Book Description
This book is intended for students of French and comparative literature.
Author : Émile Zola
Publisher : Oxford University Press, USA
Page : 260 pages
File Size : 12,70 MB
Release : 1998
Category : Fiction
ISBN : 9780192836762
This book is intended for students of French and comparative literature.
Author : Russell Cousins
Publisher :
Page : 104 pages
File Size : 21,33 MB
Release : 1992
Category : French fiction
ISBN :
Author : Émile. Zola
Publisher : ReadHowYouWant.com
Page : 462 pages
File Size : 25,27 MB
Release : 2006-11
Category : Fiction
ISBN : 1425051464
Therese Raquin is trapped in a loveless marriage to her ill cousin, Camille. Thereseâe(tm)s torrid affair with her husbandâe(tm)s friend Laurent changes her bitter and futile life forever. Their forbidden love leads both on a road which has only one end. Mesmerizing!
Author : Brian Nelson
Publisher : Cambridge University Press
Page : 206 pages
File Size : 19,29 MB
Release : 2007-02-15
Category : Literary Criticism
ISBN : 1139827278
Emile Zola is a towering literary figure of the nineteenth century. His main literary achievement was his twenty-volume novel cycle, Les Rougon-Macquart (1870–93). In this series he combines a novelist's skills with those of the investigative journalist to examine the social, sexual and moral landscape of the late nineteenth century in a way that scandalized bourgeois society. In 1898 Zola crowned his literary career with a political act, his famous open letter ('J'accuse...!') to the President of the French Republic in defence of Alfred Dreyfus. The essays in this volume offer readings of individual novels as well as analyses of Zola's originality, his representation of society, sexuality and gender, his relations with the painters of his time, his narrative art, and his role in the Dreyfus Affair. The Companion also includes a chronology, detailed summaries of all of Zola's novels, suggestions for further reading, and information about specialist resources.
Author : F. W. J. Hemmings
Publisher : A&C Black
Page : 223 pages
File Size : 14,26 MB
Release : 2011-09-28
Category : Biography & Autobiography
ISBN : 1448204763
Controversy surrounded Zola during his life-time, and controversy has followed him ever since. No other French writer was so violently attacked by contemporaries, none had a more devoted following. This high priest of Naturalism scandalized France by the frankness of his treatment of the seamier side of human nature and electrified the whole of Europe and America by his denunciation of the military establishment of his country over the Dreyfus case. His reputation has remained in dispute ever since his mysterious death in 1902, some critics arguing his work's consistently high and original literary quality, others its undue reliance on cheap sensationalism. This biography, which at was the first in English for twenty-five years when it was first published in 1966, draws on significant material to present a full and rounded account of a life that progressed from abject poverty to powerful influence and relative affluence, an account that considerably modifies our ideas about a writer who was always a public figure but at the same time a defensively shy and secretive man. F.W.J. Hemmings delineates the social facts that lay behind Zola's great panoramic cycle of novels Les Rougon-Macquart, with its theme of corruption spreading through all levels of French society from the festering economic degradation at the bottom of the social scale. Consideration of the real-life settings of such novels as The Drunkard, Nana, Germinal and Earth gives us enhanced appreciation of the compelling power of these works.
Author : Emile Zola
Publisher : Library of Alexandria
Page : 302 pages
File Size : 33,77 MB
Release : 2020-09-28
Category : Fiction
ISBN : 1613100647
At the end of the Rue Guenegaud, coming from the quays, you find the Arcade of the Pont Neuf, a sort of narrow, dark corridor running from the Rue Mazarine to the Rue de Seine. This arcade, at the most, is thirty paces long by two in breadth. It is paved with worn, loose, yellowish tiles which are never free from acrid damp. The square panes of glass forming the roof, are black with filth. On fine days in the summer, when the streets are burning with heavy sun, whitish light falls from the dirty glazing overhead to drag miserably through the arcade. On nasty days in winter, on foggy mornings, the glass throws nothing but darkness on the sticky tiles—unclean and abominable gloom. To the left are obscure, low, dumpy shops whence issue puffs of air as cold as if coming from a cellar. Here are dealers in toys, cardboard boxes, second-hand books. The articles displayed in their windows are covered with dust, and owing to the prevailing darkness, can only be perceived indistinctly. The shop fronts, formed of small panes of glass, streak the goods with a peculiar greenish reflex. Beyond, behind the display in the windows, the dim interiors resemble a number of lugubrious cavities animated by fantastic forms. To the right, along the whole length of the arcade, extends a wall against which the shopkeepers opposite have stuck some small cupboards. Objects without a name, goods forgotten for twenty years, are spread out there on thin shelves painted a horrible brown colour. A dealer in imitation jewelry has set up shop in one of these cupboards, and there sells fifteen sous rings, delicately set out on a cushion of blue velvet at the bottom of a mahogany box. Above the glazed cupboards, ascends the roughly plastered black wall, looking as if covered with leprosy, and all seamed with defacements. The Arcade of the Pont Neuf is not a place for a stroll. You take it to make a short cut, to gain a few minutes. It is traversed by busy people whose sole aim is to go quick and straight before them. You see apprentices there in their working-aprons, work-girls taking home their work, persons of both sexes with parcels under their arms. There are also old men who drag themselves forward in the sad gloaming that falls from the glazed roof, and bands of small children who come to the arcade on leaving school, to make a noise by stamping their feet on the tiles as they run along. Throughout the day a sharp hurried ring of footsteps resounds on the stone with irritating irregularity. Nobody speaks, nobody stays there, all hurry about their business with bent heads, stepping out rapidly, without taking a single glance at the shops. The tradesmen observe with an air of alarm, the passers-by who by a miracle stop before their windows.
Author : Emile Zola
Publisher :
Page : 272 pages
File Size : 12,57 MB
Release : 2021-05-04
Category :
ISBN :
Therese Raquin was first published in 1868, not in book form, but in serial form in the French magazine 'L'Artiste'. It was Emile Zola's third novel and it's storylines of murder and adultery were quite scandalous at the time. The novel tells the tale of Therese Raquin, who is pressured by her aunt into marrying her first cousin, Camille. Not entirely happy with this arrangement, Therese starts an affair with Laurent, her husbands friend. They realise that to be together means Camille needs to be disposed of, and they drown him. However, the aftermath is not one of sunshine and roses, but guilt, fights, and eventually suicide.
Author : Émile Zola
Publisher : Oxford University Press
Page : 481 pages
File Size : 33,73 MB
Release : 2021-09-30
Category : Literary Criticism
ISBN : 019882856X
'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.
Author : Vladimir Nabokov
Publisher : Vintage
Page : 288 pages
File Size : 37,92 MB
Release : 1989-07-17
Category : Fiction
ISBN : 0679723404
A love triangle, where two of the members attempt to murder the third. • King, Queen, Knave, like all Nabokov’s writing, bears the unmistakable stamp of his genius – brilliant, erotic, deliciously macabre, and wholly unique. “Fascinating…audacious and delightful.” – The New York Times The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium store. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed. “A simply overflowing sense of life.” – Life Magazine “A treat, a feast, the splendid work of a conscious and gifted artist.” – Book Week
Author : James M. Cain
Publisher : Vintage Crime/Black Lizard
Page : 129 pages
File Size : 40,50 MB
Release : 2010-11-03
Category : Fiction
ISBN : 0307772942
The bestselling sensation—and one of the most outstanding crime novels of the 20th century—that was banned in Boston for its explosive mixture of violence and eroticism, and acknowledged by Albert Camus as the model for The Stranger. The basis for the acclaimed 1946 film. An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution—a solution that only creates other problems that no one can ever solve. First published in 1934, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside and was acknowledged by Albert Camus as the model for The Stranger.