analysis of the horror film genre, examining nine classics which illustrate the evolution of horror and reveal a culture haunted by fear of the unspeakable. The history and literary roots of the horror genre are also discussed. The author concludes that our innate dread of evil and the imperative of warding it off are the key mechanics of the horror experience. Films covered include Vampyr (1932), The Mummy (1932), The Thing (1951), Night of the Demon (1957), The Wicker Man (1973), The Exorcist (1973), Halloween (1978), Ringu (1998) and Pan's Labyrinth (2006).




America's Dark Theologian


Book Description

America's dark theologian: reading Stephen King religiously -- Thin spots: what peeks through the cracks in the world -- Deadfall: ghost stories as God-talk -- A jumble of blacks and whites: becoming religious -- Return to Ackerman's field: ritual and the unseen order -- Forty years in Maine: Stephen King and the varieties of religious experience -- If it be your will: theodicy, morality, and the nature of God -- The land beyond: cosmology and the never-ending questions