Tony Couch's Keys to Successful Painting


Book Description

No matter what medium you are working in, you can create paintings that are interesting to your viewer. Popular painter and instructor Tony Couch shows you how! Tony Couch maintains that the key to producing credible work lies within the mastery of two basic skills: drawing and design. There are only a few simple principles of design at the foundation of any successful painting, and Tony Couch demonstrates how you can apply these principles to create visually appealing paintings. Once you begin to understand and use the principles taught in this book, you can consciously incorporate them into your work. You'll learn to make your paintings interesting through color harmony, repetition, balance, and dominance, but at the same time create visual appeal through variety, contrast, and gradation. Tony Couch's Keys to Successful Painting breaks down the fundamentals of painting design. Couch demonstrates how to arrange shapes, size, lines, color, and values to create stunning compositions. Because Tony Couch reduces design to a few rules applied to a limited number of elements, you'll find his ideas easy to remember. The sheer number of paintings included here that illustrate these principles allow you to see how they work in practice. Painters of all mediums can create unforgettable works with Tony Couch's invaluable design advice. Tony Couch received his bachelor's degree from the University of Tampa and studied with Edgar A. Whitney at the Pratt Institute in New York City. During a 31-year career as a commercial airline pilot, Couch advanced his watercolor painting skills at workshops with Ed Whitney, Milford Zornes, Robert E. Wood, Zoltan Szabo, and others. He has written articles on watercolor instruction for North Light, American Artist, and Palette Talk, and has produced a popular series of videos on watercolor painting. He teaches watercolor workshops worldwide and has won over 50 awards. Couch maintains membership to a number of art societies and is also the author of Watercolor: You Can Do It and Watercolor Techniques.




Watercolor: You Can Do It!


Book Description

A complete watercolor instruction guide, this long-time bestseller is full of vibrant illustrations, examples of what to do and what to avoid, and tips that make the medium accessible. Written by a true master, it presents practical information on the basics of setting up a good painting — composition, color, and light — before discussing the medium's advantages and concluding with informative demonstrations. Tony Couch emphasizes practice as the key to developing watercolor skills. Starting with equipment choices and methods for controlling paint on wet paper, he proceeds to discussions and illustrations of the elements and principles of design. Other topics include working with color and value, pulling together a composition, and acquiring techniques for handling watercolor. Easy-to-follow examples chart the progress from a rough sketch into a finished painting. Watercolor: You Can Do It! is an ideal companion for beginning to advanced artists, suitable for individual study as well as a text for art students and teachers.




Watercolor Techniques


Book Description

Introduces watercolor materials and methods, and provides step-by-step demonstrations of landscape painting that focus on various aspects of nature, including trees, rocks, water, and snow




Complete Guide to Watercolor Painting


Book Description

Brilliant guide by renowned artist tells all, from basics to creating masterful landscapes, portraits, and figures. Full-color sections follow evolution of seven of the author's own watercolors. 37 color and over 100 black-and-white illustrations.




The Simple Secret to Better Painting


Book Description

Create art that's more attractive, interesting and eye-catching! Even if your perspective is accurate, your subject realistic and colors vibrant, a weak composition - predictable, repetitious or monotonous - means a weak painting. The Simple Secret to Better Painting ensures that your compositions work every time. It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same. You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point. Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more. You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.




The Subtle Art of Not Giving a F*ck


Book Description

#1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.




Historical Painting Techniques, Materials, and Studio Practice


Book Description

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.




The Age of Creativity


Book Description

A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.




Watercolor Fix-It Book


Book Description

Step-by-step examples show you dozens of ways to make your watercolors better including: changing tonal values, clarifying your focal point, using interesting shapes, and adding figures.




The Largesse of the Sea Maiden


Book Description

Twenty-five years after Jesus’ Son, a haunting new collection of short stories on mortality and transcendence, from National Book Award winner and two-time Pulitzer Prize finalist Denis Johnson NATIONAL BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY Dwight Garner, The New York Times • Maureen Corrigan, NPR’s Fresh Air • Chicago Tribune • Newsday • New York • AV Club • Publishers Weekly “Ranks with the best fiction published by any American writer during this short century.”—New York “A posthumous masterpiece.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • NPR • The Boston Globe • New York Public Library • Kirkus Reviews • Bloomberg The Largesse of the Sea Maiden is the long-awaited new story collection from Denis Johnson. Written in the luminous prose that made him one of the most beloved and important writers of his generation, this collection finds Johnson in new territory, contemplating the ghosts of the past and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death, this collection is the last word from a writer whose work will live on for many years to come. Praise for The Largesse of the Sea Maiden “An instant classic.”—Newsday “Exceptional luminosity . . . hits a powerful vein.”—The New York Times Book Review “Grace and oblivion are inextricably yoked in these transcendent stories. . . . [Johnson’s] gift is to extract the beauty in all that brokenness.”—The Wall Street Journal “Nobody ever wrote like Denis Johnson. Nobody ever came close. . . . We’re just left with this miraculous book, these perfect stories, the last words from one of the world’s greatest writers.”—NPR