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Thinking about Science, Reflecting on Art

Author : Otávio Bueno

Publisher : Routledge

Page : 244 pages

File Size : 50,28 MB

Release : 2017-08-07

Category : Philosophy

ISBN : 1351629131

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Book Description

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as: Does representation function in the same way in science and in art? What important characteristics do scientific models share with literary fictions? What is the difference between interpretation in the sciences and in the arts? Can there be a science of aesthetics? In what ways can aesthetics and philosophy of science be integrated? Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.



Thinking about Science, Reflecting on Art

Author : Otávio Bueno

Publisher : Routledge

Page : 0 pages

File Size : 35,61 MB

Release : 2018

Category : Aesthetics

ISBN : 9781138687325

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Book Description

Thinking about Science, Relecting on Art is the first book to systematically examine the relationship between the philosophy of science and aesthetics.



Art and Science

Author : Eliane Strosberg

Publisher :

Page : 256 pages

File Size : 49,42 MB

Release : 2001

Category : Art

ISBN :

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Book Description

The intent of this volume is to provide an enticing review, for a general audience, of the very broad topic of connections between art and science; and the writing is deliberately casual and narrative rather than scholarly or encyclopedic. The scope is narrowed somewhat by emphasis on Western culture (with some examples from other civilizations) and by exclusion of literature. After overview chapters, the author delves into some specifics of architecture, decoration, painting and cognition, graphic design, and the performing arts, before concluding with a chapter on art and science symbiosis. The text is attractively produced and illustrated with some 200 (small) diagrams, photos, and reproductions. Strosberg is co-founder of Recontres Art et Science, an association in Paris that sponsors conferences and other events in collaboration with UNESCO. This work was originally published in French, in Paris, in 1999 by UNESCO (although its connection with that agency's mission is not entirely clear). c. Book News Inc.



Why Science Needs Art

Author : Richard Roche

Publisher : Routledge

Page : 170 pages

File Size : 17,97 MB

Release : 2018-04-17

Category : Psychology

ISBN : 1317337999

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Book Description

Why Science Needs Art explores the complex relationship between these seemingly polarised fields. Reflecting on a time when art and science were considered inseparable and symbiotic pursuits, the book discusses how they have historically informed and influenced each other, before considering how public perception of the relationship between these disciplines has fundamentally changed. Science and art have something very important in common: they both seek to reduce something infinitely complex to something simpler. Using examples from diverse areas including microscopy, brain injury, classical art, and data visualization, the book delves into the history of the intersection of these two disciplines, before considering current tensions between the fields. The emerging field of neuroaesthetics and its attempts to scientifically understand what humans find beautiful is also explored, suggesting ways in which the relationship between art and science may return to a more co-operative state in the future. Why Science Needs Art provides an essential insight into the relationship between art and science in an appealing and relevant way. Featuring colorful examples throughout, the book will be of interest to students and researchers of neuroaesthetics and visual perception, as well as all those wanting to discover more about the complex and exciting intersection of art and science.



Strange Tools

Author : Alva Noë

Publisher : Macmillan + ORM

Page : 291 pages

File Size : 37,57 MB

Release : 2015-09-22

Category : Philosophy

ISBN : 1429945257

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Book Description

A philosopher makes the case for thinking of works of art as tools for investigating ourselves In his new book, Strange Tools: Art and Human Nature, the philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.



The Aesthetics of Science

Author : Milena Ivanova

Publisher : Routledge

Page : 325 pages

File Size : 49,90 MB

Release : 2020-01-16

Category : Philosophy

ISBN : 0429638558

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Book Description

This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performances—such as thought experiments and visual aids—and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics, as well as other subdisciplines such as epistemology and philosophy of mathematics.



Synthetic Aesthetics

Author : Alexandra Daisy Ginsberg

Publisher : MIT Press

Page : 372 pages

File Size : 18,79 MB

Release : 2014-02-28

Category : Art

ISBN : 026201999X

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Book Description

As synthetic biology transforms living matter into a medium for making, what is the role of design and its associated values?



The Aesthetics of Scientific Experiments

Author : Milena Ivanova

Publisher : Taylor & Francis

Page : 255 pages

File Size : 39,38 MB

Release : 2023-06-16

Category : Philosophy

ISBN : 1000900800

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Book Description

The relationship between aesthetics and science has begun to generate substantial interest. However, for the most part, the focus has been on the beauty of theories, and other aspects of scientific practice have been neglected. This book offers a novel perspective on aesthetics in experimentation via ten original essays from an interdisciplinary group comprised of philosophers, historians of science and art, and artists. The collection provides an analysis of the concept of beauty in the evaluation of experiments. What properties do practising experimenters value? How have the aesthetic properties of scientific experiments changed over the years? Secondly, the volume looks at the role that aesthetic factors, including negative values such as ugliness, as well as experiences of the sublime and the profound, play in the construction of an experiment and its reception. Thirdly, the chapters provide in-depth historical case studies from the Royal Society, which also allows for a study of the depiction of scientific experiment in artworks, as well as contemporary examples from the Large Hadron Collider and cases of experiments designed by artificial intelligence. Finally, it offers an exploration of the commonalities between how we learn from experiments on the one hand and the cognitive value of artworks on the other. The Aesthetics of Scientific Experiments will be of interest to researchers and advanced students working in philosophy and history of science, philosophy and history of art, as well as practising scientists and science communicators.



The Poem as Icon

Author : Margaret H. Freeman

Publisher : Oxford University Press

Page : 229 pages

File Size : 18,72 MB

Release : 2020-03-13

Category : Literary Criticism

ISBN : 0190080426

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Book Description

Poetry is the most complex and intricate of human language used across all languages and cultures. Its relation to the worlds of human experience has perplexed writers and readers for centuries, as has the question of evaluation and judgment: what makes a poem "work" and endure. The Poem as Icon focuses on the art of poetry to explore its nature and function: not interpretation but experience; not what poetry means but what it does. Using both historic and contemporary approaches of embodied cognition from various disciplines, Margaret Freeman argues that a poem's success lies in its ability to become an icon of the felt "being" of reality. Freeman explains how the features of semblance, metaphor, schema, and affect work to make a poem an icon, with detailed examples from various poets. By analyzing the ways poetry provides insights into the workings of human cognition, Freeman claims that taste, beauty, and pleasure in the arts are simply products of the aesthetic faculty, and not the aesthetic faculty itself. The aesthetic faculty, she argues, should be understood as the science of human perception, and therefore constitutive of the cognitive processes of attention, imagination, memory, discrimination, expertise, and judgment.



There Are No Such Things As Theories

Author : Steven French

Publisher : Oxford University Press

Page : 283 pages

File Size : 35,46 MB

Release : 2020-02-20

Category : Philosophy

ISBN : 0192587455

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Book Description

There Are No Such Things as Theories considers the fundamental question: what is a scientific theory? It presents a range of options - from theories are sets of propositions, to theories are families of models, abstract artefacts, or fictions - and highlights the various problems they all face. In so doing it draws multiple comparisons between theories and artworks: on the one hand, theories are like certain kinds of paintings with regard to their representational capacity; on the other, they are like musical works in that they can be multiply presented. An alternative answer to the question is then offered, drawing on the metaphysics of musical works: there are no such things as theories. Nevertheless, we can still talk about them, since that talk is made true by the various practices that scientists engage in. The implications of this form of eliminativism for the realism debate is then discussed and it is concluded that this may offer a more flexible framework in which we can understand both the history and the philosophy of science in general.