Tom Petty and Philosophy


Book Description

For the first time, serious thinkers explore the work of this towering genius of rock music. For fans of Tom Petty, this volume is an eye-opener, with fourteen music-savvy philosophers looking at different facets of Petty’s artistic contribution. They examine not only Tom Petty’s thoughts but also the thoughts we have while we listen. The authors, all Petty fans, come from every philosophical viewpoint: classical, analytic, postmodernist, phenomenological, and Nietzschean. Tom Petty’s body of work exists on a continuum between Folk and Rock, between New Wave and Americana, between Southern simplicity and West Coast chic. There is the legacy left to his main backing band, the Heartbreakers, but also bookended by Mudcrutch and his collaborations with his elders, such as Bob Dylan, George Harrison, Roy Orbison, and Johnny Cash. Tom Petty’s songs hook and they captivate, but they are often profound in their understatement, their stark minimalism. His insight into the human condition conveys a powerful philosophical anthropology with a metaphysics of tragedy, gravity, and levity. Tom Petty’s ethics focuses on dilemmas of the outcast, downtrodden, and heartbroken with a view to the fallen and the sinful as our redeemable antiheroes of the everyday. His political thinking is that of the artist, enlivened by Southern hostilities and Californian futilities, culminating in a personal ethic that puts duty to the fans first. Petty’s theory of knowledge is psychological and interpersonal, both deeply meditative and delightfully skeptical. The dialectic of love and hate, abuse and recovery, poverty and power, triumph and loss provide the genuine objects of knowledge. Above all, Petty’s songs are the confessions of a poetic mind interpreting a wounded soul. Petty lived his life the way he wrote and the way he played. It was grit, drive, and just enough finesse, to make things nice, where they need to be nice. On stage, he put the schau in Anschauung. Petty stood up to corporate assholes in a number of precedent-setting legal maneuvers and album concepts, risking his career and fortune, but never backing down. He was the center of a musical community that endured over four decades. His ability to cultivate new generations of listeners while connecting himself backward to the heroes of his own youth have made him universally respected by the widest range of music fans.




Tom Petty


Book Description

Rock and roll hall-of-famer Tom Petty had a musical career that spanned four decades with Tom Petty and the Heartbreakers, and also notably included the co-founding of supergroup The Traveling Wilburys. As a songwriter and rock star, Petty was among the most successful of his time. His work appealed across socioeconomic boundaries to a diverse group of fans, and this collection of new essays explores this phenomenon. Other topics include Petty's writing process, his political stances and the psychology behind his music.




Pearl Jam and Philosophy


Book Description

The first scholarly discussion on the band, Pearl Jam and Philosophy examines both the songs (music and lyrics) and the activities (live performances, political commitments) of one of the most celebrated and charismatic rock bands of the last 30 years. The book investigates the philosophical aspects of their music at various levels: existential, spiritual, ethical, political, metaphysical and aesthetic. This philosophical interpretation is also dependent on the application of textual and poetic analysis: the interdisciplinary volume puts philosophical aspects of the band's lyrics in close dialogue with 19th- and 20th-century European and American poetry. Through this widespread philosophical examination, the book further looks into the band's immense popularity and commercial success, their deeply loyal fanbase and genuine sense of community surrounding their music, and the pivotal place the band holds within popular music and contemporary culture.




Philosophy at 33 1/3 Rpm


Book Description

Harris (philosophy, c. of William and Mary) explores the lyrics of rock on the human condition. Published by Open Court Publishing, Co., 332 South Michigan Avenue, Suite 2000, Chicago, IL 60604. Annotation copyright by Book News, Inc., Portland, OR




Philosophy: Thought That Counts


Book Description

One-hundred forty-three generally philosophical essays written by Gary C. Gibson. The journal of philosophy presents the author's eclectic interest in string theory, renewable resource economics, U.S. politics, neo-Platonism, Christianity, cosmology, genesology, epistemology and metaphysics. The readings in works by W.V.O. Quine, Kripke, Gasperini, Plotinus and Biblical cosmology, along with much contemporary event analysis, comprised construction element-points of several of the philosophical essays written here.




KISS and Philosophy


Book Description

KISS is the most outrageous and yet the most enduring of rock bands, with an unparalleled, almost religious level of devotion from millions of die-hard fans. In KISS and Philosophy, professional thinkers of diverse outlooks provide much-needed insights into the motivating ideas and metaphysical foundations of the KISS take on life. According to some, the true message of KISS is self-actualization through the hard work of following your dreams. Others focus on the existential aspect of KISS thinking, drawing upon Camus and Sartre to show that KISS is preoccupied with empowering the individual to achieve self-greatness. By contrast, there is a view of KISS which identifies a “destroyer” attitude, leading some listeners to reject KISS outright, while encouraging others to become the most dedicated of followers. Yet another view sees KISS’s “letting loose” as essentially Dionysian. Some chapters gain access to KISS thinking by tracing the band’s cultural and historical impact, finding meaning in the way generations of fans make sense of KISS’s always evolving output, the changing line-up, and the archetypal characters represented by the band’s use of make-up and presentation. Other chapters look at the aesthetic quality of the band’s output, especially their most controversial album, Music from “The Elder.” Several chapters examine KISS’s orientation to bodily pleasures, notably sex, extracting the band’s philosophy of sex and love from different clues and indications. How does KISS’s unashamed indulgence relate to various pleasure-governed ethical systems throughout history? Is getting the most out of pleasure key to living the good life? And does a life of gratifying one’s body ultimately yield fulfillment? What are the limitations and hazards of a pleasure-oriented lifestyle? The biography of band members also provides material for reflection, looking at the nature of forgiveness through the lens of KISS’s notorious feuds, and determining how to reconcile the apparently conflicting accounts of some famous squabbles. The changing line-up of the band raises questions about the meaning of “KISS” and whether KISS could last forever




Catastrophe and Higher Education


Book Description

This book asks what it means to live in a higher educational world continuously tempered by catastrophe. Many of the resources for response and resistance to catastrophe have long been identified by thinkers ranging from Ralph Waldo Emerson and William James to H. G. Wells and Emanuel Haldeman-Julius. Di Leo posits that hope and resistance are possible if we are willing to resist a form of pessimism that already appears to be drawing us into its arms. Catastrophe and Higher Education argues that the future of the humanities is tied to the fate of theory as a form of resistance to neoliberalism in higher education. It also offers that the fate of the academy may very well be in the hands of humanities scholars who are tasked with either rejecting theory and philosophy in times of catastrophe—or embracing it.




Mirror in the Sky


Book Description

A stunning musical biography of Stevie Nicks that paints a portrait of an artist, not a caricature of a superstar. Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century. This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations. The book uniquely: Analyzes Nicks's craft—the grain of her voice, the poetry of her lyrics, the melodic and harmonic syntax of her songs. Identifies the American folk and country influences on her musical imagination that place her within a distinctly American tradition of women songwriters. Draws from oral histories and surprising archival discoveries to connect Nicks's story to those of California's above- and underground music industries, innovations in recording technology, and gendered restrictions.




Straight Into Darkness


Book Description

As Megan Volpert stood over train tracks preparing to surrender to the psychedelic blindness of simple human misery, of all the Heartbreakers tracks available to come through her headphones, “Straight Into Darkness” is the one that did. In this highly philosophical and deeply personal exploration of one obscure Tom Petty song, Volpert’s essays comb through the musical, historical, rhetorical, and sociological implications of a forgotten gem in a legendary catalog with satisfying results. Through this epic celebration of the fortieth anniversary of the Long After Dark album, Petty and Volpert each emerge as modern mystics who argue that in the face of powerlessness, we rebel anyway. Volpert judges the forty years of Petty’s career with one finger on the pulse of Bob Dylan and an occasional whiff of Bruce Springsteen, looking at the sometimes-violent mob scene of concerts as a type of transcendent communion. Straight Into Darkness offers a compelling vision of rock and roll fandom where the songwriter’s hardworking sense of humor is enough to save us from absurdity. All you need is Albert Camus and a couple of chords.




Philosophy as World Literature


Book Description

What does it mean to consider philosophy as a species of not just literature but world literature? The authors in this collection explore philosophy through the lens of the "worlding" of literature--that is, how philosophy is connected and reconnected through global literary networks that cross borders, mix stories, and speak in translation and dialect. Historically, much of the world's most influential philosophy, from Plato's dialogues and Augustine's confessions to Nietzsche's aphorisms and Sartre's plays, was a form of literature--as well as, by extension, a form of world literature. Philosophy as World Literature offers a variety of accounts of how the worlding of literature problematizes the national categorizing of philosophy and brings new meanings and challenges to the discussion of intersections between philosophy and literature.