Charley Weaver’s Letters from Mamma


Book Description

From coast to coast more people are keeping their television sets on much later, more nights because of Cliff Arquette. A regular on NBC’s “Jack Paar Show” Cliff’s meteoric rise to fame among late evening watchers is the result of his portrayal of a likable old codger Charley Weaver, who hails from Mount Idy, and who reads side-splitting letters from his “Mamma.” These letters are a complete report on the doin’s in the old home town. Through the magic of television, and now the pages of this book, Charley’s “Mamma” has made real people out of Birdie Rodd, Grandpa Ogg, Elsie Krack, Dr. Beemish and all the others. Real people and normal people. Normal except that the darndest things happen to them! As Jack Paar says, “Charley Weaver is a witch. He knows more about comedy than anyone alive, which he isn’t....Old Charley not only gets laughs on a Monday night but he gets them all during Lent...even when we are playing to a convention of Martian undertakers who have just heard bad news. That’s witchcraft!” This book proves Jack Paar’s point.




Ain't That a Knee-Slapper


Book Description

There was a time when rural comedians drew most of their humor from tales of farmers' daughters, hogs, hens, and hill country high jinks. Lum and Abner and Ma and Pa Kettle might not have toured happily under the "Redneck" marquee, but they were its precursors. In Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century, author Tim Hollis traces the evolution of this classic American form of humor in the mass media, beginning with the golden age of radio, when such comedians as Bob Burns, Judy Canova, and Lum and Abner kept listeners laughing. The book then moves into the motion pictures of the 1930s, 1940s, and 1950s, when the established radio stars enjoyed second careers on the silver screen and were joined by live-action renditions of the comic strip characters Li'l Abner and Snuffy Smith, along with the much-loved Ma and Pa Kettle series of films. Hollis explores such rural sitcoms as The Real McCoys in the late 1950s and from the 1960s, The Andy Griffith Show, The Beverly Hillbillies, Green Acres, Hee Haw, and many others. Along the way, readers are taken on side trips into the world of animated cartoons and television commercials that succeeded through a distinctly rural sense of fun. While rural comedy fell out of vogue and networks sacked shows in the early 1970s, the emergence of such hits as The Dukes of Hazzard brought the genre whooping back to the mainstream. Hollis concludes with a brief look at the current state of rural humor, which manifests itself in a more suburban, redneck brand of standup comedy.




Things Are Fine in Mount Idy


Book Description

This is a new release of the original 1960 edition.




Adult Catalog: Authors


Book Description




Books in Print


Book Description







TV Guide


Book Description




The Publishers Weekly


Book Description




Adult Author-title Catalog


Book Description




Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)