Nocturnes (Complete)


Book Description

The nocturnes (night pieces) are among the most introspective and personal of Chopin's works, as he was influenced by John Field's pieces of the same title. This complete collection of the nocturnes includes a useful thematic index and footnotes citing the differences between the manuscripts and the first editions. The pedaling, tempos and other musical markings are Chopin's.




Three nocturnes


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Nocturnes


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From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes an inspired sequence of stories as affecting as it is beautiful. With the clarity and precision that have become his trademarks, Kazuo Ishiguro interlocks five short pieces of fiction to create a world that resonates with emotion, heartbreak, and humor. Here is a fragile, once famous singer, turning his back on the one thing he loves; a music junky with little else to offer his friends but opinion; a songwriter who inadvertently breaks up a marriage; a jazz musician who thinks the answer to his career lies in changing his physical appearance; and a young cellist whose tutor has devised a remarkable way to foster his talent. For each, music is a central part of their lives and, in one way or another, delivers them to an epiphany.




Programme


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Listen


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DVD contains 30 minutes of video excerpts and 16 audio tracks, keyed to the text.




The Teatro Solís


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The first comprehensive history of the oldest major opera house in the Americas.




Debussy


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One of the most revered composers of the twentieth century, Claude Debussy (1862–1918) achieved the unheard of: he reinvented the language of music without alienating the majority of music lovers. Debussy drove French music into entirely new regions of beauty and excitement at a time when old traditions threatened to stifle it. Yet despite his profound influence on French culture, Debussy’s own life was complicated and often troubled by struggles over money, women, and ill health. Here, Stephen Walsh, acclaimed author of Stravinsky, chronicles both the composer himself and the unique moment in European history that bore him. Walsh’s engagingly original approach is to enrich a lively biography with analyses of Debussy’s music: from his first daring breaks with the rules as a Conservatoire student to his achievements as the greatest French composer of his time.




Programs


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Thirteen Nocturnes


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Combining lush Gothic lyricism with postmodern experimentation, Oliver Sheppard's second collection of verse, Thirteen Nocturnes, presents a nightmare vision of a world in the grip of apocalypse and shadow-a world where "a nighttime of years never-ending" becomes "a darkness severe and unbending," and where life is relentlessly "gathered up against the towering shadow of decay." Taking cues from the dark Romanticism of Poe, the decadent Symbolism of Baudelaire, and the apocalyptic tradition of William Blake-as well as the existential doominess of 20th century cosmic horror-Oliver Sheppard's Thirteen Nocturnes presents a verse vision of collapse, announcing a cold poetics of disintegration in the new dark age of the Anthropocene. "Reading Sheppard's poetry is a little like listening to a conversation between Nietzsche and William Blake during a showing of Peckinpah's Cross of Iron. Using a wide range of forms and cultural references, Sheppard illustrates the human condition in ways that take as much account of its absence as its presence... Given the chance, Sheppard will lead you down dark and unfamiliar paths, to moments of weird beauty." -from the foreword by John Foster




Debussy and the Veil of Tonality


Book Description

This new book on Debussy's music comprises analytical studies of individual works not widely examined previously, including the Fantaisie for piano and orchestra, La demoiselle élue, Nuages, and Gigues. A discussion of the tonal structure of the first movement of La mer finds new relevance in the overused term symphonic in relation to Debussy's position in the history of French orchestral music. An extensive essay documents Debussy's aural images in his propensity for recycling his own musical ideas and quoting the music of other composers. A final lighthearted chapter, Debussy and Ravel: How to Tell Them Apart, systematically addresses this century-old critics' conundrum.