Thirty Years After


Book Description

Thirty Years After: New Essays on Vietnam War Literature, Film and Art brings together essays on literature, film and media, representational art, and music of the Vietnam War that were generated by a three-day conference in Honolulu during Veterans Week 2005. This large and extensive volume, the first collection of Vietnam War criticism published since the 1990s, reflects significant cultural and historical changes since then, including U.S.-Vietnamese cultural transactions in the wake of political reconciliation and the Vietnamese diaspora; popular commodification and memorialization of the war in America; and renascent American imperialism. Contributors include well-established and well-published writers and critics like Philip Beidler, Cathey Calloway, Lorrie Goldensohn, Wayne Karlin, Andrew Lam, Jerry Lembcke, Tim O'Brien, John S. Schafer, and Alex Vernon as well as emerging Vietnam scholars and critics. Among other contributions, the volume provides important quasi-bibliographical essays on canonical American and Vietnamese literature and film, African American Vietnam war narratives, Chicano fiction and poetry, and American Vietnam war art music as well as essays on such subjects as real and digital war memorials, Vietnamese popular war songs, and Vietnamization of the Gulf War. Teachers, scholars, and the general public will find Thirty Years After a valuable guide to ongoing critical discussion of the most important event in American history between 1945 and 9/11.I highly recommend this book. Although it is almost a cliche say the Vietnam War has left deep and lingering scars on American society-Thirty Years underscores the still traumatic cultural legacy of this conflict. Attuned to the divergent voices and genres of representation--Thirty Years is an indispensable work, not only for literary scholars, but for anyone seeking to understand the enduring impact of the Vietnam War. An impressive work, Mark Herbele is commended for organizing such an insightful and gracefully written set of essays. G. Kurt Piehler, author of Remembering War the American Way.




Thirty Years Since: The Ruined Family


Book Description

Most cities are hateful; and, without any disposition to "babble about green fields," it must be owned that each is more or less detestable. Nevertheless, among them all, there is none to be compared, as a whole, to London--none which comprehends within itself, from various causes, so much of the sublime in every sort. Whether we consider its giant immensity of expanse--the wonderful intricacy of its internal structure--the miraculous harmony of its discrepant parts--the grand amalgamation of its different orders, classes, states, pursuits, professions--the mighty aggregate of hopes, wishes, endeavors, joys, successes, fears, pangs, disappointments, crimes, and punishments, that it contains--its relative influence on the world at large--or the vehement pulse with which that "mighty heart" sends the flood of circulation through this beautiful land--we shall find that that most wonderful microcosm well deserves the epithet sublime. To view it rightly--if we wish to view it with the eye of a philosopher--we should choose, perhaps, the hour which is chosen by the most magnificent and extraordinary of modern poets, and gaze upon it when the sun is just beginning to pour his first red beams through the dim and loaded air, when that vast desert of brick and mortar, that interminable wilderness of spires and chimneys, looks more wide and endless, and solemn, than when the eye is distracted by myriads of mites that creep about it in the risen day. It may be asked, perhaps, who is there that ever saw it at that hour, except the red-armed housemaid washing the morning step, and letting in the industrious thief, to steal the greatcoats from the hall; or the dull muffin-man, who goes tinkling his early bell through the misty streets of the wintry morning? Granted, that neither of these--nor the sellers of early purl--nor the venders of saloop and cocoa--nor Covent Garden market-women--nor the late returners from the finish--nor he who starts up from the doorway, where he has passed the wretched night, to recommence the day's career of crime, and danger, and sorrow--can look upon the vast hive in which they dwell with over-refined feelings; and, perhaps, to them may come home unhappy Shelley's forcible line-- "Hell is a city very much like London!" The valetudinarian, too, who wakes with nervous punctuality to swallow down the morning draught, prescribed by courtly Henry's bitter-covering skill, may curse the cats that, perched upon the tiles, salute their lady-loves with most discordant cries, and keep him from repose; and with all the virulence of Despréaux, may exclaim upon the many hateful sounds of a town morning. But, besides all these, there are sometimes persons who, rising five hours before their usual time, come forth in all the freshness of the early day, stimulated by the vast effort that roused them from their beds, proud of a successful endeavor to get up, and excited by the novelty of the circumstance and the scene, and who rush on, admiring all the beauties as they go to take their places in the gay stage-coach.




Thirty Years' View


Book Description




Conjuror's Game


Book Description

Alick is fascinated by Luke Ferris - the Conjuror! Where does he get his strange powers of healing? Why has he got six fingers? What is his connection with the sinister goings-on at the Mere in Halcombe Great Wood? Then Alick follows the Conjuror to the secret chamber under the hillside. There he discovers the ancient game of Fidchell and accidentally removes a key piece in the game - unleashing dark and terrifying forces on to the world.




Thirty Years From Home; or, a Voice From the Main Deck


Book Description

This book is an autobiography of Samuel Leech, a young sailor in the Royal Navy and the United States Navy during the War of 1812. Leech's nautical career began in 1810, at the age of thirteen, when Lord William FitzRoy agreed to take Samuel into his frigate HMS Macedonian, as a favor to FitzRoy's sister Frances, the wife of Francis Spencer, 1st Baron Churchill, Leech being the son of one of her servants.







My First Thirty Years


Book Description

"Thirty years ago, I lay in the womb of a woman, conceived in a sexual act of rape, being carried during the prenatal period by an unwilling and rebellious mother, finally bursting from the womb only to be tormented in a family whose members I despised or pitied, and brought into association with people whom I should never have chosen." Shortly after its 1925 publication, Gertrude Beasley's ferociously eloquent feminist memoir was banned and she herself disappeared under mysterious circumstances. Though British Nobel Prize winner Bertrand Russell called My First Thirty Years "truthful, which is illegal" and Larry McMurtry pronounced it the finest Texas book of its era, Beasley's words have been all but inaccessible for almost a century—until now. Beasley penned one of the most brutally honest coming-of-age historical memoirs ever written, one which strips away romantic notions about frontier women's lives at the turn of the 20th century. Her mother and sisters braved male objectification and the indignities of poverty, with little if any control over their futures. With characteristic ferocity, Beasley rejected a life of dependence, persisting in her studies and becoming first a teacher, then a principal, then a college instructor, and finally a foreign correspondent. Along the way, Beasley becomes a strident activist for women's rights, socialism, and sex education, which she sees as key to restoring bodily autonomy to women like those she grew up with. She is undaunted by authority figures but secretly ashamed of her origins and yearns to be loved. My First Thirty Years is profoundly human and shockingly candid, a rallying cry that cost its author her career and her freedom. Her story deserves to be heard. Praise for My First Thirty Years: "For almost a century in Texas literary circles, Gertrude Beasley's 1925 memoir has been more a legend than a book... The tangled history of My First Thirty Years, and Beasley's horrific personal fate, are case studies in society's merciless treatment of women of her era who gave voice to socially unspeakable truths. The memoir's republication this month, which makes it widely available for the first time in 96 years, is a long-overdue moment of reckoning. It's also a rich gift to the Texas literary canon."—Texas Monthly "We should all be as fierce, loud, and convinced of our own self-worth as Gertrude Beasley was. This story of a justifiably angry woman living ahead of the world she lived in will resonate deeply today."—Soraya Chemaly, activist and award-winning author of Rage Becomes Her: The Power of Women's Anger "Gertrude Beasley's 1925 memoir grabs the reader by the arm and holds tight, speaking with a voice as compelling as if she had just put down her pen this morning. Feminist, socialist, and acute observer of both herself and the world around her, Beasley gives us stories that illuminate the costs of poverty and of being a woman. To read My First Thirty Years is to be in conversation with an extraordinary mind."—Anne Gardiner Perkins, author of Yale Needs Women