Schoenberg's Atonal Music


Book Description

Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.










Five Centuries of Keyboard Music


Book Description

Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.




Schoenberg


Book Description

The first complete study of one of the most important and controversial musicians of our time, Stuckenschmidt's book discusses all Schoenberg's works, some of them in great detail; it describes Schoenberg's relationship to his forerunners, contemporaries and successors not only in terms of music and the other arts, but also in connection with his social and psychological background.Many biographical details are revealed for the first time in this book; there had previously been no authoritative account of the last thirty years of Schoenberg's life. This book is thus both a biography of unique interest and a critical study.







Fantasy Pieces, Op. 3


Book Description

This edition is based on the first editions corrected by the composer and the versions found in The Complete Works of Rachmaninoff published in Russia since 1949. Brief analyses, together with practice and performance suggestions, should help pianists unfamiliar with these works to begin their study effectively.




To Boulez and Beyond


Book Description

Joan Peyser offers a history of twentieth century music through the lives and works of its greatest composers in To Boulez and Beyond. Peyser provides historical context and suggests psychological insight for these masters, including Schoenberg, Berg, and Webern of the Second Viennese School; their immediate ancestors Wagner and Mahler; Rimsky-Korsakov and his pupil Stravinsky; and Hindemith, Bartók, Cowell, and Varèse. Discussing proponents of serialism and twelve-tone technique, as well as those who worked against these styles, the book also considers Berio, Stockhausen, Shostakovich, Babbitt, Copland, Wuorinen, and Cage, among others, describing how and why music moved throughout the 20th century. The largest section of the book is devoted to the life and works of Pierre Boulez. A new preface and a bibliography help to round out this revised and updated edition.




Alan Bush


Book Description

Born in 1900, Alan Bush, the English composer, conductor and pianist, studied with Corder and Matthay, and privately with John Ireland. He was appointed professor of harmony and composition at the Royal Academy of Music in 1925, a post he held until 1978. In 1929-31, he continued to study at Berlin University and had piano lessons with Moiseiwitsch and Schnabel. The present Source Book documents his works (many of which reflect his Communist sympathies) and the many arrangements of music by other composers. A wealth of detail is provided, including printed scores, CD recordings, bibliographical material and manuscript scores and their locations, the majority of which have been deposited recently in the British Library by the Bush family. A chronology of the composer's life draws on many sources including letters and scrapbooks.