To Destroy A City


Book Description

Herman Knell was nineteen and living in Würtzburg in March of 1945 when hundreds of Allied planes arrived overhead, unleashing a torrent of bombs on the city. Würtzburg's tightly packed medieval housing exploded in a firestorm, killing six thousand people in one night and destroying 92 percent of the city's structures. Despite the fact that Würtzburg had no strategic value, the city emerged from World War II second only to Dresden in material destruction inflicted from the air. The experience led Knell to years of research on the history, development, and effects of the strategy of area bombing.To Destroy a City is the result of the author's long and unrelenting investigation. His analysis of this form of warfare, which reached its zenith during World War II, covers the history and the development of wide-area bombing since 1914, examines its wartime effectiveness and the consequences. But the extra dimension that Knell's book offers is his firsthand experience of the tension, fear, tentative defiance, and, finally, utter catastrophe of being on the receiving end of overwhelming air power. For Americans, who fortunately did not experience bombing during the war, this is essential reading.




The City in Crimson Cloak


Book Description

From an “exceptionally sensitive and perceptive” Turkish writer and human rights activist (Orhan Pamuk, winner of the Nobel Prize in Literature), the captivating story of a writer whose own autobiographical novel forces her to come to terms with the dichotomy of the city she once loved: Rio de Janeiro. Özgür is a young woman on fire: poor, hungry, and on the verge of a mental breakdown. She has only one weapon: her ability to write the city that has robbed her of everything, Rio de Janeiro. Through the reading of the bits and pieces of Özgür’s unfinished eponymous novel, with its autobiographical protagonist named Ö, Özgür’s story begins to emerge. As Özgür follows Ö through the shanty towns, Condomble rituals, and the violence and sexuality of the streets of Rio, the reader follows Özgür as she searches for a way to make peace with life, a route to catharsis. Together, the two concentric novels reveal the blurry borderline between the two Rio's -- one a metaphor for death, one a city of life. A major hit when it was released in Turkey and Europe, The City in Crimson Cloak is brilliantly evocative and wildly experimental, doing for Rio what Joyce did for Dublin.




How to Kill a City


Book Description

“An exacting look at gentrification.... How to Kill a City elucidates the complex interplay between the forces we control and those that control us.”―New York Times Book Review The term gentrification has become a buzzword to describe the changes in urban neighborhoods across the country, but we don’t realize just how threatening it is. It means more than the arrival of trendy shops, much-maligned hipsters, and expensive lattes. The very future of American cities as vibrant, equitable spaces hangs in the balance. P. E. Moskowitz’s How to Kill a City takes readers from the kitchen tables of hurting families who can no longer afford their homes to the corporate boardrooms and political backrooms where destructive housing policies are devised. Along the way, Moskowitz uncovers the massive, systemic forces behind gentrification in New Orleans, Detroit, San Francisco, and New York. In the new preface, Moskowitz stresses just how little has changed in those same cities and how the problems of gentrification are proliferating throughout America. The deceptively simple question of who can and cannot afford to pay the rent goes to the heart of America’s crises of race and inequality. A vigorous, hard-hitting exposé, How to Kill a City reveals who holds power in our cities and how we can get it back.




The Destruction of Cities in the Ancient Greek World


Book Description

From the Trojan War to the sack of Rome, from the fall of Constantinople to the bombings of World War II and the recent devastation of Syrian towns, the destruction of cities and the slaughter of civilian populations are among the most dramatic events in world history. But how reliable are literary sources for these events? Did ancient authors exaggerate the scale of destruction to create sensational narratives? This volume reassesses the impact of physical destruction on ancient Greek cities and its demographic and economic implications. Addressing methodological issues of interpreting the archaeological evidence for destructions, the volume examines the evidence for the destruction, survival, and recovery of Greek cities. The studies, written by an international group of specialists in archaeology, ancient history, and numismatic, range from Sicily to Asia Minor and Aegean Thrace, and include Athens, Corinth, and Eretria. They highlight the resilience of ancient populations and the recovery of cities in the long term.




Dystopian Cities


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Arbitrary Lines


Book Description

It's time for America to move beyond zoning, argues city planner M. Nolan Gray in Arbitrary Lines: How Zoning Broke the American City and How to Fix It. With lively explanations, Gray shows why zoning abolition is a necessary--if not sufficient--condition for building more affordable, vibrant, equitable, and sustainable cities. Gray lays the groundwork for this ambitious cause by clearing up common misconceptions about how American cities regulate growth and examining four contemporary critiques of zoning (its role in increasing housing costs, restricting growth in our most productive cities, institutionalizing racial and economic segregation, and mandating sprawl). He sets out some of the efforts currently underway to reform zoning and charts how land-use regulation might work in the post-zoning American city. Arbitrary Lines is an invitation to rethink the rules that will continue to shape American life--where we may live or work, who we may encounter, how we may travel. If the task seems daunting, the good news is that we have nowhere to go but up




To Besiege a City


Book Description

A ground-breaking history of one of the greatest ever sieges. Masterfully brought to life by a leading expert using original Russian and German source material. '[An] excellent account.' - Richard Overy, The Telegraph This new history of the first two years of this crucial battle for the heart and soul of Russia is the first in over a decade and also the first to look comprehensively at the wider military strategies of both sides. At a huge cost, the Red Army and the civilian population of Leningrad ultimately endured a bitter 900-day siege, struggling against constant bombing, shelling, and starvation. Throughout the siege, Soviet forces tried to break the German lines and restore contact with the garrison. To Besiege a City charts the first of these offensives which began in January 1942 and was followed by repeated assaults. Acclaimed Eastern Front historian Prit Buttar details how although the Red Army suffered huge casualties in the swampy and forested terrain, the German infantry divisions were also steadily eroded. Indeed, by keeping control of parts of the shores of Lake Ladoga, the Soviet Union was able to sustain Leningrad through the winters of the siege via the 'road of life', constructed across the frozen lake. This epic history details the dramatic race to create the road across the ice and first-hand accounts from both Soviet and German soldiers, many never previously translated, bring the horrific series of battles and assaults to life. Ultimately the determination of the defenders to hold out during this first phase of the siege and the desperate attempts to break it became a hugely significant part of Russian wartime history. The echoes of the battle persist to this day helping to define both a country and its politics. There is no better time to fully understand this history and To Besiege a City is the most comprehensive account to date.




Oahspe


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I Have the Right to Destroy Myself


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A “mesmerizing” novel of a love triangle and a mysterious disappearance in South Korea (Booklist). In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same beguiling drifter, Se-yeon, who gives herself freely to both of them. Then, just as they are trying desperately to forge a connection in an alienated world, Se-yeon suddenly disappears. All the while, a spectral, calculating narrator haunts the edges of their lives, working to help the lost and hurting find escape through suicide. When Se-yeon reemerges, it is as the narrator’s new client. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself is a dreamlike “literary exploration of truth, death, desire and identity” (Publishers Weekly). Cinematic in its urgency, the novel offers “an atmosphere of menacing ennui [set] to a soundtrack of Leonard Cohen tunes” (Newark Star-Ledger). “Kim’s novel is art built upon art. His style is reminiscent of Kafka’s and also relies on images of paintings (Jacques-Louis David’s ‘The Death of Marat,’ Gustav Klimt’s ‘Judith’) and film (Jim Jarmusch’s ‘Stranger Than Paradise’). The philosophy—life is worthless and small—reminds us of Camus and Sartre, risky territory for a young writer. . . . But Kim has the advantage of the urban South Korean landscape. Fast cars, sex with lollipops and weather fronts from Siberia lend a unique flavor to good old-fashioned nihilism. Think of it as Korean noir.” —Los Angeles Times “Like Georges Simenon, [Kim’s] keen engagement with human perversity yields an abundance of thrills as well as chills (and, for good measure, a couple of memorable laughs). This is a real find.” —Han Ong, author of Fixer Chao




I Will Destroy You


Book Description

The newest collection from Nick Flynn, whose “songs of experience hum with immediacy” (The New York Times) Beginning with a poem called “Confessional” and ending with a poem titled “Saint Augustine,” Nick Flynn's I Will Destroy You interrogates the potential of art to be redemptive, to remake and reform. But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.