Thinking Like Your Editor: How to Write Great Serious Nonfiction and Get It Published


Book Description

Distilled wisdom from two publishing pros for every serious nonfiction author in search of big commercial success. Over 50,000 books are published in America each year, the vast majority nonfiction. Even so, many writers are stymied in getting their books published, never mind gaining significant attention for their ideas—and substantial sales. This is the book editors have been recommending to would-be authors. Filled with trade secrets, Thinking Like Your Editor explains: • why every proposal should ask and answer five key questions; • how to tailor academic writing to a general reader, without losing ideas or dumbing down your work; • how to write a proposal that editors cannot ignore; • why the most important chapter is your introduction; • why "simple structure, complex ideas" is the mantra for creating serious nonfiction; • why smart nonfiction editors regularly reject great writing but find new arguments irresistible. Whatever the topic, from history to business, science to philosophy, law, or gender studies, this book is vital to every serious nonfiction writer.




Getting It Published


Book Description

Since 2001 William Germano's Getting It Published has helped thousands of scholars develop a compelling book proposal, find the right academic publisher, evaluate a contract, handle the review process, and, finally, emerge as published authors. But a lot has changed in the past seven years. With the publishing world both more competitive and mor...




Are You Afraid of the Dark Rum?


Book Description

Are You Afraid of the Dark Rum? is a tongue in cheek cocktail book for the former '90s kid and those just discovering how cool old-school Nickelodeon and Delia's once were. With recipes for alcoholic versions of childhood favorites like Ecto-Cooler and Mondo as well as creative pop-culture inspired originals like the Rum and Stimpy and Semi-Warmed Kind of Cider, this is a perfectly giftable mix of humor, nostalgia, and tasty recipes.




How to Write a Novel


Book Description

Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."




The Essential Guide to Getting Your Book Published


Book Description

Now updated for 2015! The best, most comprehensive guide for writers is now revised and updated, with new sections on ebooks, self-publishing, crowd-funding through Kickstarter, blogging, increasing visibility via online marketing, micropublishing, the power of social media and author websites, and more—making The Essential Guide to Getting Your Book Published more vital than ever for anyone who wants to mine that great idea and turn it into a successfully published book. Written by experts with twenty-five books between them as well as many years’ experience as a literary agent (Eckstut) and a book doctor (Sterry), this nuts-and-bolts guide demystifies every step of the publishing process: how to come up with a blockbuster title, create a selling proposal, find the right agent, understand a book contract, and develop marketing and publicity savvy. Includes interviews with hundreds of publishing insiders and authors, including Seth Godin, Neil Gaiman, Amy Bloom, Margaret Atwood, Leonard Lopate, plus agents, editors, and booksellers; sidebars featuring real-life publishing success stories; sample proposals, query letters, and an entirely updated resources and publishers directory.




Cover to Cover


Book Description

"Irreverent." "Funny." "Essential." Read this book before you publish your book. You just wrote your first book. And there you are. Stark naked. Vulnerable. Wondering what to do next to get your masterpiece published. This is the one book you need to read and follow if you're writing a book for the first time. Why? Because you've never written a book before. This is new territory. To write a successful book, you need to find and work with an editor who shares your passion for your work and your message and who will help you make your book sing. And sing a smash hit. A blockbuster of a message, clearly and carefully constructed so readers love you and your work and leave you five-star Amazon reviews only because they don't have more stars to give. This is a toolkit for tinkering under the hood of your working manuscript so you, the author, can take your work as far as you can before an edit and production such as cover design and not dump a half-baked chocolate cake on some poor schlub of an editor to "fix." Don't make first-time author mistakes. No matter what you think, you do need an edit. Not the English teacher next door. You can't self-edit either. A professional editor knows how to navigate those thorny commas and can solve your organizational questions. An editor can guide you through the murky waters of modifiers and passive sentences, correct typos, and get your book manuscript polished and on its way to production. Even if you slept through English class, never turned in book reports, and don't know a thing about publishing the book of your dreams, your name is on the cover and you don't want to be embarrassed. Turn your vulnerability into confidence with these insider secrets to publishing success when working with an editor. No, this is not a grammar book (ick) or a guide to self-editing (can't be done well). This is not a dry, boring book about usage or sentence structure. Although the author, a veteran nonfiction editor, specializes in memoir, true crime, business/leadership, and self-help, her advice holds true for fiction writers as well. Get your questions answered (and more): Why do I need an editor? How do I find an editor? What do editors do? And how much do they cost? What are the levels of edit? Developmental? Line edit? Copy edit? Proofreading? How do I know what level of editing my manuscript needs? Will an editor tell me if my manuscript sucks? Why do words make a difference? Which words do I overuse? Which words should I never use? How do I know when I'm done writing? How can I work with a cover designer and audiobook engineer? Can my local bookstore help me? Do I need beta readers? BONUS Checklist for Authors to Fine-Tune a Manuscript before Editing Begins BUY a copy today, because you need to know these insider secrets to successfully work with an editor on your way to publishing success.




Editor-Proof Your Writing


Book Description

Veteran editor Don McNair lays out an easy-to-follow and systematic method for clearing up foggy writing--writing that's full of extra, misused, and overused words--in this guide to producing sparkling copy that attracts readers, agents, editors, and sales. McNair explains the common mistakes made by most writers and shows how eliminating unnecessary words strengthens action, shorten sentences, and makes writing crackle with life. Containing 21 simple, straightforward principles, ""Editor-Proof Your Writing"" teaches how to edit weak verb forms, strip away author intrusions, ban redundancies, eliminate foggy phrases, correct passive-voice sentences, slash misused and overused words, and fix other writing mistakes. A superb addition to any writer's toolkit, this book will not only make writing clearer and more grammatical, it will also make it more concise, entertaining, and appealing to publishers.




Security Risk Management Aide-Mémoire


Book Description

"All models are wrong. Some are useful." - George BoxThe Security Risk Management Aide-Mémoire is a book full of models and tools to help security professionals to brief clients, conduct security risk assessments, facilitate workshops, draft reports, and more. Much of it is from the Security Risk Management Body of Knowledge with some new material reflecting updates such as ISO31000:2018 Risk Management Standard.The book addresses all domains of security risk management but assumes you are already familiar with the contents and the specifics of your profession. The tools and models are complementary. Pick the ones that work best for you and ignore the rest or keep them in your back pocket for another day. You can read selected chapters and download the graphics and models for free from www.srmam.com




Jacob Wonderbar and the Cosmic Space Kapow


Book Description

Out-of-this-world antics in this hysterical middle-grade adventure! Sixth-grader Jacob Wonderbar is a master when it comes to disarming and annihilating substitute teachers. But when he and his best friends, Sarah and Dexter, swap a spaceship for a corn dog, they embark on an outer space adventure. And between breaking the universe with an epic explosion, being kidnapped by a space pirate, and surviving a planet that reeks of burp breath, Jacob and his friends are in way over their heads. Action packed with an added dose of heart, Jacob Wonderbar and the Cosmic Space Kapow is sure to captivate middlegrade readers all over the universe.




The Subversive Copy Editor


Book Description

Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.