Thurber's Dogs


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The Dog Department


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"On the lawns and porches, and in the living rooms and backyards of my threescore years, there have been more dogs, written and drawn, real and imaginary, than I had guessed before I started this roundup." Here is James Thurber, arguably the greatest humorist of the twentieth century, on all things canine. In The Dog Department, Michael J. Rosen, a literary dogcatcher of sorts, has gathered together Thurber's best in show. Here we have the stylish prose and drawings from Thurber's Dogs (which connected the words "Thurber" and "Dog" as inseparably as "Bartlett" and "Quotation," as "Emily Post" and "Etiquette"), along with unpublished material from the Thurber archives, a great sheaf of uncollected cartoons, and two dozen "Talk of the Town" miniatures from The New Yorker — the consummate dog book from an artist of extraordinary pedigree. What other author can claim to have penned his own personal breed? The Thurber hound is a creature as unmistakable as Disney's mouse or Playboy's bunny. In The Dog Department you'll find standard poodles, Scottish terriers, an Airedale, a rough collie, an American Staffordshire terrier — all Thurber family members who inspired quintessential dog tales. For instance, there's Muggs, "the dog that bit people," an avocation that, each year, required Thurber's mother to send her famous chocolates to an ever-growing list of Muggs's victims. There's also a fair share about bloodhounds, German shepherd dogs, and pugs. But what you'll find remarkable and comforting is that reading Thurber from fifty or even seventy-five years ago is akin to reading about dogs today — or about dogs from the previous century, as Thurber grew up reading — or about dogs, we hope, from this new century we've just entered. The Dog Department is proof that Thurber's work defines the canine canon.




My Life and Hard Times


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Widely hailed as one of the finest humorist of the twentieth century, James Thurber looks back at his own life growing up in Columbus, Ohio, with the same humor and sharp wit that defined his famous sketches and writings. In My Life and Hard times, first published in 1933, he recounts the delightful chaos and frustrations of family, boyhood, youth odd dogs, recalcitrant machinery, and the foibles of human nature.




Thurber on Crime


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One of the greatest American humorists of our century, Thurber was not a man to shrink from danger--as long as he was safely ensconced behind his typewriter or drawing board. Here is a collection of ruminations on everyday villainy--stories, articles and drawings on the evil that men and women do. 32 line drawings.




The Last Flower


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Lanterns & Lances


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Contains 24 pieces in which the well-known humorist is largely concerned with the survival of our English language, currently being subjected to much erroneous use.




The 13 Clocks


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In a cold, gloomy castle where all the clocks have stopped, a wicked Duke amuses himself by finding new and fiendish ways of rejecting the suitors for his niece, the good and beautiful Princess Saralinda.




THE THURBER CARNIVAL


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The Secret Life Of Walter Mitty


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Walter Mitty, a mild-mannered forty-year-old man, drives into Connecticut with his wife for their weekly shopping trip. Tired of his drab, schedule-driven life, Walter escapes into five elaborate daydreams, and finally becomes the hero he always hoped to be. “The Secret Life of Walter Mitty” was originally published in a 1939 issue of The New Yorker. It is considered to be an American classic, and author James Thurber’s masterpiece. It has been adapted for film, first in 1947, and most recently for the 2013 feature film starring Ben Stiller and Kristen Wiig. HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short stories collection to build your digital library.




A Mile and a Half of Lines: The Art of James Thurber


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First book to assemble the range of Thurber's art, from decades of cartoons that established the New Yorker to illustrations for advertisements, children's books, and others' books. Includes previously unpublished art.