Thruway Diaries


Book Description

Thruway Diaries Summary In Thruway Diaries, the Cadillac, that Black American symbol of achievement and success, having made it, provides no immunity to Big T and his family as they travel from Chicago to his native Mississippi in the early sixties and find themselves the target of police officers hell bent on making sure they know their place. It is even more unfortunate for Big T and his family that they are making the trip only a few years after Rosa Parks has refused to give up her seat to a white man on a bus in Montgomery, Alabama, sparking a bus boycott that fuels the Civil Rights Movement. Even a car representing success can be seen as an affront to the status quo. God forbid one should display an ounce of visible pride, which could easily be interpreted as an act of defiance, an action that could land the unwary in a shallow grave. There are other places to vacationNew York and Chicagoto show off the Cadillac, as Big T knows and hears in no uncertain terms from his children. But home is where the heart is and millions of African Americans returned home each year to visit family and display their new found status. Some, like my Uncle Albert and Uncle John Dew, escaped Mississippi under the cover of darkness to avoid the penury system that held blacks in a state of economic servitude that was little better than slavery. So returning home in a modern car, sometimes a Cadillac as my Uncle Albert did, displaying the latest fashions, was an act of liberation, of financial independence, if not outright defiance. But Big T learns a harsh lesson that compels him to put his Cadillac on the blocks. Family comes first. Big Ts wife, Naomi, while willing to share in her husbands wishes to see his Mother, harbors a disturbing secret of her own from her days as a maid in a white household when the white master still took advantage of young black women without fear of being charged with sexual abuse. She has fled to Chicago to escape in the arms of Big T. Her experience leaves her on an emotional edge that is soothed only by the comfort of family, the distance from her native home and her hope for the future of her family. But what happens almost forty years later when a retired Big T pulls his Cadillac off the blocks and travels with his family to the Southeast, this time through Pennsylvania, Washington, D. C., and to Virginia? There are three generations instead of two in his Cadillac setting out to enjoy that dream vacation that includes a visit to the Washington, D. C. Vietnam Veterans Memorial to see a family member and to walk his granddaughter down the aisle. They could not be happier and they are very comfortable. The Cadillac Eldorado, after all, has been modernized and updated by grandson Tyrone, known also as Little T, himself an automotive design student at a prestigious Midwestern university. The past, the present, and the future are represented in Big Ts Cadillac. As with the typical family, they are not perfect, there is laughter and joking, stories from the past and some tension between mother and son about relationships, in this case an interracial one. But for Big T and Naomi, the golden years have been good to them. Naomi has hand stitched her granddaughters wedding dress. The dream wedding that she never had will be lived through her granddaughter as she walks down the aisle in the perfect dress, one that is without blemish. The wholesome family of law-abiding, God-fearing Americans heading on a vacation in their modernized Cadillac is driving into a very different world than the early sixties. It is world at the mercy of America's War on Drugs into which they are driving. In the security of their home and local community in which Big T travels, it mattered little to them that the United States Supreme Court has validated stop and frisk by police; that the Court has further ruled that any traffic offense committed by a driver, no matter how minor, is a legitimate legal basis




Faith, Hope and Charity


Book Description

"The current script is a revised and updated version of the production presented by the Paul Robeson Performing Arts Company"--Acknowledgments.




White Chocolate


Book Description

Life in small town white America turns out to be anything but idyllic for Professor Walt Williams and wife Ruby. Walt's preoccupation with achieving tenure in the "publish or perish" academic world alienates him from his family. If that's not enough, his college-dropout son, who hangs out on the ski slopes, and daughter Lily, a high school honor student smitten with the white kid next door, are assuming provincial identities that threaten to derail Walt's ambitious goal of seeing them achieve success as high-powered black professionals. "White Chocolate" is a hot issue. It is, in part, about interracial relationships and the impact of that on both the individual and their respective communities. Although other dynamics are involved in the play, the interracial issue prompted much fury and fiery honest discussion in the class [Syracuse University Workshop in Black Theatre]. Jackie Warren-Moore, columnist The Post-Standard, Syracuse, New York "White Chocolate" is a successful political play because it makes the political personal and particular . . . Kelley's play is also a warmhearted domestic drama. While Walt is fighting for his professional life, he is losing the affection of his teenage daughter, Lily, and his college dropout son, Victor . . . David Reilly, Contributing writer The Syracuse Newspapers/Weekend




The Blue Vein Society: Class and Color within Black America


Book Description

The Blue Vein Society Blue Vein Society President Josh Ryder is all set to announce his engagement to a young fair-skinned beauty when his very dark-skinned wife from slavery suddenly appears searching for her long lost husband. A shocked Ryder is forced to confront his hidden past. No Hidin’ Place A southern sheriff discovers the mulatto he is protecting from the lynch mob is his own son, accused of murdering a Confederate army officer. As the mob closes in, the sheriff is forced to make a painful decision to save his son from being lynched. With amazing speed -- and superb acting -- Kelley's play shifts from light but edged irony, to pain, rage, tenderness and acceptance, underscoring the many nuances of prejudice. Neil Novelli Syracuse Post Standard This reviewer long has felt [Kelley] has a kinship with the late August Wilson. Like the Pulitzer Prize winner, Kelley revels in dealing with African-American history. Joan E. Vadaboncouer Syracuse Post Standard The Blue Vein Society . . . is most certainly about the black experience, but like all good drama, it uses that point of view to talk about the human experience. Ann L. Ryan Albuquerque Journal




Stages of Struggle and Celebration


Book Description

From plantation performances to minstrel shows of the late nineteenth century, the roots of black theatre in Texas reflect the history of a state where black Texans have continually created powerful cultural emblems that defy the clichés of horses, cattle, and bravado. Drawing on troves of archival materials from numerous statewide sources, Stages of Struggle and Celebration captures the important legacies of the dramatic arts in a historical field that has paid most of its attention to black musicians. Setting the stage, the authors retrace the path of the cakewalk and African-inspired dance as forerunners to formalized productions at theaters in the major metropolitan areas. From Houston’s Ensemble and Encore Theaters to the Jubilee in Fort Worth, gospel stage plays of the Black Academy of Arts and Letters in Dallas, as well as San Antonio’s Hornsby Entertainment Theater Company and Renaissance Guild, concluding with ProArts Collective in Austin, Stages of Struggle and Celebration features founding narratives, descriptions of key players and memorable productions, and enlightening discussions of community reception and the business challenges faced by each theatre. The role of drama departments in historically black colleges in training the companies’ founding members is also explored, as is the role the support of national figures such as Tyler Perry plays in ensuring viability. A canon of Texas playwrights completes the tour. The result is a diverse tribute to the artistic legacies that continue to inspire new generations of producers and audiences.




Historical Dictionary of African American Theater


Book Description

This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.




African American Dramatists


Book Description

Despite their significant contributions to the American theater, African American dramatists have received less critical attention than novelists and poets. This reference offers thorough critical assessments of the lives and works of African American playwrights from the 19th century to the present. The book alphabetically arranges entries on more than 60 dramatists, including James Baldwin, Arna Bontemps, Ossie Davis, Zora Neale Hurston, and Richard Wright. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a summary of the playwright's critical reception, and primary and secondary bibliographies. The volume closes with a selected, general bibliography. African American dramatists have made enormous contributions to the theater and their works are included in numerous editions and anthologies. Some of the most popular plays of the 20th century have been written by African Americans, and high school students and undergraduates study their works. But for all their popularity and influence, African American playwrights have received less critical attention than poets and novelists. This reference offers thorough critical assessments of more than 60 African American dramatists from the 19th century to the present.




Dramatic Movement of African American Women


Book Description

The book demonstrates the experiences of Alice Childress, Lorraine Hansberry, and Suzan-Lori Parks in comparison with the dramas of each other and those of other African American women. These women playwrights created a militant theatre and a theatre of experience that applied to both the African American community in general and African and African American women in particular. They have been encompassed within African American woman’s aesthetics that shares the militancy and experiencecharacterized by a triple factor: race, gender, and class.







Skiing Heritage Journal


Book Description

Skiing Heritage is a quarterly Journal of original, entertaining, and informative feature articles on skiing history. Published by the International Skiing History Association, its contents support ISHA's mission "to preserve skiing history and to increase awareness of the sport's heritage."