Thirteen Quintets for Lois


Book Description

Poetry. In THIRTEEN QUINTETS FOR LOIS, Jay Wright has found both form and structure to intertwine aspects of music, logic, number theory, and philosophy in a wide-ranging, exhilarating harmony. With rhymes providing a ceremonial dimension, the poems read at times like those of a playful and lyrical Parmenides in their meditations on being and grace.




Poasis


Book Description

Poasis, Joris's first major publication in the United States, highlights his work since the mid-1980s. Pierre Joris's poems are characterized by an arresting mix of passion and intellect, by what Pound called "language charged with meaning." For Joris, a language is always a second language, and his poetry takes as its main concern the question of marginality and exile. He is unique in being an American poet comfortable in three languages, and his work is filled with a dynamic language play, cross-linguistic puns, and themes of speculation on language, translation, and nomadism. Poasis, Joris's first major publication in the United States, highlights his work since the mid-1980s.




Make It New


Book Description

As jazz enters its second century it is reasserting itself as dynamic and relevant. Boston Globe jazz writer and Emerson College professor Bill Beuttler reveals new ways in which jazz is engaging with society through the vivid biographies and music of Jason Moran, Vijay Iyer, Rudresh Mahanthappa, The Bad Plus, Miguel Zenón, Anat Cohen, Robert Glasper, and Esperanza Spalding. These musicians are freely incorporating other genres of music into jazz—from classical (both western and Indian) to popular (hip-hop, R&B, rock, bluegrass, klezmer, Brazilian choro)—and other art forms as well (literature, film, photography, and other visual arts). This new generation of jazz is increasingly more international and is becoming more open to women as instrumentalists and bandleaders. Contemporary jazz is reasserting itself as a force for social change, prompted by developments such as the Black Lives Matter, #MeToo movements, and the election of Donald Trump.




A Different Distance


Book Description

An Indie Next Selection for December 2021 A Ms. Magazine Recommended Read for Fall 2021 In March 2020, France declared a full lockdown to prevent the spread of the coronavirus. Shortly thereafter, poets and friends Marilyn Hacker and Karthika Naïr—living mere miles from each other but separated by circumstance, and spurred by this extraordinary time—began a correspondence in verse. Renga, an ancient Japanese form of collaborative poetry, is comprised of alternating tanka beginning with the themes of tōki and tōza: this season, this session. Here, from the “plague spring,” through a year in which seasons are marked by the waxing and waning of the virus, Hacker and Naïr’s renga charts the “differents and sames” of a now-shared experience. Their poems witness a time of suspension in which some things, somehow, press on relentlessly, in which solidarity persists—even thrives—in the face of a strange new kind of isolation. Between “ten thousand, yes, minutes of Bones,” there’s cancer and chemotherapy and the aches of an aging body. There is grief for the loss of friends nearby and concern for loved ones in the United States, Lebanon, and India. And there is a deep sense of shared humanity, where we all are “mere atoms of water, / each captained by protons of hydrogen, hurtling earthward.” At turns poignant and playful, the seasons and sessions of A Different Distance display the compassionate, collective wisdom of two women witnessing a singular moment in history.




The Collected Poems of Lorenzo Thomas


Book Description

The first full collection of the works of a foremost African American poet Song You asked me to sing Then you seemed not To hear; to have gone out From the edge of my voice And I was singing There I was singing In a heathen voice You could not hear Though you requested The song—it was for them. Although they refuse you And the song I made for you Tangled in their tongue They wd mire themselves in the spring Rains, as I sit here folding and Unfolding my nose in your gardens I wouldn't mind it so bad Each word is cheapened In the air, sounding like Language that riots and Screams in the dark city Thoughts they requested Concepts that rule them Since I can't have you I will steal what you have Lorenzo Thomas (1944-2005) was the youngest member of the Society of Umbra, predecessor of the Black Arts Movement. The Collected Poems of Lorenzo Thomas is the first volume to encompass his entire writing life. His poetry synthesizes New York School and Black Arts aesthetics, heavily influenced by blues and jazz. In a career that spanned decades, Thomas constantly experimented with form and subject, while still writing poetry deeply rooted in the traditions of African American aesthetics. Whether drawing from his experiences during the war in Vietnam, exploring his life in the urban north and the southwest, or parodying his beloved Negritude ancestors, Thomas was a lyric innovator. Sample Poem: Song You asked me to sing Then you seemed not To hear; to have gone out From the edge of my voice And I was singing There I was singing In a heathen voice You could not hear Though you requested The song—it was for them. Although they refuse you And the song I made for you Tangled in their tongue They wd mire themselves in the spring Rains, as I sit here folding and Unfolding my nose in your gardens I wouldn't mind it so bad Each word is cheapened In the air, sounding like Language that riots and Screams in the dark city Thoughts they requested Concepts that rule them Since I can't have you I will steal what you have




American Poets in the 21st Century


Book Description

The ideal introduction to the current generation of American poets




Transfigurations


Book Description

Few poets have as much to tell us about the intricate relationship between the African American past and present as Jay Wright. His poems weave a rich fabric of personal history using diverse materials drawn from African, Native American, and European sources. Scholarly, historical, intuitive, and emotional, his work explores territories in which rituals of psychological and spiritual individuation find a new synthesis in the construction of cultural values. Never an ideologue but always a poet of vision, his imagination shows us a way to rejoice and strengthen ourselves in our common humanity. Here, together for the first time, are Wright’s previously published collections—The Homecoming Singer (1971), Soothsayers and Omens (1976), Explications/Interpretations (1984), Dimensions of History (1976), The Double Invention of Komo (1980), Elaine’s Book (1988), and Boleros (1991)—along with the new poems of Transformations (1997). By presenting Wright’s work as a whole, this collection reveals the powerful consistency of his theme—a spiritual or intellectual quest for personal development—as each book builds solidly upon the previous one. Wright examines history from a multicultural perspective, attempting to conquer a sense of exclusion—from society and his own cultural identity—and find solace and accord by linking American society to African traditions. He believes that a poem must articulate the vital rhythms of the culture it depicts and is dedicated to a pursuit of poetic forms that embody the cadence of African American culture. Defying characterization, Wright has experimented with voices, languages, cultures, and forms not normally associated with African American literature. He is well schooled in the cultures of West Africa, Europe, and the Americas, and—true to his New Mexican birth—he is a powerful synthesizer of human experience. Transfigurations reveals Wright to be a man of profound knowledge and a poet of exalted verbal intensity.




The Sound of Music Story


Book Description

On March 2, 1965, "The Sound of Music" was released in the United States and the love affair between moviegoers and the classic Rodgers and Hammerstein musical was on. Rarely has a film captured the love and imagination of the moviegoing public in the way that "The Sound of Music" did as it blended history, music, Austrian location filming, heartfelt emotion and the yodeling of Julie Andrews into a monster hit. Now, Tom Santopietro has written the ultimate "Sound of Music" fan book with all the inside dope from behind the scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when the "Cleopatra" bankrupted 20th Century Fox. We all know that Julie Andrews and Christopher Plummer played Maria and Captain Von Trapp, but who else had been considered? Tom Santopietro knows and will tell all while providing a historian's critical analysis of the careers of director Robert Wise and screenwriter Ernest Lehman, a look at the critical controversy which greeted the movie, the film's relationship to the turbulent 1960s and the super stardom which engulfed Julie Andrews. Tom Santopietro's "The Story of 'The Sound of Music'" is book for everyone who cherishes this American classic.




The Persian Room Presents


Book Description

Ever since Patty Farmer was a little girl, she dreamed of living at the Plaza--just like Eloise of storybook fame. Decades later, she realized that dream when she moved into an apartment on the eighth floor of the famed hotel and became more passionate than ever about immersing herself in its history. She soon discovered that one of the most magical places within the Plaza now exists only in memory: the nightclub known as the Persian Room. For more than forty years, from 1934 to 1975, the Persian Room was the place to be in New York City. An unparalleled array of performers graced its stage--everyone from the incomparable Hildegarde and Kay Thompson to Julie Wilson, Andy Williams, Lainie Kazan, and Michelle Lee. And, though more than three decades have passed since the final ovation, there are many from both sides of the footlights who remember this extravagant nightclub with great fondness. To create this unique and memorable oral history, Farmer traveled far and wide to meet the Persian Room's most popular stars and collect their precious memories. Over the course of three years, these idols of the past and present opened their homes and hearts to her, relishing the opportunity to share cherished moments from their long careers. Many contributed photos and memorabilia from their personal collections as well, making The Persian Room Presents... a vivid journey through the stars elegant history. Among the many stars who generously gave their time are Andy Williams, Marge Champion, Polly Bergen, Diahann Carroll, Connie Stevens, Lesley Gore, Patti Page, Carol Lawrence, Michelle Lee, Lainie Kazan, Julie Wilson, Tony Butala, Tony Sandler, Celeste Holm, Kaye Ballard, Jack Jones, and Roslyn Kind. Don Dellair shared funny and touching tales of both Hildegarde and Liberace. Hilary Knight--the legendary illustrator who brought Eloise to life--spoke wistfully of Kay Thompson and Lisa Kirk. Each offered his or her own perspective on the club, but they all agreed on one thing: There was no place on Earth like the Persian Room and there never will be.




The Archeologist and Selected Sea Stories


Book Description

Translated into English for the first time, The Archeologist is a landmark of Greek national literature, and an important document in the history of archeology and classicism. Published for the bicentennial year of the outbreak of the Greek War of Independence. A Penguin Classic The year 2021 marks the bicentennial of the outbreak of the Greek War of Independence. This historical milestone provides the impetus for a new period of intensified reflection on the past, present, and future of Greece, especially in light of recent financial and humanitarian challenges the country has found itself facing: the debt crisis that began in the last days of 2009 and the migration crisis five years later. These crises had already stirred renewed and often animated debate about Greek national identity, especially in relation to Europe, and the legacy of classical antiquity remains central to how that relationship is imagined. Where does Greece fit into the modern world and what role, if any, should its celebrated and idealized antiquity play in the country's national identity? More than a century ago, Karkavitsas's The Archeologist (1904) helped to articulate and frame these kinds of questions. The work is an allegory of Greek nationalism that is stylized as a folktale about Aristodemus and Dimitrakis Eumorphopoulos, two brothers and descendants of the illustrious Eumorphopoulos line. For centuries, the family had been persecuted by the Khan family, but when the Khan dynasty starts to topple, the Eumorphopoulos family resolves to regain their ancestral lands and restore their line's ancient glory. Yet the two brothers disagree about the best path forward into the future. Aristodemus insists, to the point of mania, that they must look only to the ancient past—to the family's ancient language, texts, religion, and monuments; Dimitrakis, on the other hand, exuberantly embraces the present. The Archeologist, however, attempts to map and dramatize the tensions that were violently brewing in the Balkans at the turn of the twentieth century and which, within a decade of the work's publication, would contribute to the outbreak of World War I. Also included in this edition are a selection of "sea tales," which Karkavitsas heard from sailors during his extensive time aboard ships in the Mediterranean. Considered as indigenous to Greek literature, the four sea stories represent some of the best known of the Tales from the Prow. "The Gorgon," one of Karkavitsas's shortest sea stories, is also one of the most famous.