Thirties


Book Description

Tenderly, hauntingly, and without fear, the thirteen sections in Thirties chronicle Andrews’ journey through a decade rife with both beauty and brutality. Each song-inspired vignette is further enlivened by thoughtfully curated photos, revealing experiences that are at once both universal and intimate In this visual storytelling companion to her upcoming album release of the same name, Andrews explores the isolation and the joy of motherhood, the loss of a lover and partner, and the experience of growing older in a world that expects you to stay young forever. Thirties resists contemplating the big, loud questions of the world, and rather, invites readers to find rest in knowing and loving themselves.




The Thirties


Book Description

J.B. Priestley famously described the 'three Englands' he saw in the 1930s; old England, 19th-century England and the new, post-war England. In this book Juliet Gardiner provides a fresh perspective on that restless, uncertain, ambitious decade, bringing the complex experience of 1930s Britain alive.




In Our Thirties


Book Description




The Panic Years


Book Description

Renowned journalist Nell Frizzell explores what happens when a woman begins to ask herself: should I have a baby? We have descriptors for many periods of life—adolescence, menopause, mid-life crisis, quarter-life crisis—but there is a period of profound change that many women face, often in their late twenties to early forties, that does not yet have a name. Nell Frizzell is calling this period of flux “the panic years,” and it is often characterized by a preoccupation with one major question: should I have a baby? And from there—do I want a baby? With whom should I have a baby? How will I know when I’m ready? Decisions made during this period suddenly take on more weight, as questions of love, career, friendship, fertility, and family clash together while peers begin the process of coupling and breeding. But this very important process is rarely written or talked about beyond the clichés of the “ticking clock.” Enter Frizzell, our comforting guide, who uses personal stories from her own experiences in the panic years to illuminate the larger social and cultural trends, and gives voice to the uncertainty, confusion, and urgency that tends to characterize this time of life. Frizzell reminds us that we are not alone in this, and encourages us to share our experiences and those of the women around us—as she does with honesty and vulnerability in these pages. Raw and hilarious, The Panic Years is an arm around the shoulder for every woman trying to navigate life’s big decisions against the backdrop of the mother of all questions.




The Thirties


Book Description




Part of Our Time


Book Description

Through brilliant portraits of real persons who created the myths and realities of the 1930s, the Pulitzer Prize-winning journalist Murray Kempton brings that turbulent decade to life. Himself a child of the time, Kempton examines with the insight and imagination of a novelist the men and women who embraced, grappled with, and in many cases were destroyed by the myth of revolution. What he calls the “ruins and monuments of the Thirties” include Paul Robeson, Alger Hiss, and Whittaker Chambers, the Hollywood Ten, the rebel women Elizabeth Bentley and Mary Heaton Vorse, and the labor leaders Walter Reuther and Joe Curran.




Los Angeles in the Thirties, 1931-1941


Book Description

"Speed, mobility, freedom: these governed the aesthetics of the "city of the future" as it spread its arterials across the Southern California landscape. If ever a city and a decade seemed meant for each other, it was Los Angeles and the streamlined '30s. The gloom of the Depression did little to curb the dynamism of this optimistic, greedy, sprawling metropolis. The Hollywood dream machine mirrored the aspirations of millions of Americans - a single-family home and yard, the independence of a private car on uncluttered streets, and the latest household conveniences. And L.A.'s built environment reflected the dreams, realizing in fact what the film sets offered in fantasy, with imagery ranging from up-to-date recreations of popular period styles to the stripped-classic monumentality of public buildings, and on toward the future in the sleek Moderne of curved corners, fluidly bent neon and metal tubing, and sculpted surfaces of stucco and glass brick ... Attention is focused on the types of architectural imagery used in commercial, public, and residential buildings..."--Page 4 of cover.




Recharting the Thirties


Book Description

The aim of Recharting the Thirties is to revitalize the awareness of the reading public with regard to eighteen writers whose books have been largely ignored by publishers and scholars since their major works first appeared in the thirties. The selection is not based on a political agenda, but encompasses a wide and divergent range of philosophies; clearly, the contrasts between Empson and Upward, or between Powell and Slater, indicated the wide-ranging vision of the period. Women writers of the period have largely been marginalized, and the writings of Sackville-West and Burdekin, for example, not only present distinct feminine voices of the period, but also illuminate how much good literature has been forgotten.




New York in the Thirties


Book Description

Ninety-seven photographs accompanied by descriptive notes capture New York City life in the depression years.




Irish Writers and the Thirties


Book Description

This original study focusing on four Irish writers – Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers – retrieves a hitherto neglected episode of Thirties literary history which highlights the local and global aspects of Popular Front cultural movements. From interwar London to the Spanish Civil War and the USSR, the book examines the lives and work of Irish writers through their writings, their witness texts and their political activism. The relationships of these writers to George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams and other figures of cultural significance within the interwar period sheds new light on the internationalist aspects of a Leftist cultural history. The book also explores how Irish literary women on the Left defied marginalization. The impetus of the book is not merely to perform an act of literary salvage but to find new ways of re-imagining what might be said to constitute Irish literature mid-twentieth century; and to illustrate how Irish writers played a role in a transforming political moment of the twentieth century. It will be of interest to scholars and students of cultural history and literature, Irish diaspora studies, Jewish studies, and the social and literary history of the Thirties.