This Ain't the City


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The #lostmtns Team reveals their top Blue Mountains locations to explore, discover, eat, sleep and shop.




This Ain't Chicago


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This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South




Inner City Struggles


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Inner City Struggles tells the hardcore reality of three brothers (C Loc, TJ, and Lil Willie) growing up in these wicked LA streets. The story begins in the summer of 1985 and concludes in the year 2002. This street fiction work of art covers gang life, pimping, gambling, sex, drugs, family values, political issues, and religion. Journey with C Loc, TJ, and Lil Willie as they travel down the bumpy road of life and become men right before your eyes. Roberta the mother of the boys is the glue that keeps the family together. She displays her tough love tactics and strong will perseverance to raise her sons in to model citizens as well as taking care of her ill father. All the highs and the lows will have you glued to your seat in suspense. Welcome to the world of hood life.




Ain't No Makin' It


Book Description

This classic text addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. With the original 1987 publication of Ain't No Makin' It, Jay MacLeod brought us to the Clarendon Heights housing project where we met the 'Brothers' and the 'Hallway Hangers'. Their story of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. The third edition of this classic ethnography of social reproduction brings the story of inequality and social mobility into today's dialogue. Now fully updated with thirteen new interviews from the original Hallway Hangers and Brothers, as well as new theoretical analysis and comparison to the original conclusions, Ain't No Makin' It remains an admired and invaluable text.




Black in Place


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While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.




The Lyrics


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American Lumberman


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The City's Voice


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"A collection of essays, poems and short stories published between 1868 and 1875 in The Overland Monthly, California's first successful literary journal. Included is the work of Bret Harte, Mark Twain, Ina Coolbrith, Ambrose Bierce and Joaquin Miller"--Provided by publisher.




This Ain't the Summer of Love


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"Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II




Current Literature


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