They Used to Call Me Snow White ... But I Drifted


Book Description

Published by Viking in 1991 and issued as a paperback through Penguin Books in 1992, Snow White became an instant classic for both academic and general audiences interested in how women use humor and what others (men) think about funny women. Barreca, who draws on the work of scholars, writers, and comedians to illuminate a sharp critique of the gender-specific aspects of humor, provides laughs and provokes arguments as she shows how humor helps women break rules and occupy center stage. Barreca's new introduction provides a funny and fierce, up-to-the-minute account of the fate of women's humor over the past twenty years, mapping what has changed in our culture--and questioning what hasn't.




They Used to Call Me Snow White-- But I Drifted


Book Description

Artfully combining sociology, psychology, and feminist theory, here is a fascinating and entertaining look at how women can use humor to their advantage. This witty--and at times deliciously ribald--book examines women's humor and shows how the proper punchline can work wonders on the street, in the bedroom, and even in the corporate boardroom.




Babes in Boyland


Book Description

A humorous and provocative account of being a female undergraduate at Dartmouth College in its turbulent first years of co-education




Make Mine a Double


Book Description

Bottoms up! This landmark celebration of women and drink chips away at traditional images of gender, one ice-cube at a time.




It's Not That I'm Bitter . . .


Book Description

In this collection of hilarious essays that mull everything from the horror of chin hairs to why the "glass ceiling" is better described as a thick layer of men, Barreca tells women to stop believing the lies and conquer the world.




I'm with Stupid


Book Description

Two of the country's most original humor writers confront myths and stereotypes to establish once and for all that women are funnier than men--and vice versa. Illustrations.




Untamed and Unabashed


Book Description

In Untamed and Unabashed, Regina Barreca, noted authority on women and humor, examines the use of humor in the works of Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Bowen, Muriel Spark, and Fay Weldon. She analyzes the ways that each writer uses comedic devices, especially those involving language itself, and discusses the gendered basis of their humor, providing a provocative feminist perspective on gender and comedy. Each of the essays argues that conservative critics have misread and misunderstood the importance of humor in the works of these women authors, and that women's humor serves to explode conventions oppressive to women and to offer women readers a critique of, and an alternative perspective on, the dominant cultural ideologies that contain and oppress them. The book concludes that these authors strategically deployed humor, coded in forms that women readers-but not men readers-would recognize and understand, as a means of educating and empowering those women readers. Barreca asserts that much of women's comic play has to do with power and its systematic misappropriation, allowing women to gain perspective by ridiculing the implicit insanities of a patriarchal culture. Using detailed persuasive new readings of various works of each of her chosen authors, she shows how the straightjacket of conventional femininity is challenged, confronted, and finally, thrown off. This volume demonstrates that comedy can effectively channel anger and rebellion by first making them appear to be acceptable and temporary phenomena, and then by harnessing the released energies, rather than dispersing them. This kind of comedy, which is at the heart of Untamed and Unabashed, terrifies those who hold order dear. It should.




Too Much of a Good Thing is Wonderful


Book Description

In her newest book, Regina Barreca writes of growing up in an urban Italian American household under the watchful eyes of her aunts. She shares stories of an adult pajama party, her own hysterectomy, and adventures (and misadventures) with her many friends. She describes learning about her mother's French Canadian relatives, her husband's love of too-fast cars, and her "talent" for remembering lyrics to vintage rock 'n 'roll songs. Always warm and humorous, Barreca, who was deemed a "Feminist Humor Maven" by Ms. magazine, has a knack for voicing the thoughts and concerns of ordinary Americans. First published in Northeast Magazine and the Chicago Tribune, her columns have attracted a wide readership. Her many fans eagerly await this new collection.




They Used to Call Me Snow White ... But I Drifted


Book Description

With a comprehensive new introduction by the author, a reissue of the influential text on women's humor




Fast Funny Women


Book Description

FAST FUNNY WOMEN is a broad collection: 75 women writers, ages 20 to 89, were invited by editor Gina Barreca to make a party out of their life's most unnerving, challenging, illuminating, desperate, and hilarious moments. Political campaigners, devoted teachers, lousy daughters, good mothers, would-be nuns, admired sportswriters, grad-school-wanna-bes, revenge-driven sisters, frustrated roommates, body-fluid-sorting professionals, lace-loving fashion mavens, intrepid daters, hungry lovers, justice-seeking nasty-women, ACE wedding celebrants, trapped wives, and women with all kinds of ammunition tell their stories-- and their stories are all under 750 words. You know many of these brilliant women, but you've never heard them like this: with new works commissioned for the book from NYT Bestseller and member of the American Academy of Poets, Marge Piercy, Pulitzer-Prize winner Jane Smiley, NYT bestseller graphic artist Mimi Pond, New Yorker staff cartoonist Liza Donnelly, Commander of the British Empire Fay Weldon, bestselling author of "Love, Loss, and What I Wore" Ilene Beckerman, "Sylvia" creator Nicole Hollander, stand-up comics Lisa Landry and Leighann Lord, filmmakers Ferne Pear