Hitting a Straight Lick with a Crooked Stick


Book Description

From “one of the greatest writers of our time” (Toni Morrison)—the author of Barracoon and Their Eyes Were Watching God—a collection of remarkable stories, including eight “lost” Harlem Renaissance tales now available to a wide audience for the first time. New York Times’ Books to Watch for Buzzfeed’s Most Anticipated Books Newsweek’s Most Anticipated Books Forbes.com’s Most Anticipated Books E!’s Top Books to Read Glamour’s Best Books Essence’s Best Books by Black Authors In 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.







Zora and Me


Book Description

A tale inspired by the early life of Zora Neale Hurston finds the imaginative future author telling fantastical stories about a mythical evil creature until a racially charged murder threatens to shatter the peace in her turn-of-the-century Southern community. A first novel.




Zora Neale Hurston's Their Eyes Were Watching God


Book Description

The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out-of-print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.




Hiding in Plain Sight


Book Description

From 'the most important African novelist to emerge in the past twenty-five years' (New York Review of Books) comes a novel set in Somalia and Kenya about family, freedom and loyalty When Bella, an internationally known fashion photographer, dazzling and aloof, is forced to return to Nairobi to care for her teenage niece and nephew, she feels an unfamiliar surge of protectiveness and responsibility. But when their mother unexpectedly resurfaces, reasserting her maternal rights and bringing with her a gale of chaos and confusion that mirrors the deepening political instability in the region, Bella must decide whether she can – or must – come to their rescue.




Zora Neale Hurston, Haiti, and Their Eyes Were Watching God


Book Description

Zora Neale Hurston wrote her most famous novel, Their Eyes Were Watching God, while in Haiti on a trip funded by a Guggenheim fellowship to research the region’s transatlantic folk and religious culture; this work grounded what would become her ethnography Tell My Horse: Voodoo and Life in Haiti and Jamaica. The essays in Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” persuasively demonstrate that Hurston’s study of Haitian Voudoun informed the characterization, plotting, symbolism, and theme of her novel. Much in the way that Voudoun and its North American derivative Voodoo are syncretic religions, Hurston’s fiction enacts a syncretic, performative practice of reference, freely drawing upon Greco-Roman, Judeo-Christian, and Haitian Voudoun mythologies for its political, aesthetic, and philosophical underpinnings. Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” connects Hurston’s work more firmly to the cultural and religious flows of the African diaspora and to the literary practice by twentieth-century American writers of subscripting in their fictional texts symbols and beliefs drawn from West and Central African religions.




Speak, So You Can Speak Again


Book Description

CD features interview excerpts and folk songs sung by Zora Neale Hurston.




How It Feels to be Colored Me


Book Description

The acclaimed author of Their Eyes Were Watching God relates her experiences as an African American woman in early-twentieth-century America. In this autobiographical essay, author Zora Neale Hurston recounts episodes from her childhood in different communities in Florida: Eatonville and Jacksonville. She reflects on what those experiences showed her about race, identity, and feeling different. “How It Feels to Be Colored Me” was originally published in 1928 in the magazine The World Tomorrow.




Wrapped in Rainbows


Book Description

Traces the career of the influential African-American writer, citing the historical backdrop of her life and work while considering her relationships with and influences on top literary, intellectual, and artistic figures.




Mrs. Spring Fragrance


Book Description

Mrs. Spring Fragrance (1912) is a collection of short stories by Sui Sin Far. Inspired by her experience living among Chinese Americans in San Francisco and Seattle, Mrs. Spring Fragrance is considered one of the earliest works of fiction published in the United States by a woman of Chinese heritage. In “The Inferior Woman,” Mrs. Spring Fragrance encounters her neighbors, the Carmans, as they try to find someone to marry their son. While Mrs. Carman wants him to marry into a family of higher social standing, her son is in love with a local girl who works as a legal secretary. Known by Mrs. Carman as the “Inferior Woman,” she has risen through hard work and perseverance to achieve her position at the law firm. Sympathetic toward her neighbor’s son, Mrs. Spring Fragrance advocates on his behalf. “In the Land of the Free” is the story of a Chinese immigrant who is separated from her young son upon arrival due to insufficient paperwork. Exploring the struggles of this woman to reclaim her son, Sui Sin Far exposes the discrimination and hardships faced by Chinese Americans due to the Chinese Exclusion Act, illuminating the byzantine and restrictive immigration policies which sadly continue under a different guise in modern America. With a beautifully designed cover and professionally typeset manuscript, this edition of Sui Sin Far’s Mrs. Spring Fragrance is a classic of Chinese American literature reimagined for modern readers.