No Pockets in a Shroud


Book Description

DIVIn this ingenious novel, a passionate journalist takes on his city’s rampant corruption /divDIV Mike Dolan is a widely read columnist, but he’s intensely frustrated by his newspaper’s attitude toward the truth. All the articles he’s most keen to run—about a rich youth escaping punishment in a drunk-driving accident, a supremacist group called the Crusaders, or a pennant-winning baseball team found to be throwing games—are precisely the ones his editor wants to shelve, caring only to keep lucrative advertising relationships intact. Dolan finally has had enough, and borrows money from friends to launch a magazine of his own. Although he’s now free to boldly speak truth to power and pursue his most important scoops, the move comes with grave consequences for his love life—and his life, period. As Dolan steps on toes and dodges fists, No Pockets in a Shroud showcases McCoy’s fast-paced, suspenseful style./divDIV /divDIVThis ebook features an extended biography of Horace McCoy./div




Best. Movie. Year. Ever.


Book Description

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).




They Shoot Horses, Don't They?


Book Description

During the Depression, Gloria and Robert enter a dance marathon in return for three square meals a day and a chance at winning the big-money prize. Under the intense scrutiny of the media, corporate sponsors and obsessive fans, the competing couples are put through a series of gruelling and humiliating feats of endurance, until they begin to fight among themselves and betray each other. As days and weeks go by, the tension reaches boiling point, and this pitch-black tale of desire and desperation heads towards a violent conclusion.




Kiss Tomorrow Goodbye


Book Description

DIVDIVMcCoy’s hardboiled noir classic, about an Ivy League graduate’s criminal rampage through the seedy underground and glitzy high society of an unnamed American city/divDIV /divDIVTo escape prison, Ralph Cotter uses the same genius for planning and penchant for cold-hearted violence that helped earn him a spot in the slammer in the first place. On the lam in a city where he knows nobody, Cotter has nothing to lose, no conscience to hold him back, and no limit to his twisted ambition. But in the midst of a criminal spree, a grift leads him to the boudoir of wealthy heiress Margaret Dobson, a woman with the power to peel back the rotten layers of his psyche and reveal the damaged soul beneath./divDIV /divDIVVicious and thrilling, Kiss Tomorrow Goodbye is a look at one man’s relentless attack on American society, conjuring one of the most memorable antiheros of twentieth-century noir fiction./divDIV /divDIVThis ebook features an extended biography of Horace McCoy./div/div




Women Deacons


Book Description

Three related essays by experts on the diaconate that examine the concept of women deacons in the Catholic Church from Thistorical, contemporary, and future perspectives.




A Life in Movies


Book Description

“A lively memoir . . . a first-hand work of cinema history . . . the testament of a pivotal figure in American moviemaking.” —Martin Scorsese The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, Creed, and The Irishman. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In A Life in Movies, his charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes in Hollywood over the past decades. Winkler started in the famous William Morris mailroom and made his first film—starring Elvis—in the last days of the old studio system. Beginning in the late 1960s, and then for decades to come, he produced a string of provocative and influential films, making him one of the most critically lauded, prolific, and commercially successful producers of his era. This is an engrossing and candid book, a beguiling exploration of what it means to be a producer, including purchasing rights, developing scripts, casting actors, managing directors, editing film, and winning awards. Filled with tales of legendary and beloved films, as well as some not-so-legendary and forgotten ones, A Life in Movies takes readers behind the scenes and into the history of Hollywood. “Charming and anecdote packed . . . popcorn for movie nerds.” —Newsweek “A deftly written recollection of an eventful and happy life in a precarious and, frankly, insane business; a remarkably clear-eyed look behind the scenes of moviemaking.” —Kevin Kline







They Don't Shoot Horses


Book Description

Jolted out of bed by gunshots, Susie Wheeler's peaceful widowhood of gentling and training abused horses is shattered. She has bullet holes in her barn and dead horses. Confused by the violence to her peaceful life, she will not be intimidated. Susie infuriates meddling relatives and challenges those who would call her abused horses dangerous. Then with the help of her friends and the Cimmarron County Sheriff, they take on horse thieves and mysterious strangers. Was the shooter after Susie or the horses? What is so important about a certain mare? (From Amazon.com).




They Shoot Canoes, Don't They?


Book Description

With tongue pressed firmly in cheek and a gentle but penetrating eye for human foibles, Patrick F. McManus celebrates the hidden pleasures, unappreciated lore, and opportunities for disaster to be found in the recreations of camping, hunting, and fishing in his hilarious collection They Shoot Canoes, Don’t They? Gathered here for the reader’s edification are such treasures as the true but little known story of the discovery of the efficacy of live bait by Genghis Khan’s chef, an examination of the precarious and perhaps fanatical expertise required for ice fishing, and a consideration of the circumstances that can cause a deer to ride a bicycle. Among additional topics explored are The Crouch Hop and Other Useful Outdoor Steps, The Sensuous Angler, and Psychic Powers for Outdoorsmen. Included, too, is The Hunter’s Dictionary, an invaluable lexicon that helps the novice sportsman understand such arcane terminology as “Ooooooeee-ah-ah-ah! (If there’s one thing I hate, it’s putting on cold, wet pants in the morning)” and “Baff mast pime ig bead feas mid miff pife! (That’s the last time I try to eat peas in the dark with my hunting knife!)” The author’s appreciation of outdoor life began in his early boyhood, when he absorbed a wealth of improbable information imparted by the old woodsman Rancid Crabtree, “who bathed only on leap years.” Young McManus also enjoyed special adventures with his ill-remembered sidekick, Retch Sweeney, and another boon companion of days gone by, the loquacious family dog, Strange, whose exploits as a hunter were limited to assaulting stray chickens and on one memorable occasion a skunk. “McManus here follows up A Fine and Pleasant Misery with a collection of sketches that launches him into the front ranks of outdoor humorists.”—Library Journal