Ethical Engineering for International Development and Environmental Sustainability


Book Description

Ensuring that their work has a positive influence on society is a responsibility and a privilege for engineers, but also a considerable challenge. This book addresses the ways in which engineers meet this challenge, working from the assumption that for a project to be truly ethical both the undertaking itself and its implementation must be ethically sound. The contributors discuss varied topics from an international and interdisciplinary perspective, including l robot ethics; l outer space; l international development; l internet privacy and security; l green branding; l arms conversion; l green employment; and l deliberate misinformation about climate change Important questions are answered, such as l what is meant by engineering ethics and its practical implications; l how decisions made by engineers in their working lives make an impact at the global as well as the local level; and l what ethics-related questions should be asked before making such decisions. Ethical Engineering for International Development and Environmental Sustainability will be a valuable resource for practising and student engineers as well as all who are interested in professional ethics, especially as it relates to engineering. Researchers and policy makers concerned with the effects of engineering decisions on environmental sustainability and international stability will find this book to be of special interest.




The Ancient Music of Ireland


Book Description

This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.




Ancient Irish Music


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Folk Song in England


Book Description

A seminal work by one of the most influential figures of the English folk revival of the 1950s, Folk Song in England (1967) is an expansive account of the development of English traditional song, from the very oldest, ritual verse, through epic balladry, to the development of lyrical song in the industrial era. In a unique and ambitious approach, Lloyd marries the tradition of folk-song scholarship, largely derived from Cecil Sharp, with the radical historiography of E. P. Thompson, and in so doing produces a work of exceptional insight. In particular, his defining of 'industrial folk song' reveals traditional verse as an ebullient, living expression of the working people, perfectly adaptable to reflect their ways and conditions of life.













Helen Adolf Festschrift


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The All-round Man


Book Description

Percy Grainger was one of the most colourful of this century's cultural figures. As a pianist and largely self-taught composer he was feted in the 1910s and 1920s, and is probably still best known for the work he `dished up' in many different guises, Country Gardens. But Grainger aspired tothe role of `the all-round man' and nourished ideas, some brilliant, others ludicrous, across the full range of human endeavour: race, nationality, sex, language, life-style, food, clothes, technology, ecology.The All-Round Man depicts that scrambling diversity through seventy-six uninhibited letters from Grainger's `American' years, 1914-61. These letters are fascinating to read: they are cultivated `rambles' (as Grainger actually called several of his compositions), not dissimilar to today's telephoneconversations. Often written in Grainger's crunchy `Blue-eyed English', they explore uninhibitedly every corner of his public and private life. They reflect the magnificent attempts of a great but flawed mind to encompass the world.From the letters:`Personally I do not feel like a modern person at all. I feel quite at home in South Sea Island music, in Maori legends, in the Icelandic Sagas, in the Anglo-Saxon `Battle of Brunnanburh', feel very close to Negroes in various countries, but hardly understand modern folk at all.'`Music seems almost to have a "surface", a smooth surface, a grained surface, a prickly surface to the ear. All these distinguishing characteristics (roughly hinted at in the above silly similes) are to me the "body of music" are to music what "looks", skin, hair are in a person, the actual stuffand manifestation whereby we know it and recognize it'`You said that too much such treatment annoyed, nerveteased you. Then let me thus tease you while you punish me for the annoyance I give you: Let me lay my weight upon, momi-ing at yr heavenbringing uma, while you thrash my bottom, back and legs in rising annoyance'